Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-28T14:25:22.158Z Has data issue: false hasContentIssue false

First Performances

Published online by Cambridge University Press:  04 February 2010

Extract

  • ‘Beatrix Cenci’ Irving Lowens

  • Simpson/Lumsdaine Ottaway/Cooke

Type
First Performances
Copyright
Copyright © Cambridge University Press 1973

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The quotations from Ginastera's ‘How and Why I Wrote Bomarzo’ in this article are taken from my copy of the original typed draft with emendations suggested by the composer, which accounts for the fact that the phraseology differs from time to time from that in the published version of the talk in the Central Opera Service Bulletin, IX (0506 1967), 1013.Google Scholar

2 ‘Current Chronicle, Washington, D.C.’, The Musical Quarterly, LI (1965), 412.Google Scholar

3 Ibid., 413.

4 ‘Current Chronicle, Washington, D. C.’, The Musical Quarterly, LIII (1967), 555.Google Scholar