Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-23T02:25:39.288Z Has data issue: false hasContentIssue false

Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory

Published online by Cambridge University Press:  01 January 2020

Extract

The Early English Church Music Committee of the British Academy plans a series of volumes devoted to the music of the fifteenth century, to be supervised by a separate sub-committee. While not constituting a publication list as such, the present enterprise has been commissioned to facilitate the speedier publication of this repertory. Hence, its purpose is to assemble as full as possible a catalogue of the surviving liturgical music that is now thought to be (or has, with varying degrees of certainty, been thought to be) English or to have been written in England. Accordingly, it draws on the work of a considerable number of scholars. The compilers wish to acknowledge the contributions generously made by other members of the EECM fifteenth-century sub-committee, and they also extend a fervent invitation to others to contribute further.

Type
Articles
Copyright
Copyright © Royal Musical Association, 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliographical references

Apfel Apfel, Ernst, Studien zur Satztechnik der mittelalterlichen englischen Musik (Heidelberg, 1959)Google Scholar
Bent 69 Bent, Margaret & Bent, Ian, ‘Dufay, Dunstable, Plummer—A New Source’, Journal of the American Musicological Society, 22 (1969), 394424CrossRefGoogle Scholar
Bent 81 Bent, Margaret, Dunstaple (London, 1981)Google Scholar
Bent 84 Bent, Margaret, ‘The Progeny of Old Hall: more Leaves from a Royal English Choirbook’, Gordon Athol Anderson in Memoriam, ed. L. Dittmer (Henryville, 1984), 154Google Scholar
Bowers & Wathey Bowers, Roger and Wathey, Andrew, ‘New Sources of English Fifteenth- and Sixteenth-Century Polyphony’, Early Music History, 4 (1984), 297346CrossRefGoogle Scholar
GCurtis Curtis, Gareth, ‘Jean Pullois and the Cyclic Mass—or a Case of Mistaken Identity?Music & Letters, 62 (1981), 4159CrossRefGoogle Scholar
LCurtis Curtis, Leanne, ‘Music Manuscripts and their Production in 15th-century Cambrai’ (Ph.D. dissertation, University of North Carolina at Chapel Hill, 1991)Google Scholar
Dart Dart, Thurston, ‘Une contribution anglaise au manuscrit de Strasbourg’, Revue Beige de Musicologie, 8 (1954), 112–14Google Scholar
EETS Early English Text Society, Non-cycle Plays and Fragments, ed. N. Davis, suppl. texts i (London, 1970)Google Scholar
Fallows Fallows, David, Art Songs of the Burgundian Era (Oxford, forthcoming)Google Scholar
Gottlieb Gottlieb, Louis, ‘The Cyclic Masses of Trent Codex 89’ (Ph.D. dissertation, University of California, 1958)Google Scholar
Gozzi Gozzi, Marco, II manoscritto Trento Museo Provinciate d'Arte, cod. 1377 (Tr 90) con un'analisi del repertorio non derivato da Tr 93, Centre di Musicologia ‘Walter Stauffer’, Cremona: Studi e testi musicali, 1, 2 vols. (Cremona, 1992)Google Scholar
Hamm 65 Hamm, Charles, ‘The Reson Mass’, Journal of the American Musicological Society, 18 (1965).CrossRefGoogle Scholar
Hamm 68 Hamm, Charles, ‘A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts’, Musica Disciplina, 22 (1968), 4776Google Scholar
Hamm 68a Hamm, Charles, ‘The Motets of Lionel Power’, Studies in Music History: Essays for Oliver Strunk ed. H. Powers (Princeton, 1968), 127–36CrossRefGoogle Scholar
Hoppin Hoppin, Richard, ‘More Pairs of Mass movements in the Old Hall Manuscript’, Revue Beige de Musicologie, 32–33 (1978–9), 2333CrossRefGoogle Scholar
Kaye Kaye, Philip, ed., The Sacred Music of Gilles Binchois (Oxford, 1992)Google Scholar
