Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-09T14:34:49.274Z Has data issue: false hasContentIssue false

Vienna, Austrian National Library, Manuscript 18810: A Repertory Study and Manuscript Inventory With Concordances

Published online by Cambridge University Press:  01 January 2020

Extract

Ms 18810 of the austrian national library has long been known to scholars as an important source of the secular works of Ludwig Senfl, Heinrich Isaac, and Paul Hofhaimer. Most of the remaining compositions in the manuscript, however, have been overlooked because they are either anonymous or by lesser-known composers. The purposes of this paper will be to discuss the manuscript and its contents, examine the musical styles found within it, and present an inventory more complete than that made more than eighty years ago by Josef Mantuani (1899, vol. 10, 219–24)’.

Type
Research Reports and Documents
Copyright
Copyright © Royal Musical Association, 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliography

Augsburg, Staats- und Stadtbibliothek, Mus. 142a [choirbook containing both sacred and secular pieces]Google Scholar
Basle, University Library, Mus. F. VI. 26f [small manuscript containing about a dozen Lieder]Google Scholar
Basle, University Library, Mus. F.IX. 32–5 [four part-books dated 1546, containing both sacred and secular pieces]Google Scholar
Basle, University Library, Mus. F.IX. 59–62 [four part-books containing some 70–75 pieces with French, German, and Italian texts; tenor part-book bears the dates 1558 and 1564]Google Scholar
Basle, University Library, Mus. F.X. 1–4 [four part-books]Google Scholar
Basle, University Library, Mus. F.X. 5–9 [five part-books]Google Scholar
Basle, University Library, Mus. F.X. 10 [bass part-book]Google Scholar
Basle, University Library, Mus. F.X. 17–20 [four part-books]Google Scholar
Basle, University Library, Mus. F.X. 21 [tenor part-book containing 100 Lieder]Google Scholar
Basle, University Library, Mus. F.X. 25–6 [tenor and alto part-books, containing both sacred and secular pieces]Google Scholar
Copenhagen, Royal Library, Gl. kgl. samling, Mus. 1872/4° [seven part-books, containing 165 sacred and secular pieces; some have instrumentation indicated]Google Scholar
Copenhagen, Royal Library, Gl. kgl. samling, Mus. 1873/4° [five part-books, containing both sacred and secular pieces]Google Scholar
Florence, Conservatorio di Musica, Basevi 2439 [chansonnier dating from around 1500]Google Scholar
Greifswald, University Library, BW 640–41 (Eb 133) [discant and bass part-books, containing both sacred and secular pieces]Google Scholar
Heidelberg, University Library, Codex Palatini Germanici 318 [inventory, dated 1544, listing text incipits and composers of pieces performed by Heidelberg Hofkapelle]Google Scholar
Heilbronn, Gymnasialbibliothek, X. 2 [bass part-book, containing 31 sacred and secular pieces]Google Scholar
London, British Library, Add. 35087 [late fifteenth or early sixteenth-century chansonnier]Google Scholar
Munich, Bavarian State Library, Mus. 1516 [four part-books containing 161 Lieder, dances and motets]Google Scholar
Munich, University Library, Mus. 328–31 [four part-books containing 145 secular pieces]Google Scholar
Paris, Bibliothèque Nationale, fonds fr. 1597 [contains chansons and a few short pieces with Latin text]Google Scholar
Regensburg, Proske'sche Bibliothek des bischöflichen Ordinariats, C. 120, ‘e’ Codex Peter Prenner [contains masses, motets, chansons and Lieder]Google Scholar
Regensburg, Proske'sche Bibliothek des bischöflichen Ordinariats, Mus. A.R. 940/41 [five part-books, dated 1557, containing both sacred and secular pieces]Google Scholar
St Gall, Stiftsbibliothek, 461 [contains 49 pieces by early sixteenth-century German and Flemish composers]Google Scholar
