Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-28T17:27:42.695Z Has data issue: false hasContentIssue false
  • English
  • Français

Musical Developments in the School of Aristotle

Published online by Cambridge University Press:  01 January 2020

Warren Anderson
Get access Rights & Permissions [Opens in a new window]

Extract

At the end of his life, Socrates reported a command which he had received in a dream. This is, of course, the Platonic Socrates; the Socrates of Xenophon would never have had anything to do with so trifling a pursuit as musical composition. According to Plato, he was told, ‘Compose musical settings of poetry; make this your regular practice’ (Phaedo 60e6–7: , mousikēn poiei kai ergadzou).

Type
Research Article
Information
Royal Musical Association Research Chronicle , Volume 16 , 1980 , pp. 78 - 98
Copyright
Copyright © Royal Musical Association, 1980

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abert, Hermann, 1899. Die Lehre vom Ethos in dev griechischen Musik. Leipzig: Breitkopf & Härtel; reprinted Tutzing 1968: Hans SchneiderGoogle Scholar
Burnet, John, ed., 1911. Plato's Phaedo. Oxford: Clarendon Press; reprinted 1963 (the notes are unpaged and are numbered according to the Stephanus numbers of the Greek text)CrossRefGoogle Scholar
Clement, Paul A., ed. and trans., 1969. Plutarch's Moralia 8, Loeb Classical Library. Cambridge, Mass.: Harvard University Press; London: William HeinemannGoogle Scholar
Denniston, J.D., 1913. ‘Some Recent Theories of the Greek Modes’, Classical Quarterly 7, 83–99CrossRefGoogle Scholar
Diels, Hermann and Kranz, Walther, ed., 1972-4. Die Fragmente der Vorsokratiker, 14th to 17th editions. Berlin: Weidmann (citations by item numbers in the ‘B’ sections, containing primary references)Google Scholar
Düring, Ingemar, ed., 1932. Porphyrios Kommentar zur Harmonielehre des Ptolemaios, Göteborgs högskolas årsskrift 38/2. Göteborg: Elanders BoktryckeriGoogle Scholar
Freeman, Kathleen, 1948. Ancilla to the Pre-Socratic Philosophers [complete translation of items in the ‘B’ sections of Diels-Kranz, Die Fragmente der Vorsokratiker]. Oxford: BlackwellGoogle Scholar
Keil, Henricus, ed., 1874. Grammatici latini 6. Leipzig: B.G. Teubner; reprinted Hildesheim 1961: G. OlmsGoogle Scholar
Lippman, Edward A., 1964. Musical Thought in Ancient Greece. New York and London: Columbia University PressGoogle Scholar
Muhammad, A.F., ed., 1948. [Al-Shahrastānī, Muhammad ibn ‘Abd al-Karīm: Kitāb al-milal wa al-nihal.] CairoGoogle Scholar
Neubecker, Annemarie J., 1977. Altgriechische Musik: Eine Einführung. Darmstadt: Wissenschaftliche BuchgesellschaftGoogle Scholar
Wehrli, Fritz, ed. and comm., 1944-59. Die Schule des Aristoteles 1, 2, 7 (item numbers quoted here in italics). Basle: SchwabeGoogle Scholar
Wille, Günther, 1967. Musica romana. Amsterdam: HakkertCrossRefGoogle Scholar
Wille, Günther, 1977. Einführung in das römische Musikleben. Darmstadt: Wissenschaftliche BuchgesellschaftGoogle Scholar
Winternitz, Emanuel, 1976. ‘Further Evidence of Open Strings in Classical Greek Music, 5th and 4th Centuries bc’, RIdIM/RCMI [Répertoire International d'Iconographie Musicale/Research Center for Musical Iconography] Newsletter 2/1, 5–6Google Scholar