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DISEMBODIMENT: REPRODUCTION, TRANSCRIPTION, AND TRACE

Published online by Cambridge University Press:  24 December 2018

Aaron Einbond
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Abstract

This article poses the question, what is so great about the body? Recent scholarship has emphasized the concept of an embodied cognition and reminded us of the significance of embodiment in musical performance. Yet, vital as these observations may be, they offer only a limited view of what ‘touch’ can mean. Following the semiotic notion of the index as a sign with a real connection to its object, writers and artists such as Friedrich Kittler, Ai Weiwei, Kenneth Goldsmith and Nicolas Donin have reflected on how the reproductions of the gramophone needle, the calligrapher's brush, the blogger's keyboard, and the programmer's code can trace meaningful points of contact. Examples from my own practice illustrate some of the many possible ways that digital traces can be touching.

Type
RESEARCH ARTICLES
Information
Tempo , Volume 73 , Issue 287 , January 2019 , pp. 83 - 90
Copyright
Copyright © Cambridge University Press 2018 

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References

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14 A video trailer for Hidden in Plain Sight can be viewed at: https://vimeo.com/aaroneinbond/hidden.