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The Roles of Jovan Skerlić, Steven Mokranjac, and Paja Jovanović in Serbian Cultural History, 1900-1914

Published online by Cambridge University Press:  27 January 2017

Jelena Milojković-Djurić*
Affiliation:
Center for Soviet and East European Studies at the University of Texas, Austin

Extract

The beginning of the twentieth century brought new outlooks and aspirations into the cultural life of Serbia, but the mainstream of spiritual and creative development had already been marked by the affirmation of established national values. After 1903 important political changes, accompanying the return of constitutional government, stimulated a spiritual and national revival. In his History of the New Serbian Literature, Jovan Skerlić described the general improvement in social and political life. Skerlić, a contemporary who actively participated in the cultural and political events at the beginning of this century, pointed out that the consequences of these changes influenced the awakening of the national spirit and offered numerous solutions to questions of national importance. In 1904 Skerlić took part in the organization of the First Congress of Southern Slav Youth and of the First Yugoslav Fine Arts Exhibit marking the centennial of the first Serbian uprising. These events strengthened friendly cultural collaboration between Serbs, Croats, Slovenes, and Bulgarians. Even the Austro-Hungarian annexation of Bosnia and Herzegovina in 1908 could not halt this growth. Further proof of national strength was furnished by the victories in the Balkan wars of 1912 and 1913. After five hundred years the liberation of the Serbian people from Turkish occupation was finally accomplished.

Type
Articles
Copyright
Copyright © Association for Slavic, East European, and Eurasian Studies. 1988

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References

I am indebted to Clara Huggett for her advice on stylistic questions. All translations from Serbian into English of literary quotations and poems are my own.

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2. Predrag Protic, "Dominantni i usputni tokovi u srpskoj knjizevnosti," Razvojne etape u srpskoj knjizevnosti XX veka i njihove osnovne odlike, ed. Miroslav Pantic (Belgrade: SANU, 1981), pp. 60-61. Compare also Predrag Palavestra, "Kriticka tradicija Jovana Skerlica," Kritika i Avangarda u modernoj srpskoj knjizevnosti (Belgrade: Prosveta, 1979), pp. 30-32; Svetlana Velmar-Jankovic, "O nekim shvatanjima pojma moderan u srpskoj knjizevnosti," Razvojne etape, p. 86.

3. Dejan Medakovic, Srpska umetnost u XIX veku (Belgrade: Srpska Knjizevna Zadruga, 1981), pp. 197-203. Compare also Radmila Antic, Paja Jovanovic (Belgrade: Muzej grada Beograda, 1970), p. 16.

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49. Skerlić, Istorija nove srpske knjizevnosti, p. 449.

50. Santayana is quoted by Roland Stromberg, “The Intellectuals and the Coming of War in 1914, “Journal of European Studies 3 (June 1973): 113. Skerlic's comments on Santic are in Istorija nove srpskeknjiŽevnosti, p. 413.

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52. The original and translation are quoted in Stromberg, “The Intellectuals,” pp. 120–121.

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