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Notes for Contributors to Royal Musical Association Research Chronicle

Published online by Cambridge University Press:  01 January 2020

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Extract

Founded in 1961, the RMA Research Chronicle is unique among English-language journals in its emphasis on the raw materials of musicology: lists, indexes, catalogues, inventories, etc. It is an international refereed journal and publishes high-quality articles in all areas of musicology.

Type
Miscellany
Information
Royal Musical Association Research Chronicle , Volume 41 , 2008 , pp. 122 - 126
Copyright
Copyright © Royal Musical Association, 2008

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References

Bibliographical references

Use full bibliographical reference on first citation in footnotes and a short form in subsequent citations (see below). It may be desirable to include a full bibliography (including both works cited and works not cited but consulted). The following examples show the forms to be used. First names should be given as they appear in the publication.Google Scholar
Do not use ‘vol.’ or ‘p.’ before volume and page numbers unless necessary to avoid some ambiguity.Google Scholar

Books

Bent, Margaret, Dunstaple (London, 1986), 6Google Scholar
Chappell, William, Popular Music of the Olden Time (London, 1859; repr. New York, 1965), ii, 439–40Google Scholar
Dent, Edward J., Mozart's Operas (3rd edn, London, 1955), 40Google Scholar
Gennrich, Friedrich, Bibliographie der ältesten französischen und lateinischen Motetten, Summa Musicae Medii Aevi, 2 (Darmstadt, 1957), 82, 91–108Google Scholar
The Keyboard Music of William Byrd, ed. Brown, Alan, Musica Britannica, 27 (London, 1969; 2nd edn, 1976), no. 26Google Scholar

Periodicals

Gareth, R.K.Curtis, ‘Jean Pullois and the Cyclic Mass—or a Case of Mistaken Identity?‘, Music & Letters, 62 (1981), 41–59Google Scholar
Festschriften (titles full enough to include dedicatee's name; include name of general editor)Google Scholar
Reaney, Gilbert, ‘The Performance of Medieval Music’, Aspects of Medieval and Renaissance Music: a Birthday Offering to Gustave Reese, ed. Jan LaRue (New York, 1966), 704–22Google Scholar

Anthologies (include name of general editor)

Babbitt, Milton, ‘Three Essays on Schoenberg’, Perspectives on Schoenberg and Stravinsky, ed. Benjamin Boretz and Edward T. Cone (Princeton, 1968), 47–60CrossRefGoogle Scholar

Encyclopaedias and Dictionaries

Trowell, Brian, ‘Faburden’, The New Grove Dictionary of Music and Musicians, 2nd edition, ed. Stanley Sadie (London, 2001), viii, 496–502.Google Scholar

Dissertations

Carver, Anthony F., ‘The Development of Sacred Polychoral Music to 1580’ (Ph.D. dissertation, University of Birmingham, 1980), i, 64–5Google Scholar

Websites

British Library Integrated Catalogue <http://catalogue.bl.uk> (accessed 25 March 2008)+(accessed+25+March+2008)>Google Scholar
Second and subsequent references to books, articles, etc. already cited in full should include only the author's surname and short title (e.g. Bent, Dunstaple; Curtis, ‘Jean Pullois‘). Alternatively, it may be convenient to use an abbreviation explained in the first citation (e.g. Georg Friedrich Händeis Werke: Ausgabe der Deutschen Händelsgesellschaft, ed. Friedrich Chrysander, 96 vols. (Leipzig and Bergedorf bei Hamburg, 1858–94) plus supplement, 6 vols (Leipzig, 1888–1902); henceforth HG).Google Scholar

Bibliography

New Hart's Rules (Oxford, 2005)Google Scholar
The Oxford Dictionary for Writers & Editors, edited and compiled by R.M. Ritter (2nd edn, Oxford, 2000)Google Scholar
The Oxford Guide to Style, edited by Ritter, R.M. (Oxford, 2002)Google Scholar