Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-09T14:28:32.921Z Has data issue: false hasContentIssue false

Karl von Ordonez (1734–1786): A Biographical Study

Published online by Cambridge University Press:  01 January 2020

Extract

Of the great many minor yet significant composers who lived around the time of Haydn and Mozart and who deserve to be better known, Karl von Ordonez, a Viennese composer born two years after Haydn, has been the subject of much recent scholarly interest. Landon (1959) introduced this composer to the modern musical world, he has since figured in numerous books, monographs and articles (most notably Landon 1962a and 1978, Kirkendale 1966, Apfel 1972, and Larsen 1978), and he has been the subject of several recent studies (Brown 1974a, 1974b, 1978, 1981a, 1981b, and Young 1980b). However, no detailed biographical study has yet been published, and it is the purpose of the present article to meet this need.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Manuscript sources

Manuscript sourcesGoogle Scholar
A. Vienna, Dompfarre St Stephan:Google Scholar
Trauungsbuch, 1712, Tom. 39, f. 329Google Scholar
Trauungsbuch, 1723, Tom. 44, f. 244Google Scholar
Trauungsbuch, 1760, Tom. 59, f. 399Google Scholar
Taufbuch, 1730, Tom. 66, f. 66Google Scholar
Taufbuch, 1731, Tom. 66, f. 368Google Scholar
Taufbuch, 1732, Tom. 67, f. 68Google Scholar
Taufbuch, 1734, Tom. 68, f. 69Google Scholar
Taufbuch, 1735, Tom. 69, f. 42Google Scholar
Taufbuch, 1737, Tom. 70, f. 294Google Scholar
Taufbuch, 1739, Tom. 71, f. 310Google Scholar
Taufbuch, 1740, Tom. 72, f. 215Google Scholar
Vienna, B., Finanz- und Hofkammerarchiv:Google Scholar
Kamerale, rote Nr. 707, Nr. 520Google Scholar
Kamerale, rote Nr. 707, Nr. 144Google Scholar
Kamerale, rote Nr. 710, Nr. 273Google Scholar
Kamerale, rote Nr. 2079, Nr. 270Google Scholar
Kamerale, rote Nr. 2079, Nr. 83Google Scholar
Vienna, C., Haus- Hof- und Staatsarchiv:Google Scholar
Hofparteyenprotokolle of the year 1779/80, f. 17vGoogle Scholar
Hofparteyenprotokolle of the year 1783, ff. 34v–35Google Scholar
Tagebücher of Count Karl von Zinzendorf (entries for 23 April 1775, and 22 April 1778)Google Scholar
Vienna, D., Stadt- und Landesarchiv:Google Scholar
Totenbeschauprotokoll (Karl von Ordonez)Google Scholar
Totenbeschauprotokoll (Johanna von Ordonez)Google Scholar
Magistratisches Zivilgericht, 1783–1850, 2 – 2111/1786Google Scholar

