Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-06T01:04:01.353Z Has data issue: false hasContentIssue false

The makings of a cycle? James MacMillan's Cello and Piano Sonatas

Published online by Cambridge University Press:  23 November 2009

Extract

At a time when composers usually write only one piece in any particular genre, since they seldom get the commission or — like Brahms and Beethoven – feel the urge or need to make it two or three at the very least, it is more than just good fortune that James MacMillan's cello compositions, large and small, are rapidly becoming a major corpus of work for the instrument. It is a tribute to, and result of, his confidence with the cello's ability to carry his thoughts, and also of its inherent suitability to express the singing, dancing and searingly intense things he wants to say.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2002

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 BIS-CD-989.