Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-25T07:47:31.457Z Has data issue: false hasContentIssue false

‘Dark Fire’: Simon Holt and his Music

Published online by Cambridge University Press:  22 January 2016

Extract

Just about the strongest, most honest and individual composing talent anywhere. It's music that gets one by the ears, by the throat, by the nerve-ends, and never leaves one the same after as before hearing it – all without obvious rhetoric, and with no attempt at stylistic hectoring, sledgehammering or attempting to take any sort of political, social, moral or even artistic stance. It's music which is complete of itself; it doesn't go out of its way to court or manipulate the listener – the listener is drawn in, if at all, by the music's own pure poetry. Especially his own is the duende quality, the dark fire, the quasi-demonic impishness that all his music has…

Type
Research Article
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)