Literature

Abafi, Ludwig, 1890, 1891, 1893, 1899. Geschichte der Freimaurerei in Oesterreich-Ungarn. Budapest: vols. 1–4, Ludwig Aigner, vol. 5, Martin Bago & SohnGoogle Scholar
Apfel, Ernst, 1972. Zur Vor- und Frühgeschichte der Symphonie: Begriff, Wesen und Entwicklung vom Ensemble- zum Orchestersatz, Sammlung musikwissenschaftlicher Abhandlungen 56. Baden-Baden: Verlag Valentin KoernerGoogle Scholar
Badura-Skoda, Eva, 1973–4. ‘The Influence of the Viennese Popular Comedy on Haydn and Mozart’, Proceedings of the Royal Musical Association 100, 185–99CrossRefGoogle Scholar
Dénes, Bártha, and Somfai, László, 1960. Haydn als Opernkapellmeister: Die Haydn-Dokumente der Esterházy-Opernsammlung. Mainz: SchottGoogle Scholar
Biba, Otto, 1978. ‘Beispiele für die Besetzungsverhältnisse bei Aufführungen von Haydns Oratorien in Wien zwischen 1784 und 1808’, Haydn Studien 4, 94–9Google Scholar
Branscombe, Peter, 1971–2. ‘Music in the Viennese Popular Theatre of the Eighteenth and Nineteenth Centuries’, Proceedings of the Royal Musical Association 98, 101112CrossRefGoogle Scholar
Brook, Barry S., 1970. ‘Sturm und Drang and the Romantic Period in Music’, Studies in Romanticism 9/4, 269–84Google Scholar
Brown, A. Peter, 1974a. ‘The Chamber Music with Strings of Carlos d'Ordoñez: A Bibliographic and Stylistic Study’, Acta musicologica 46/2, 222–72Google Scholar
Brown, A. Peter, 1974b. ‘Structure and Style in the String Quartets of Carlos d'Ordoñez (1734–1786)’, Report of the Eleventh Congress Copenhagen 1972, ed. d, S⊘ren S⊘rensen and Peter Ryom. Copenhagen: Wilhelm HansenGoogle Scholar
Brown, A. Peter, 1978. Carlo d'Ordonez 1734–1786: A Thematic Catalogue, Detroit Studies in Bibliography 39. Detroit: Information CoordinatorsGoogle Scholar
Brown, A. Peter, ed., 1979. Carlo d'Ordonez: 7 Symphonies, The Symphony 1720–1840, 911, ed. Brook, Barry S.New York: Garland Publishing, Inc.Google Scholar
Brown, A. Peter, 1980a. ‘Ordonez’, The New Grove, ed. Stanley Sadie, 13, 702–3. London: Macmillan Publishers LimitedGoogle Scholar
Brown, A. Peter, ed., 1980b. Carlo d'Ordonez: String Quartets, Op. 1, Recent Researches in the Music of the Classic Era 10. Madison: A-R EditionsGoogle Scholar
Brown, A. Peter, 1981a. ‘An Introduction to the Life and Works of Carlo d'Ordonez’, Music East and West: Essays in Honor of Walter Kaufmann, ed. Thomas Noblitt, Festschrift Series 3, 243–59. New York: Pendragon PressGoogle Scholar
Brown, A. Peter, 1981b. ‘The Symphonies of Carlo d'Ordonez: A Contribution to the History of Viennese Instrumental Music During the Second Half of the Eighteenth Century’, The Haydn Yearbook 12, 5121Google Scholar
Bruford, W. H., 1935. Germany in the Eighteenth Century: The Social Background of the Literary Revival. Cambridge: Cambridge University PressGoogle Scholar
Burney, Charles, 1773. The Present State of Music in Germany, the Netherlands and the United Provinces 1. LondonGoogle Scholar
Carse, Adam, 1940. The Orchestra in the XVIIIth Century. Cambridge: W. Heffer & SonsGoogle Scholar
Chailley, Jacques, 1970. ‘Joseph Haydn and the Freemasons’, Studies in Eighteenth-Century Music: A Tribute to Karl Geiringer on his Seventieth Birthday, ed. d, 117–24. London: George Allen and UnwinGoogle Scholar
Eitner, Robert, c1898. ‘Ordonez’, Biographisch-Bibliographisches Quellen-Lexicon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts 7, 239–40. Reprinted New York: MusurgiaGoogle Scholar
Fetis, F. J., 2/1870. ‘Ordonetz’, Biographie universelle des musiciens et bibliographie générale de la musique 5, 373. Paris: Librairie de Firmin Didot Frères, Fils et cieGoogle Scholar
Forkel, J. N., 1783, 1784. Musikalischer Almanach für Deutschland. Leipzig: im Schwickersten VerlagGoogle Scholar
Gerber, Ernst Ludwig, 1790, 1792. Historisch-Biographisches Lexicon der Tonkünstler, welches Nachrichten von dem Leben und Werken musikalischer Schriftsteller, berühmter Componisten, Sänger, Meister auf Instrumenten, Dilettanten, Orgel- und Instrumentenmacher enthält, vols. 1 and 2. Leipzig: Johann Gottlob Immanuel BreitkopfGoogle Scholar
Gerber, Ernst Ludwig, 1812, 1812, 1813, 1814. Neues historisch-biographisches Lexikon der Tonkünstler, welches Nachrichten von dem Leben und den Werken musikalischer Schriftsteller, berühmter Komponisten, Sänger, Meister auf Instrumenten, Kunstvoller, Dilettanten, Musikverleger, auch Orgel- und Instrumentenmacher, älterer und neuerer Zeit, aus allen Nationen enthält. 4 vols. Leipzig: A. KühnelGoogle Scholar
Goodwin, A., ed., 1953. The European Nobility in the Eighteenth Century. LondonGoogle Scholar
Haas, Robert, 1926. ‘Wiener deutsche Parodieopern um 1730’, Zeitschrift für Musikwissenschaft 8, 201–25Google Scholar
