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The Improvisor1
Published online by Cambridge University Press: 05 June 2017
Extract
“Es möchte kein Hund so länger leben, Drum hab’ ich mich der Magie ergeben.”
GoetheThe Loud Noise of applause sounded through the room. The improvisor's success exceeded the expectations of his hearers, and even his own. A theme had hardly been assigned him when exalted ideas and touching sentiments, expressed in sonorous verse, burst from his mouth like fantastic apparitions from a magic altar. The artist did not pause to think even for a moment: in one instant the idea came to birth in his head, went through all its periods of growth, and was transmuted into expression. The ingenious form of the piece, the poetic images, the elegant epithet, and the obedient rhyme, all appeared simultaneously. And this was not all: he was given two or three completely different subjects at once: he dictated one poem, wrote a second, and improvised a third. Each was beautiful in its own genre: one evoked rapture, a second moved to tears, a third made one die of laughter. But he seemed hardly interested in his work — he constantly made jokes and talked with the audience. All the elements of poetic composition were at his fingertips like men on a chess-board, which he moved carelessly, with only a perfunctory glance.
- Type
- Research Article
- Information
- Slavonic and East European Review American Series , Volume 3 , Issue 3 , October 1944 , pp. 97 - 109
- Copyright
- Copyright © Association for Slavic, East European, and Eurasian Studies 1944
Footnotes
Vladimir Fyodorovich Odóyevski (1803–1869) was the most learned and the most distinguished among the Russian romanticists. An able public servant, musical critic, editor, scholar, and philosopher, he contributed to Russian literature a number of short stories marked by the influence of E. T. A. Hoffmann. As in the present story, Odóyevski often raised his voice against the mechanization of life and the deleterious aflects of material progress and comfort on genuine culture. “The Improvisor” is offered in English translation as his most representative work.
References
1 Vladimir Fyodorovich Odóyevski (1803–1869) was the most learned and the most distinguished among the Russian romanticists. An able public servant, musical critic, editor, scholar, and philosopher, he contributed to Russian literature a number of short stories marked by the influence of E. T. A. Hoffmann. As in the present story, Odóyevski often raised his voice against the mechanization of life and the deleterious aflects of material progress and comfort on genuine culture. “The Improvisor” is offered in English translation as his most representative work.
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