St Gall, Stiftsbibliothek, 463–4 [four part-books containing secular pieces by German and Flemish composers]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 235a-d [four part-books containing 76 sacred and secular pieces, with German and Latin texts]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 236a-d [four part-books containing 142 sacred and secular pieces, including some dances]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 237a-d [four part-books, dated 1557, containing 140 sacred and secular pieces]Google Scholar
Vienna, Austrian National Library, 18746 [five part-books, dated 1523]Google Scholar
Zwickau, Ratschulbibliothek, Mus. 1 [four part-books, dated 1531, containing odes, chansons and Lieder]Google Scholar
Augsburg, Staats- und Stadtbibliothek, Mus. 142a [choirbook containing both sacred and secular pieces]Google Scholar
Basle, University Library, Mus. F. VI. 26f [small manuscript containing about a dozen Lieder]Google Scholar
Basle, University Library, Mus. F.IX. 32–5 [four part-books dated 1546, containing both sacred and secular pieces]Google Scholar
Basle, University Library, Mus. F.IX. 59–62 [four part-books containing some 70–75 pieces with French, German, and Italian texts; tenor part-book bears the dates 1558 and 1564]Google Scholar
Basle, University Library, Mus. F.X. 1–4 [four part-books]Google Scholar
Basle, University Library, Mus. F.X. 5–9 [five part-books]Google Scholar
Basle, University Library, Mus. F.X. 10 [bass part-book]Google Scholar
Basle, University Library, Mus. F.X. 17–20 [four part-books]Google Scholar
Basle, University Library, Mus. F.X. 21 [tenor part-book containing 100 Lieder]Google Scholar
Basle, University Library, Mus. F.X. 25–6 [tenor and alto part-books, containing both sacred and secular pieces]Google Scholar
Copenhagen, Royal Library, Gl. kgl. samling, Mus. 1872/4° [seven part-books, containing 165 sacred and secular pieces; some have instrumentation indicated]Google Scholar
Copenhagen, Royal Library, Gl. kgl. samling, Mus. 1873/4° [five part-books, containing both sacred and secular pieces]Google Scholar
Florence, Conservatorio di Musica, Basevi 2439 [chansonnier dating from around 1500]Google Scholar
Greifswald, University Library, BW 640–41 (Eb 133) [discant and bass part-books, containing both sacred and secular pieces]Google Scholar
Heidelberg, University Library, Codex Palatini Germanici 318 [inventory, dated 1544, listing text incipits and composers of pieces performed by Heidelberg Hofkapelle]Google Scholar
Heilbronn, Gymnasialbibliothek, X. 2 [bass part-book, containing 31 sacred and secular pieces]Google Scholar
London, British Library, Add. 35087 [late fifteenth or early sixteenth-century chansonnier]Google Scholar
Munich, Bavarian State Library, Mus. 1516 [four part-books containing 161 Lieder, dances and motets]Google Scholar
Munich, University Library, Mus. 328–31 [four part-books containing 145 secular pieces]Google Scholar
Paris, Bibliothèque Nationale, fonds fr. 1597 [contains chansons and a few short pieces with Latin text]Google Scholar
Regensburg, Proske'sche Bibliothek des bischöflichen Ordinariats, C. 120, ‘e’ Codex Peter Prenner [contains masses, motets, chansons and Lieder]Google Scholar
Regensburg, Proske'sche Bibliothek des bischöflichen Ordinariats, Mus. A.R. 940/41 [five part-books, dated 1557, containing both sacred and secular pieces]Google Scholar
St Gall, Stiftsbibliothek, 461 [contains 49 pieces by early sixteenth-century German and Flemish composers]Google Scholar
St Gall, Stiftsbibliothek, 463–4 [four part-books containing secular pieces by German and Flemish composers]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 235a-d [four part-books containing 76 sacred and secular pieces, with German and Latin texts]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 236a-d [four part-books containing 142 sacred and secular pieces, including some dances]Google Scholar
Ulm, Bibliothek der von Schermar'schen Familienstiftung, Mus. 237a-d [four part-books, dated 1557, containing 140 sacred and secular pieces]Google Scholar
Vienna, Austrian National Library, 18746 [five part-books, dated 1523]Google Scholar
Zwickau, Ratschulbibliothek, Mus. 1 [four part-books, dated 1531, containing odes, chansons and Lieder]Google Scholar

