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WITOLD LUTOSŁAWSKI AND THE CRAFT OF WRITING NOTHING

Published online by Cambridge University Press:  14 July 2010

Hugh Collins Rice
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Extract

From the moment Schoenberg saw the need to use the designations Hauptstimme and Nebenstimme, the issue of differentiating material in complex post-tonal scores has been significant. It has formal and textural connotations, and it relates directly to the experience of listening to this music.

Type
Research Article
Information
Tempo , Volume 64 , Issue 253 , July 2010 , pp. 21 - 29
Copyright
Copyright © Cambridge University Press 2010

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