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When Thomas Tallis died in 1585 he left his wife Joan his heir. Joan Tallis's will (12 June 1587) bequeathed ‘to Anthony Roper esquier one guilte bowl with the cover thereunto belonging in respect of his good favours showed to my late husband and me'—her first bequest, and the only one of hers or Thomas's to a person of rank. Who was Anthony Roper, what was the connection, and can it throw any light on the composer? The point does not seem to have been picked up hitherto in Tallis literature.
1 Wills of Thomas and Joan Tallis, printed from Public Record Office (PRO) sources in Tudor Church Music, 6 (London, 1928), xxi-xxii.Google Scholar
2 Paul Doe, ‘Thomas Tallis', The New Grove Dictionary of Music and Musicians (London, 1980), xviii, 541–8.Google Scholar
3 For the Ropers generally see Visitation of Kent, 1619, Harleian Society, 42 (London 1898), 82; Dictionary of National Biography (DNB), xiii, 876 (s.v. Sir Thomas More) and xvii, 215 (s.v. William Roper); and E. Hasted, Historical and Topographical Survey of Kent (Canterbury, 1799), i, 472–4 and ii, 515–22.Google Scholar
4 The Correspondence of Sir Thomas More, ed. E.F. Rogers (Princeton, 1947), 563–4.Google Scholar
5 Nicholas Harpsfield, The Life of Sir Thomas More, knight, ed. E.V. Hitchcock, Early English Text Society, 186 (Oxford, 1932), 83.Google Scholar
6 William Roper, The life of Sir Thomas Moore, knight, ed. E.V. Hitchcook, EETS, 197 (Oxford, 1935), introduction, xxxiv; and Admissions Register of Lincoln's Inn (London, 1896), i, 68.Google Scholar
7 PRO, SP/12/118 f. 138; he seems to have shared his father's former post with his brother Thomas, to whom DNB says William resigned it.Google Scholar
8 Visitation of Cambridgeshire, 1619, Harl. Soc, 41 (London, 1897), 21–2Google Scholar
9 PRO, PCC 103 Cobham (1597).Google Scholar
10 PRO, PCC27 Langley(1578).Google Scholar
11 Hasted, ii, 522; the arms Hasted saw on the monument are those of Roper quartering Cotton, vide the Visitations cited above.Google Scholar
12 Vis. Kent (q.v.), and compare John Roper's will (1524) printed in Archaeologia Cantiana, 2 (London, 1859), 156–73.Google Scholar
13 DNB s.v. More (q.v.), and Harpsfield, 64.Google Scholar
14 Harpsfield, 78–9 and 83.Google Scholar
15 For example John Petre, Byrd's future patron, at the Inner Temple 1567–70: A.C. Edwards, John Petre (London, 1975), 15–16.Google Scholar
16 Roper's life of More, 25 and 79–80; LCC Survey of London, vol.4, ‘Chelsea’ (London, 1913), 11.Google Scholar
17 Victoria County History of Kent, ii (London, 1926), 87–8, with original sources there cited.Google Scholar
18 Hasted, i, 474; Calendar of State Papers (Domestic) 1547–80, 311.Google Scholar
19 PRO, SP/12/99 f.118.Google Scholar
20 Fisher, R.M., ‘Privy Council coercion and religious conformity at the Inns of Court', Recusant History, 15 (1979–81), 311–19.Google Scholar
21 Vis. Cambs. (q.v.).Google Scholar
22 'Proceedings … in Kent in connexion with the two Parliaments called in 1640', in Camden Society, 80 O.S. (London, 1862), 65–6.CrossRefGoogle Scholar
23 Register Book of St. Dunstan's Canterbury 1559–1800, ed. J.M. Cowper (Canterbury, 1887), 114; Ingatestone parish register 1558–1732 (Essex Record Office MS. D/P 31/1/1) and surviving monuments.Google Scholar
24 John Milsom, ‘English Polyphonic Style in Transition: a Study of the Sacred Music of Thomas Tallis’ (D.Phil dissertation, University of Oxford, 1983).Google Scholar
25 Denis Stevens, ‘A song of 40 parts, made by Mr. Tallys', Early Music, 10 (1982), 177.Google Scholar
26 Philip Brett, record review in The Musical Quarterly, 53 (1972), 149.Google Scholar
27 Paul Doe, Tallis (London, 1968) and article in The New Grove.Google Scholar
28 Acts of the Privy Council, 1581–82, 147–8 and 158–9.Google Scholar
29 Joseph Kerman, The Masses and Motets of William Byrd (London, 1981), Chapter 1: ‘Motet texts and motet function', passim (quotation is from p.35).Google Scholar
30 Doe, Tallis, 39–40.Google Scholar