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Michael Gallope, The Musician as Philosopher: New York's Vernacular Avant-Garde, 1958–1978, Chicago: University of Chicago Press, 2024, £28.

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Michael Gallope, The Musician as Philosopher: New York's Vernacular Avant-Garde, 1958–1978, Chicago: University of Chicago Press, 2024, £28.

Published online by Cambridge University Press:  29 January 2025

Patrick Valiquet
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Tempo , Volume 79 , Issue 311 , January 2025 , pp. 106 - 109
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Copyright © The Author(s), 2025. Published by Cambridge University Press

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References

1 Jankélévitch, Vladimir, Music and the Ineffable (Princeton, NJ: Princeton University Press, 2003)CrossRefGoogle Scholar; Abbate, Caroline, ‘Music – Drastic or Gnostic?’, Critical Inquiry, 30, no. 3 (2004), pp. 505–36CrossRefGoogle Scholar.

2 Jankélévitch, Music and the Ineffable, p. 9.

3 Gallope, Michael, Deep Refrains (Chicago: University of Chicago Press, 2017), p. 7CrossRefGoogle Scholar.

4 Jankélévitch, Music and the Ineffable, p. 128 (original emphasis).

5 Ibid.

6 Alexander Rehding (convenor), ‘Discrete/Continuous: Music and Media Theory after Kittler’, Journal of the American Musicological Society, 70/1 (2017), pp. 221–56CrossRefGoogle Scholar.

7 For a Peircean reading see Wilden, Anthony, System and Structure, 2nd edn (London: Tavistock, 1980) pp. 274–77Google Scholar; on Kittler's version see Schmidgen, Henning, ‘Successful Paranoia: Friedrich Kittler, Lacanian Psychoanalysis, and the History of Science’, Theory, Culture & Society, 36, no. 1 (2019), pp. 107–31CrossRefGoogle Scholar.

8 Jankélévitch, Music and the Ineffable, p. 17.

9 Jankélévitch, Music and the Ineffable, p. 118.