Primary printed sources examined for concordances

Bergkreyen 1551. Nürnberg: Berg & NeuberGoogle Scholar
Bicinia gallica, latina, germanica 1545. Wittenberg: G. RhawGoogle Scholar
Canti C 1504. Venice: Ottaviano dei PetrucciGoogle Scholar
Der dritte Teyl schöner, lieblicher, alter, und newer teutscher Liedlein 1549. Nürnberg: Berg & NeuberGoogle Scholar
Der dritte Teyl schöner, lieblicher, teutscher Liedlein 1552. Nürnberg: Berg& NeuberGoogle Scholar
Der erst Teil. Hundert und ainundzweintzig newe Lieder 1534. Nürnberg: Hieronymus FormschneiderGoogle Scholar
Der fünfte Theil schoner frölicher frischer alter und newer teutscher Liedlein 1556. Nürnberg: Berg & NeuberGoogle Scholar
Der vierdt Theyl schoner frölicher frischer alter und newer teutscher Liedlein 1556. Nürnberg: Berg & NeuberGoogle Scholar
Des andern Theyls viler kurtzweyliger frischer teutscher Liedlein 1549. Nürnberg: Berg & NeuberGoogle Scholar
Des andern Theyls viler kurtzweyliger frischer teutscher Liedlein 1553. Nürnberg: Berg & NeuberGoogle Scholar
Diphona amoena et florida, selectore Erasmo Rotenbuchero, boiaro 1549. Nürnberg: Montanus & NeuberGoogle Scholar
Gassenhawerlin 1535. Frankfurt: Christian EgenolffGoogle Scholar
Gassenhawer und Reutterliedlin [1535]. [Frankfurt: Christian Egenolff]; facsimile edition by Hans Joachim Moser, Augsburg, 1927Google Scholar
Graszliedlin c1535. Frankfurt: Christian Egenolff?Google Scholar
Guter, seltzamer, und kunstreicher teutscher Gesang 1544. Nürnberg: Johann PetreiusGoogle Scholar
Harmoniae poeticae Pauli Hofheimeri 1539. Nürnberg: Johann PetreiusGoogle Scholar
[Lieder in 3 and 4 voices] c1535. Frankfurt: Christian EgenolffGoogle Scholar
[Lieder] c1535. Frankfurt: Christian EgenolffGoogle Scholar
[Lieder] 1513. Mainz: Peter Schöffer; facsimile edition, Munich: Gesellschaft Münchener Bibliophilen, 1909Google Scholar
Reutterliedlin 1535. Frankfurt: Christian EgenolffGoogle Scholar
Schöne auszerlesne Lieder 1536. Nürnberg: Hieronymus FormschneiderGoogle Scholar
[68 German, French and Latin polyphonic songs] 1550. Nürnberg: Berg & NeuberGoogle Scholar
[68 Lieder] c1513. E. Öglin?Google Scholar
[36 Lieder] c1515. Mainz: Peter Schöffer der JungereGoogle Scholar
Secundus tomus biciniorum 1545. Wittenberg: Georg RhawGoogle Scholar
Selectissimae necnon familiarissimae cantiones 1540. Augsburg: Melchior KriessteinGoogle Scholar
Tricinia 1542. Wittenberg: Georg RhawGoogle Scholar
Trium vocum cantiones centum 1541. Nürnberg: Johann PetreiusGoogle Scholar
Trium vocum carmina a diversis musicis composita 1538. Nürnberg: Hieronymus FormschneiderGoogle Scholar

