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ADÈS AT 50: PRECARIOUS POISE
Published online by Cambridge University Press: 01 October 2021
Abstract
A range of aesthetic and technical features is explored in two of Adès's large-scale works, the operas The Tempest and The Exterminating Angel, along with aspects of genre involving Stravinsky and Britten. Large-scale focus is offset by brief accounts of The Four Quarters and Dawn, considering their character in light of some recent initiatives in musicology.
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- Copyright © The Author(s), 2021. Published by Cambridge University Press
References
1 Stravinsky, Igor, Themes and Conclusions (London: Faber and Faber, 1972), pp. 26–27Google Scholar.
2 Edward Venn, ‘Thomas Adès's The Exterminating Angel’ (TEMPO, 71, no. 280, April 2017), p. 46, quoting Christian Arseni, ‘“Why do we ever do anything?”: Thomas Adès and Tom Cairns Talk about The Exterminating Angel’, 2016 Salzburg Festival programme book, p. 53.
3 György Ligeti in Conversation (London: Eulenberg Books, 1983), p. 115. For a well-illustrated analysis of Le Grand Macabre's ending, see Michael D. Searby, Ligeti's Stylistic Crisis. Transformation in His Musical Style, 1974–1985 (Lanham: The Scarecrow Press, 2010), especially chapters 2 and 3.
4 Arnold Whittall, ‘Affirmative Anger: James Clarke and the Music of Abstract Expressionism’, in British Music after Britten (Woodbridge: The Boydell Press, 2020), pp. 119–32.
5 Thomas Adès and Tom Service, Thomas Adès: Full of Noises (New York: Farrar, Straus, and Giroux, 2012), p. 163.
6 See the perceptive discussion in Michael Ewans, ‘Thomas Adès and Meredith Oakes: The Tempest’, Studies in Musical Theatre, 9, no. 3 (2015), pp. 232–50, esp. 244–45.
7 See Arnold Whittall, ‘A Voyage beyond Romance: the Music of Nicholas Maw’, in British Music after Britten, pp. 43–46.
8 Gerald Barry, liner notes with CD of The Triumph of Beauty and Deceit (LARGO, 5135, 1997), p. 4.
9 Igor Stravinsky and Robert Craft, Dialogues (London: Faber Music/Faber and Faber, 1982), p. 34.
10 Adès and Service, Thomas Adès, p. 123.
11 Ibid., p. 121.
12 Ibid., p. 118.
13 Ibid., p. 124.
14 Ibid., p. 125.
15 Ibid., p. 163.
16 Ibid., p. 177.
17 Thomas May, liner notes with DVD of The Exterminating Angel (Erato 0190295525507, 2019), p. 5.
18 Adès and Service, Thomas Adès, p. 60.
19 Ibid., p. 147.
20 Paul Griffiths, liner notes with CD of The Four Quarters (Signum Classics SIGD413, 2015), p. 7.
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25 Ibid., p. 147.
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28 Ibid., p. 141.
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35 Ibid., p. 87.
36 Venn, ‘Thomas Adès's The Exterminating Angel’, p. 46.