Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-28T14:13:57.003Z Has data issue: false hasContentIssue false
  • English
  • Français

The Abolition of Thematicism and the Structural Meaning of the Method of Twelve-Tone Composition

Published online by Cambridge University Press:  04 February 2010

Leopold Spinner
Get access Rights & Permissions [Opens in a new window]

Extract

The structural significance of the Method of Composing with Twelve Tones is expressed in the following statements by Arnold Schoenberg in ‘Composition with Twelve Tones’ (Style and Idea, Williams & Norgate Ltd., London, p. 107):

After many unsuccessful attempts during a period of approximately twelve years, I laid the foundation for a new procedure in musical construction which seemed fitted to replace those structural differentiations provided formerly by tonal harmonies. I called this procedure Method of Composing with Twelve Tones which are related only with one another.

Type
Research Article
Information
Tempo , Issue 146 , September 1983 , pp. 2 - 9
Copyright
Copyright © Cambridge University Press 1983

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* My translations. (L.S.)

* My translation (L.S.)

* My translation (L.S.)

† Subsequently published in von Rauchhaupt, Ursula (ed.), Schoenberg, Berg, Webem: The String Quartets, A Documentary Study (Hamburg, 1971) [Ed.]Google Scholar