Kenney Kenney, Sylvia, Walter Frye and the Contenance Angloise, Yale Studies in the History of Music 3 (New Haven, 1964)Google Scholar
Kirkman Kirkman, Andrew, ‘The Transmission of English Mass Cycles in the Mid to Late Fifteenth Century: a Case Study in Context’, Music & Letters, 75 (1994), forthcomingCrossRefGoogle Scholar
Marix Marix, Jeanne, Les musiciens de la cour de Bourgogne au XVe siécle (Paris, 1937)Google Scholar
McPeek McPeek, Gwynn S., ed., The British Museum Manuscript Egerton 3307 (London, 1963)Google Scholar
Monson Monson, Craig, ‘Stylistic Inconsistencies in a Kyrie Attributed to Dufay’, Journal of the American Musicological Society, 28 (1975), 245–67CrossRefGoogle Scholar
Morley Morley, Thomas, A Plaine and Easie Introduction to Practicall Musicke (London, 1597)Google Scholar
NG The New Grove Dictionary of Music and Musicians, ed. S. Sadie (London, 1980)Google Scholar
OAM The Oxford Anthology of Music: Medieval Music, ed. W.T. Marrocco & N. Sandon (London, 1977)Google Scholar
Plummer Four Motets by John Plummer, ed. B. Trowell (Banbury, 1968)Google Scholar
Rajeczky Rajeczky, Benjámin, ‘Mittelalterliche Mehrstitnmigkeit in Ungarn’, Musica antiqua europae orientalis: Bydgoszcz 1966 (Warsaw, 1966), 223–36Google Scholar
Sandon Sandon, Nick, ‘Mary, Meditations, Monks and Music: Poetry, Prose, Processions and Plagues in a Durham Cathedral Manuscript’, Early Music, 10 (1982), 4355CrossRefGoogle Scholar
Scott Scott, Ann Besser, ‘Ibo michi ad montem mirre—a New Motet by Plummer?Musical Quarterly, 58 (1972), 543–56Google Scholar
Stevens Stevens, Denis, ‘Burell’, ‘Byttering’, ‘Chirbury’, ‘Sturgeon’, ‘Typp': articles in Grove's Dictionary of Music and Musicians, 5th edn. (London, 1954–61), supplementary vol., 52, 57, 72, 428, 447Google Scholar
Strohm 84 Strohm, Reinhard, ‘Native and Foreign Polyphony in Late Medieval Austria’, Musica Disciplina, 38 (1984), 205–30Google Scholar
Strohm 85 Strohm, Reinhard, Music in Late Medieval Bruges (Oxford, 1985; rev.edn., 1990)Google Scholar
Strohm 88 Strohm, Reinhard, ‘The Identification of English Sacred Music in 15th-century Sources’, unpublished paper submitted to EECM fifteenth-century sub-committee, 1988Google Scholar
Strohm 89 Strohm, Reinhard, ‘Messzyklen über deutsche Lieder in den Trienter Codices’, Liedstudien—Wolfgang Osthoff zum 60. Geburtstag, ed. M. Just & R. Wiesend (Tutzing, 1989), 77106Google Scholar
Trowell 60 Trowell, Brian, ‘Music under the Later Plantagenets’ (Ph.D. dissertation, University of Cambridge, 1960)Google Scholar
Trowell 80 Trowell, Brian, ‘Faburden—New Sources, New Evidence: a Preliminary Survey’, Modern Musical Scholarship, ed. E.Olleson (Oxford, 1980), 2878Google Scholar
Trowell & Wathey Trowell, Brian and Wathey, Andrew, ‘John Benet's “Lux fulget ex Anglia - Salve Thoma - O Pater pietatis“: the Reconstruction of a Fragmentary Motet in Honour of St. Thomas Cantilupe’, St. Thomas Cantilupe, Bishop of Hereford: Essays in his Honour, ed. M. Jancey (Hereford, 1982), 159–80Google Scholar
Wegman 87 Wegman, Rob C., ‘An Anonymous Twin to Johannes Ockeghem's Missa Quinti Toni in San Pietro B 80’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37 (1987), 2548CrossRefGoogle Scholar
Wegman 89 Wegman, Rob C., ‘Concerning Tempo in the English Polyphonic Mass, c.1420–70’, Acta Musicologica, 61 (1989), 4065CrossRefGoogle Scholar
Wooldridge Wooldridge, H.E., Early English Harmony (London, 1897–1913)Google Scholar
Wright Wright, Peter, The Related Parts of Trent, Museo Provinciate d'Arte, MSS 87 (1374) and 92 (1379)—a Paleographical and Text-critical Study (New York, 1989)Google Scholar