^{page 26 note 1} Messiaen omitted th e concertos for two and three pianos (K365 and K242) and Mozart's arrangements of sonata movements by other composers (K37, K39, K40 & K41). He includes the Concert Rondo in D (K382) but omits the Concert Rondo in A (K386).

^{page 26 note 2} Messiaen, Olivier: Musiaue et Couleur, p. 194 Google Scholar.

^{page 26 note 3} 7 November-19 December, 1964. The conductors were Pierre Boulez, Bruno Maderna and Louis Martin.

^{page 26 note 4} Written within months of completing the Quatre études de rythme.

^{page 26 note 5} Messiaen, Olivier: Traité, Tome IV, p. 129 Google Scholar.

^{page 27 note 6} La Revue Musicale, no. 166 (06, 1936), supplementGoogle Scholar.

^{page 27 note 7} La Revue Musicale, no. 166 (06, 1936), pp. 79–86 Google Scholar.

^{page 27 note 8} Hill, Peter (ed.): The Messiaen companion (London, 1995), p. 288 Google Scholar. One of the works apparently to be revised is Trois petites liturgies de la Présence Divine.

^{page 29 note 1} Chandos CHAN 9586, conducted by Alasdair Mitchell.

^{page 29 note 2} Some of the issues were discussed in my review in Tempo 168, pp.46–8 of the revival of Elegy, Kelly's in Memoriam Rupert Brooke in the St Martin's-in-the-Fields Armistice Festival on 11 11 1988 Google Scholar.

^{page 29 note 3} Copley, Ian, George Butterworth and his music – a centennial tribute, Thames Publishing, nd[1985]Google Scholar.

^{page 30 note 4} Boyes, Georgina, The Imagined Village: culture, ideology and the English folk revival, Manchester University Press, 1993 Google Scholar.

^{page 30 note 5} Harker, David, Fakesong: the manufacture of British ‘folksong’ 1700 to the present day, Milton Keynes: Open University Press, 1985 Google Scholar.

^{page 36 note 1} See Stenzl, J., ‘In Search of a History of Musical Interpretation’, in Quarterly, Musical 79 (1995), pp. 683–99Google Scholar.

^{page 36 note 2} This topic and that of Furtwangler among the Nazis were touched on in my review, ‘Recent Furtwangler Books’, Tempo 184, pp. 35–36.