Hostname: page-component-745bb68f8f-s22k5 Total loading time: 0 Render date: 2025-01-10T23:42:43.108Z Has data issue: false hasContentIssue false
  • English
  • Français

Book Reviews

Published online by Cambridge University Press:  22 January 2016

Get access Rights & Permissions [Opens in a new window]

Extract

  • The Making of Peter Grimes David Farneth

  • Gerald Finzi: an English Composer Mike Smith

  • Ern Lendvai's Musical Symmetries Roy Howat

  • Adorno, Modernism and Mass Culture Michael Graubart

  • Poles Apart: The Music of Roger Smalley Mike Seabrook

Type
Book Reviews
Information
Tempo , Issue 204 , April 1998 , pp. 25 - 31
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Howat, R., ‘Bartók, Lendvai and the principles of proportional analysis’, Music analysis, vol.2 no.1 (1983), pp.69–95 CrossRefGoogle Scholar; Lendvai, E., ‘Remarks on Roy Howat's “Principles of proportional analysis”’, Music analysis, vol.3 no.3, pp.255–64CrossRefGoogle Scholar (also printed as ‘The limits of musical analysis’ in The New Hungarian Quarterly, vol.26 no.97 (Spring 1985) pp.201–7)Google Scholar; and Howat, R., ‘Correspondence’, Music analysis, vol.4 no.3 (10 1985), p.337 CrossRefGoogle Scholar.