Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-25T07:47:43.233Z Has data issue: false hasContentIssue false

Book Reviews

Published online by Cambridge University Press:  22 January 2016

Extract

  • Bartk as Ethnomusicologist Malcolm Gillies

  • Barraqu's Debussy Chris Dingle

  • Warlock the Composer Mike Smith

  • Messiaen the Teacher Chris Dingle

  • Arv Prt Peter Quinn

Type
Book Reviews
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 22 note 1 In conversation with Claude Samuel, Messiaen also characterized Barraqué as being a rebel in the Boulez mode.

page no 23 note 2 Particularly regarding rhythm in La Met.

page no 24 note 1 Samson, Jim, Music in Transition: a Study of Tonal Expansion and Atonatlity, 1900–1920 (London: Dent, 1977), p. 101 Google Scholar.

page no 24 note 2 Kington, Beryl, quoting Rowley, Alec (apparently quoting warlock), in Cox, David and Bishop, John (eds), Peter Warlock: a Centenary Celebration (London: Thames Publishing, 1994), p. 217 Google Scholar.

page 25 note 1 Musique et Couleur - nouveaux entretiens avec Claude Samuel by Messiaen, Olivier (Paris, 1986), 41 Google Scholar.

page 25 note 2 The entire Traité is likely to weigh-in at about 5000 pages. According to Jean Leduc, the volume dedicated to birdsong (Tome V) is now going to be split into two parts with a total of 2000 pages.

page 25 note 3 The dedicatee of Technique Je mon langage musical.

page 25 note 4 Director of the paris Conservatoire, 1956–62.

page 26 note 5 Boivin, p. 293.

page 26 note 6 ibid.

page 26 note 7 Messiaen Traité Tome II, p. 130.

page 26 note 8 From the film Messiaen et les oiseaux (1973) by Tual, Denise and Fano, Michel Google Scholar.