Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-28T20:33:20.284Z Has data issue: false hasContentIssue false

Foxes and vixens: an update on the music of Vic Hoyland

Published online by Cambridge University Press:  22 January 2016

Extract

Bleak House Farm lies down a muddy track which leads off Heslington Lane, quite close to York's main golf course and a stone's throw from the grey concrete campus of the university. Here, in 1969, in a field more often than not unapproachable without Wellington boots, stood a dilapidated modern caravan just big enough for the occupant and his eight cats. The occupant, who kept halfcopied transparencies of music by himself and his teacher rolled up under the bed, was Vic Hoyland. His motive for such an existence was neither masochism nor romantic self indulgence, but extreme hardship. The cats – all related by vigorous in-breeding – had short legs and voracious appetites.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* d'Erlanger, Baron R., Musique Arabe (Paris: Librairie orientaliste Paul Geuthner, 1930)Google Scholar.