The recent recovery of the teaching that the three divine persons share one operation in their outward works raises the question of whether or in what sense the human operation of Christ belongs to the Son alone. My thesis is that all three divine persons move and support the Son's human operation while the Son alone is the proper subject of his human operation. In order to substantiate this thesis, I will consider two main issues: (1) the relationship between divine movement and human energy and (2) the relationship between nature and person in Christ's human action.

Markus Barth (1915–1994) is best-known for his pioneering work in Jewish-Christian dialogue, and his Anchor Bible commentaries. Convinced that Ephesians 2:14–16 is the core of Paul's gospel, Barth concluded that the ‘one new man’ in Christ not only necessitates an indissoluble solidarity between Christians and Jews, but entails that all enmities have been negated by Christ's reconciliatory work. Ironically, this conviction provoked in him an antagonism towards many of his Jewish interlocutors. Their refusal to ‘forget Auschwitz’ caused Barth to accuse them of not being sufficiently conciliatory, and in turn led him, with sadly supersessionistic logic, to eschew reconciliation with them, because he did not think they took reconciliation seriously enough.

In the last century, beauty has not often found itself enlisted in struggles for justice. As Alexander Nehemas recounts, beauty's severance from goodness and truth in the modern period renders beauty dangerous, its charm easily wielded as an instrument of oppression in the hands of the powerful. While some scholars have argued for a return to the pre-modern metaphysics that binds beauty to truth and goodness, the abuse of beauty is not simply a modern phenomenon, and its resistance requires more than a pre-modern solution. Beauty is eschatological; thus its abuse points to a failure to order it properly to its eschatological end. This article will argue that the abuse of beauty can be resisted not by spiritualising beauty, but by ordering physical beauty to its eschatological end. This end is most clearly seen in the ascended Christ, with his beautiful body that is human, wounded and hidden.

Bruce L. McCormack's recent christological proposal intends to move beyond the apparent impasse in theological discourse between God's aseity and God's world relation. In describing the second mode of divine being as personally constituted by receptivity to the human Jesus of Nazareth without losing the logos asarkos, McCormack's proposed christological innovation offers a way to consider relation to the world as proper to God through the Son, without absolute pronobeity coming to dominate in the doctrine of God. This being said, his christological proposal, as it stands, implies both that election is antecedent to triunity and that the person of Jesus of Nazareth is antecedent to the act of the incarnation. With the former comes the problem of sequence in the priority of divine act over divine being. With the latter comes the problem of offering a unified account of two agencies. As such, while ontological receptivity continues to hold significant possibilities for the doctrine of God, it requires more careful coordination to the relation of passive generation as such.

Cyril of Alexandria's Festal Letters are an underutilised source of his theology. Through them one can trace the development of his thought throughout the tumultuous years of his episcopacy. In this article, I draw attention to Cyril's ‘unitive’ Christology and the way he explains the incarnation to those under his pastoral care. Cyril employs key strategies informed by strong theological convictions to describe Christ as one subject who is fully divine and human.

Hans Urs von Balthasar's kenotic trinitarianism and theodramatic Christology is designed to dramatise the triune God's kenotic engagement with the world without introducing a change in God. It continues to be disputed whether Balthasar ends up divinising suffering and making God into a tragic deity or succeeds in redefining and complexifying divine immutability. To engage with this question, this article critically examines Balthasar's theological use of the image of ‘the Lamb slain before the foundation of the world’, which plays a pivotal role in his kenotic and theodramatic soteriology. I will argue that his kenosis-driven understanding of John's Gospel is untenable, and his rich theological use of Revelation's image of the Lamb slain, intensified by his questionable exegesis of the Fourth Gospel, renders super-temporal suffering and death real in the life of God.