Secondary literature and abbreviations

Albrecht, Hans, 1955. ‘Finck, Heinrich’. Die Musik in Geschichte und Gegenwart, ed. d, 4, cols. 207–8. Kassel: BärenreiterGoogle Scholar
Bente, Martin, 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden: Breit kopf & HärtelGoogle Scholar
Brown, Howard Mayer, ed., 1963. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, Mass.: Harvard University PressCrossRefGoogle Scholar
DTÖ 14–15 = Adler, Guido and Koller, Oswald, ed., 1900. Sechs Trienter Codices: Geistliche und weltliche Kompositionen des XV. Jhs., 1. Auswahl, Denkmäler der Tonkunst in Österreich 14/15 (=Jg.7). Vienna; reprinted Graz, 1959Google Scholar
DTÖ 28 = Wolf, Johannes, ed., 1907. Heinrich Isaac: Weltliche Werke I, Denkmäler der Tonkunst in Österreich 28 (=Jg. 14/1). Vienna; reprinted Graz, 1959Google Scholar
DTÖ 72 = Nowak, Leopold, ed., 1930. Das deutsche Gesellschaftslied in Österreich von 1480–1550, Denkmäler der Tonkunst in Österreich 72 (=Jg.37/2). Vienna; reprinted Graz, 1960Google Scholar
Gassen = Gassenhawer und Reutterlidlein [1535] (see list of primary printed sources above)Google Scholar
Gerstenberg, Walter, ed., 1937-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel: MöselerGoogle Scholar
Hewitt, Helen, ed., 1967. Ottaviano Petrucci: Canti B numero cinquanta, Venice, 1502, Monuments of Renaissance Music 2. Chicago: University of Chicago PressGoogle Scholar
Hirzel, Bruno, 1908–9. ‘Dienstinstruktion und Personalstatus der Hofkapelle Ferdinand's I. aus dem Jahre 1527’, Sammelbände der Internationalen Musikgesellschaft 10, 153Google Scholar
Josquin WW = Smijers (ed.) 1921–, section Wereldlijke werkenGoogle Scholar
Layer, Adolf, n.d. ‘Augsburger Musikkultur der Renaissance’, Musik in der Reichsstadt Augsburg, ed. d, 58. Augsburg: Die BriggGoogle Scholar
M = Munich 328–31 (see list of primary manuscript sources above)Google Scholar
Mantuani, Josef, 1899. Tabulae codicum manuscriptorum praeter graecos et orientates in biblioteca palatina vindobonensi asservatorum. Vienna: Academia caesarea vindobonensis; reprinted Graz: Akademische Druck- und Verlagsanstalt, 1965Google Scholar
Moser, Hans Joachim, 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des deutschen Humanismus. Stuttgart: Cotta; reprinted Hildesheim: G. Olms, 1966Google Scholar
Nowak, Leopold, 1948. ‘Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek’, Die Österreichische Nationalbibliothek, ed. d, 505. Vienna: H. BauerGoogle Scholar
Osthoff, Helmuth, 1962–5. Josquin Desprez. Tutzing: Hans SchneiderGoogle Scholar
Parker, Robert, 1966. ‘The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works’, Paul A. Pisk: Essays in his Honor, ed. d, 3856. Austin: University of TexasGoogle Scholar
Picker, Martin, ed., 1965. The Chanson Albums of Marguerite of Austria: MSS 228 and 11239 of the Bibliothèque royale de Belgique. Berkeley: University of California PressGoogle Scholar
PubAPTM = Publikationen älterer praktischer und theoretischer Musikwerke vorzugsweise des XV. und XVI. Jahrhunderts, ed. Robert Eitner (Berlin and Leipzig, 1873–1905, reprinted 1967)Google Scholar
Reutter = Reutterliedlin 1535 (see list of primary printed sources above)Google Scholar
Roberts, Kenneth, 1965. The Music of Ludwig Senfl: A Critical Appraisal. PhD dissertation, University of MichiganGoogle Scholar
Robison, John, 1975. Vienna, Nationalbibliothek Manuscript 18810: A Transcription of the Unpublished Pieces with Comments on Performance Practices in Early Sixteenth-Century Germany. DMA dissertation, Stanford UniversityGoogle Scholar
Robyns, Jozef, 1954. Pierre de la Rue (circa 1460–1518): een bio-bibliographische studie. Brussels: Palais des AcadémiesGoogle Scholar
Sandberger, Adolf, 1894. Beiträge zur Geschichte der bayerischen Hofkapelle unter Orlando di Lasso. Leipzig: Breitkopf & Härtel; reprinted Wiesbaden: M. Sändig, 1973Google Scholar
Schaal, Richard, 1957. ‘Die Musikbibliothek von Raimund Fugger d.J.’, Acta musicologica 29, 129CrossRefGoogle Scholar
Schröder, O., 1953–73.7. Walter: Sämtliche Werke. Kassel: BärenreiterGoogle Scholar
Sittard, Josef, 1890–91. Zur Geschichte der Musik und des Theaters am württembergischen Hofe, 1458–1793. Stuttgart: W. Kohlhammer; reprinted Hildesheim: G. Olms, 1970Google Scholar
Smijers, Albert, ed., 1921–. Josquin Desprez: Werken. AmsterdamGoogle Scholar
Smijers, Albert, ed., 1949–52. Van Ockeghem tot Sweelinck: Nederlandsche muziekgeschiedenis in voorbeelden. Amsterdam: G. AlsbachGoogle Scholar
Smithers, Don, 1970. ‘A Textual-Musical Inventory and Concordance of Munich University MS 328–331’, Research Chronicle 8, 3489CrossRefGoogle Scholar
Sparks, Edgar, 1972. The Music of Noel Bauldeweyn. New York: American Musicological Society V = Vienna, Austrian National Library, MS 18810Google Scholar