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The Politics of Fairylore in Early Modern English Literature*

Published online by Cambridge University Press:  20 November 2018

Marjorie Swann
Marjorie Swann*
Affiliation:
The University of Kansas
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Abstract

This essay argues that Stuart fairy poetry, rooted in Shakespeare's innovative representation of tiny, consumeristic fairies, attempts to indigenize new forms of elite material display. Rather than the fairies of popular tradition or courtly mythography, Stuart poets depict miniaturized Mabs and Oberons who are notable for their wardrobes, banquets, coaches, and the decor of their palaces. The fairy poetry of William Browne, Michael Drayton, and Robert Herrick must be interpreted not as playful escapism, but as a self-consciously politicized literary mode which reveals these writers’ deep ambivalence toward elite culture — and toward their own artistic role within that culture.

Type
Studies
Information
Renaissance Quarterly , Volume 53 , Issue 2 , Summer 2000 , pp. 449 - 473
Copyright
Copyright © Renaissance Society of America 2000

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