Hanslick, Eduard, 1869, 1870. Geschichte des Concertwesens in Wien, 2 vols. Vienna: Wilhelm Braumüller; reprinted Farnborough: Gregg International Publishers, 1971Google Scholar
Harich, János, 1962. ‘Das Repertoire des Opernkapellmeisters Joseph Haydn in Eszterháza (1780–1790)’, The Haydn Yearbook 1, 9110Google Scholar
Heartz, Daniel, 1982. ‘Nicolas Jadot and the Building of the Burgtheater’, The Musical Quarterly 68, 131CrossRefGoogle Scholar
Hill, George R., 1975. The Concert Symphonies of Florian Leopold Gassmann. Ph.D. dissertation, New York UniversityGoogle Scholar
[Hiller, J. A.] 1766. Wöchentliche Nachrichten und Anmerkungen die Musik betreffend, den 23ten Septembr. LeipzigGoogle Scholar
Hosäk, Ladislav, 1938. Historický Mistopis Zeme Moravskoslezské. BrnoGoogle Scholar
[Junker, C. L. ? 1782]. Musicalischer Almanach auf das Jahr 1782. Alethinopel [fictitious? Freiburg]Google Scholar
Kirkendale, Warren, 1966. Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. Tutzing: Hans SchneiderGoogle Scholar
Köchel, Ludwig Ritter von, 1869. Die Kaiserliche Hof-Musikkapelle in Wien von 1543 bis 1867; Nach urkundlichen Forschungen. Vienna, reprinted Hildesheim: Georg Olms, 1976Google Scholar
Landon, H. C. Robbins, 1955. The Symphonies of Joseph Haydn. London: Universal Edition & RockliffGoogle Scholar
Landon, H. C. Robbins, 1959. ‘Problems of Authenticity in Eighteenth-Century Music’, Instrumental Music: A Conference at Isham Memorial Library May 4, 1957, ed. d, Mass.: Harvard University PressGoogle Scholar
Landon, H. C. Robbins, 1962a. ‘Haydn's Marionette Operas and the Repertoire of the Marionette Theatre at Esterház Castle’, The Haydn Yearbook 1/1, 111–93Google Scholar
Landon, H. C. Robbins, 1962b. ‘Ordonez’, Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik, ed. d, Basel, etc.: BärenreiterGoogle Scholar
Landon, H. C. Robbins, 1978. Haydn at Esterháza 1766–1790, Haydn: Chronicle and Works. London: Thames and HudsonGoogle Scholar
Larsen, Jens Peter, 1978. ‘Zur Entstehung der österreichischen Symphonie-Tradition’, The Haydn Yearbook 10, 7280Google Scholar
Longyear, Rey M., 1971. ‘The Minor Mode in the Classic Period’, The Music Review 32, 2735Google Scholar
Manning, Elizabeth, 1975. ‘The Nationalsingspiel in Vienna from 1778 to 1785’, PhD dissertation, University of DurhamGoogle Scholar
Meyer, Eve R., 1971. ‘Joseph II: the Effect of His Enlightened Absolutism on Austrian Music’, Enlightenment Essays 2/3–4, 149–57Google Scholar
Nettl, Paul, 1957. Mozart and Masonry. New York: Philosophical LibraryGoogle Scholar
Papke, Gerhard, 1979. Von der Miliz zum Stehenden Heer: Wehrwesen im Absolutismus, Handbuch zur deutschen Militärgeschichte 1648–1939 1/1. Munich: Bernard & GraefeGoogle Scholar
Pohl, C. F., 1871. Denkschrift aus Anlass des hundertjährigen Bestehens der Tonkünstler-Societät, im Jahre 1862 reorganisirt als ‘Haydn’, Witwen- und Waisen-Versorgungs-Verein der Tonkünstler in Wien. Vienna: Selbstverlag des ‘Haydn’ (Stadt, Schottenhof), in Commission bei Carl Gerold's SohnGoogle Scholar
Poštolka, Milan, 1964. Leopold Koželuh. PragueGoogle Scholar
Pressburger Zeitung 3 July 1779Google Scholar
Sainsbury, John S., ed., 1825. Dictionary of Musicians, from the Earliest Ages to the Present Time: Comprising the Most Important Biographical Contents of the Works of Gerber, Choron, and Fayolle, Count Orloff, Dr. Burney, Sir John Hawkins, &c. &c. Together with Upwards of a Hundred Original Memoirs of the Most Eminent Living Musicians and a Summary of the History of Music, 2 vols. London: Printed for Sainsbury and Co., 1825; reprinted New York: Da Capo Press, 1966Google Scholar
Scott, H. M., 1972. ‘Libraries and Archives 9: Austria’, History 57, 383–6CrossRefGoogle Scholar
Thomson, Katherine, 1977. The Masonic Thread in Mozart. London: Lawrence and WishartGoogle Scholar
Westrup, Jack A., 1969. ‘The Paradox of Eighteenth-Century Music’, Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, ed. Pruett, James W.Chapel Hill: The University of North Carolina PressGoogle Scholar
Wienerisches Diarium 1766. Nro 84, Anhang, den 23 SeptemberGoogle Scholar
Wienerisches Diarium 1779. Nro 49, Anhang, Sonnabend, den 19-BrachmonGoogle Scholar
Wiener Theater Almanach 1794Google Scholar
Wurzbach, Constant von, 1870. Biographisches Lexicon des Kaiserthums Oesterreich, enthaltend die Lebenskizzen der denkwürdigsten Personen, welche seit 1750 in den österreichischen Kronländern geboren wurden oder darin gelebt und gewirkt haben 21. Vienna: Druck und Verlag der k.k. Hof- und StaatsdruckereiGoogle Scholar
Young, David, 1980a. ‘Karl von Ordonez (1734–1786): A Biographical Note’, Haydn Society of Great Britain Newsletter, 1113Google Scholar
Young, David, 1980b. ‘The Symphonies of Karl von Ordonez (1734–1786): A Biographical, Bibliographical and Stylistic Study’, Ph.D. dissertation, University of LiverpoolGoogle Scholar