In recent years Gerald Finzi has produced lengthy works such as the setting of Wordsworth's “Intimations of Immortality” and the clarinet concerto which, together with the earlier violin concerto, show a definite grasp of composition in the more extended forms. Although neither these works nor the various pieces for chamber groups can be disregarded in a final estimate of the composer, it can be fairly confidently upheld that it is within the narrower confines of the solo song that Finzi has given us his best work up to the present time. This is not altogether surprising since his gifts are above all lyrical. To write a good song is no mean accomplishment; to find in song-writing, as Finzi has done, a definite personal expression and a consistent development of style is something which only a few composers either achieve or attempt.