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‘The Essential Theatricality of Virtue’: A Review of Jennifer Herdt's Putting on Virtue
Published online by Cambridge University Press: 27 March 2012
Extract
One of Alasdair MacIntyre's colleagues at Notre Dame once told me that of all the passages in all his books, there is one of which MacIntyre is most proud. It is found, of course, in After Virtue:
Consider the example of a highly intelligent seven-year-old child whom I wish to teach to play chess, although the child has no particular desire to learn the game. The child does however have a very strong desire for candy and little chance of obtaining it . . .
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References
1 MacIntyre, Alasdair, After Virtue (2nd edn. Notre Dame: University of Notre Dame Press, 1984), p. 188Google Scholar.
2 Herdt, Jennifer, Putting on Virtue: The Legacy of the Splendid Vices (Chicago: Chicago University Press, 2008), p. 2CrossRefGoogle Scholar. Subsequent references are given parenthetically.
3 Augustine, , Letters, tr. Parsons, Wilfrid (New York: Fathers of the Church, 1953), vol. 3, p. 50Google Scholar.
4 Augustine, De Doctrina, book 1, para. 41.
5 We might try comparing Augustinian pagans to children who move beyond playing chess for candy, learning to play for their own pride, but without seeing that there is a deeper good still. As we shall see, this is the view of Hume, not of an Augustinian pagan. In MacIntyre's terminology, Hume happily denies the existence of goods-internal-to-practices, whereas the Augustinian pagan (presumably) does not. For this reason, I think we need a different image, and my argument is that Augustine provides it in the misguided or delayed journey.
6 Studies in Christian Ethics 23/1 (2010), pp. 97–102.