Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-26T08:00:40.309Z Has data issue: false hasContentIssue false

Psappha, 3x3 Concerts 1 October and 12 November 2020

Published online by Cambridge University Press:  10 March 2021

Extract

What constitutes a concert? While many have played with the form, the basics – performers and audience in a shared space – seemed self-evident. However, at a time when restrictions limit or prevent gatherings of performers and audience, this question has assumed new significance. Indeed, the area of live music performance has borne the brunt of many of the ongoing uncertainties, changes and debates of recent months. In the midst of disappointing and unsettling news about cancellations and postponements, it was a welcome relief to read that Psappha decided to go ahead with their 2020–21 concert series. As one of the UK's preeminent contemporary music ensembles, Psappha's influence extends far beyond its Manchester home, reaching a worldwide audience via its YouTube channel. Psappha's current programme is testament to the ensemble's vision, juxtaposing well-known monoliths from the twentieth-century repertoire against works by emerging composers and those whose music is heard less often in the UK.

Type
FIRST PERFORMANCES
Copyright
Copyright © Cambridge University Press 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Long, Stephen, ‘Drones, Transformation and Polarity in Anna Thorvaldsdóttir's Orchestral Music’, TEMPO, 69, no. 274 (2015), pp. 3349CrossRefGoogle Scholar.

2 Small, Christoper, Musicking: The Meanings of Performing and Listening (Middletown: Wesleyan University Press), pp. 3949Google Scholar.