A Catoptrica attributed to Euclid appears in manuscripts amongst treatises dealing with elementary astronomy. Despite this textual background, the treatise has always been read literally as a theory of mirrors, and its astronomical significance has gone unnoticed. However, optics, catoptrics, and astronomy appear strongly intermingled in sources such as, amongst others, Geminus, Theon of Smyrna, Plutarch and Cleomedes. If one compares the optical reasoning put forward in these sources to account for the formation of moonlight with arguments of Catoptrica, one is able to shed new light on several principles and propositions of Catoptrica, some of which had been deemed corrupt, meaningless, and obscure. Moreover, the present analysis offers a glimpse at the context of a specific stage in the evolution of ancient catoptrics: Whether literally or by analogy, several of its results appear to have been set against a wider astronomical background, which explains the inclusion of Catoptrica in the group of texts loosely defined as “little astronomy.”

The sixteenth-century physician and philosopher Julius Caesar Scaliger suggests that in particular cases plants can come into being that belong to a plant species that did not exist before. At the same time, he holds that God could not have created a more perfect world. However, does the occurrence of new species not imply that the world was not the best possible world from the beginning? In this article, I explore a set of metaphysical ideas that could provide Scaliger with the means of solving this problem: (1) His version of the notion of a plurality of substantial forms in every living being, and (2) his version of the notion of the ordained divine power. As it turns out, Scaliger analyzes the generation of new species in terms of a development of subordinate substantial forms into dominant substantial forms. Thereby, previously existing essences of plant parts become essences of plants. These plants, thus, possess essences that no previously existing plant possessed and, in this sense, belong to a new species. In this way, Scaliger avoids positing the occurrence of new essences, thus saving the best possible world thesis. Moreover, he believes that all substantial forms stand in a relationship of mutual existential dependence by means of which God safeguards the persistence and unity of the world. This is why the agency of subordinate forms turned dominant can be understood as an expression of the ordained power of God.

This article explores the history of mummy unwrappings in the West, culminating in Margaret Murray's public unrolling of two mummies in Manchester in 1908. Mummy unwrappings as a practice have shifted often between public spectacles which displayed and objectified exotic artifacts, and scientific investigations which sought to reveal medical and historical information about ancient life. Although others have looked at Murray's work in the context of the history of mummy studies, I argue that her work should be viewed culturally as poised between spectacle and science, drawing morbid public interest while also producing ground-breaking scientific work that continues to this day. Murray's main goal was to excite the interest of the public while at the same time educating them in the true history of ancient Egypt, while ascertaining new scientific information and contributing to the scholarly interpretations of ancient Egypt.

Recent studies of patents have argued that the very materiality and techniques of legal media, such as the written patent document, are vital for the legal construction of a patentable invention. Developing the centrality placed on patent documents further, it becomes important to understand how these documents are ordered and mobilized. Patent classification answers the necessity of making the virtual nature of textual claims practicable by linking written inscription to bureaucracy. Here, the epistemological organization of documents overlaps with the grid of patent administration. How are scientific inventions represented in such a process? If we examine the process of creating a new patent category within the International Patent Classification (IPC), it becomes clear that disagreements about the substance of the novel inventive subject matter have been resolved by computer simulations of patent documents in draft classifications. The practical needs of patent examiners were the most important concerns in the making of a new category. Such a lack of epistemological mediation between the scientific and legal identities of an invention depicts a legal understanding that science is already inside patent law. From an internal legal perspective, the self-referential introduction of the new patent category may make practical sense; however it becomes problematic from a technological and scientific standpoint as the remit of the patent classification also affects other social contexts and practices.