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Conceptualizing the Balkans in Film

Published online by Cambridge University Press:  27 January 2017

Dina Iordanova
Dina Iordanova*
Affiliation:
University of Chicago
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Abstract

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Type
Review Essay
Information
Slavic Review , Volume 55 , Issue 4 , Winter 1996 , pp. 882 - 890
Copyright
Copyright © Association for Slavic, East European, and Eurasian Studies. 1996

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References

1. Misha, Glenny, The Fall of Yugoslavia: The Third Balkan War (London, 1992), 99.Google Scholar

2. Ian, Ang, “Hegemony in Trouble: Nostalgia and the Ideology of the Impossible in European Cinema,” in Petrie, Duncan, ed., Screening Europe: Image and Identity in Contemporary European Cinema (London, 1992), 28.Google Scholar

3. Andrew Meier, “In Sarajevo, a Video View Taped from Ground Zero,” New York Times, 23 May 1993, 2–20.

4. Milcho, Manchevski, “Predi dazhda” (interview), Kino (Sofia) 2 (1995): 46 Google Scholar.

5. Noel Taylor, “Film-Maker's Macabre Comment on 1988 Romania Has a Lot to Weep Over,” Ottawa Citizen, 15 October 1993, F-3.

6. Annette Insdorf, “A Romanian Director Tells a Tale of Ethnic Madness,” New York Times, 6 November 1994, 2–22.