Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-28T15:06:01.767Z Has data issue: false hasContentIssue false

Knowing Images

Published online by Cambridge University Press:  20 November 2018

Alexander Marr*
Affiliation:
University of Cambridge

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essay
Copyright
Copyright © 2016 Renaissance Society of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alpers, Svetlana The Art of Describing: Dutch Art in the Seventeenth Century. Chicago, 1983.Google Scholar
Appadurai, Arjun “Introduction: Commodities and the Politics of Value.” In The Social Life of Things: Commodities in Cultural Perspective, ed. Arjun Appadurai, 3–63. Cambridge, 1986.CrossRefGoogle Scholar
Baldasso, Renzo “The Role of Visual Representation in the Scientific Revolution: A Historiographical Enquiry.” Centaurus 48.2 (2006): 69–88.CrossRefGoogle Scholar
Baldasso, Renzo “Printing for the Doge: On the First Quire of the First Edition of the Liber elementorum Euclidis.” La Bibliofilia 114.3 (2013): 525–52.Google Scholar
Baldriga, Irene L’occhio della lince: I primi Lincei tra arte, scienza e collezionismo, 1603–1630. Rome, 2002.Google Scholar
Banks, David L’image dans le texte scientifique. Paris, 2013.Google Scholar
Belting, Hans Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst. Munich, 1990.Google Scholar
Bender, John, and Marrinan, Michael. The Culture of Diagram. Palo Alto, 2010.Google Scholar
Berger, Susanna “The Invention of Wisdom in Jean Chéron’s Illustrated Thesis Print.” In The Nature of Invention, ed. Alexander Marr and Vera Keller, special issue of Intellectual History Review 24.3 (2014): 343–66.Google Scholar
Bleichmar, Daniela, and Mancall, Peter C., eds. Collecting across Cultures: Material Exchanges in the Early Modern Atlantic World. Philadelphia, 2011.CrossRefGoogle Scholar
Bredekamp, HorstA Neglected Tradition? Art History as Bildwissenschaft.Critical Inquiry 29 (2003): 418–28.CrossRefGoogle Scholar
Bredekamp, Horst Galilei der Künstler. Der Mond. Die Sonne. Die Hand. Berlin, 2007.Google Scholar
Bredekamp, Horst Theorie des Bildakts. Berlin, 2010.Google Scholar
Bredekamp, Horst, ed. Galileo’s O, vols. 1–2. Berlin, 2012.Google Scholar
Bredekamp, Horst “The Picture Act: Tradition, Horizon, Philosophy.” In Bildakt at the Warburg Institute, ed. Sabine Marienberg and Jürgen Trabant, 3–32. Berlin, 2014.Google Scholar
Bredekamp, Horst, Brückle, Irene, and Needham, Paul, eds. Galileo’s O, vol. 3: A Galileo Forgery: Unmasking the New York Sidereus Nuncius. Berlin, 2014.Google Scholar
Bredekamp, Horst, Dünkel, Vera, and Schneider, Birgit, eds. The Technical Image: A History of Styles in Scientific Imagery. Chicago, 2015.CrossRefGoogle Scholar
Cave, Roderick Impressions of Nature: A History of Nature Printing. London, 2010.Google Scholar
Clark, Stuart Vanities of the Eye: Vision in Early Modern European Culture. Oxford, 2007.Google Scholar
Cook, Harold J. Matters of Exchange: Commerce, Medicine, and Science in the Dutch Golden Age. New Haven, 2007.CrossRefGoogle Scholar
Dackerman, Susan “Dürer’s Indexical Fantasy: The Rhinoceros and Printmaking.” In Prints and the Pursuit of Knowledge (2011a), 164–71.Google Scholar
Dackerman, Susan “Introduction: Prints as Instruments.” In Prints and the Pursuit of Knowledge (2011b), 19–35.Google Scholar
Daston, Lorraine, ed. Things That Talk: Object Lessons from Art and Science. New York, 2004.Google Scholar
Daston, Lorraine “Epistemic Images.” In Vision and Its Instruments: Art, Science, and Technology in Early Modern Europe, ed. Alina Payne, 13–35. University Park, 2015.Google Scholar
Daston, Lorraine, and Gallison, Peter. Objectivity. New York, 2007.Google Scholar
Daston, Lorraine, and Elizabeth Lunbeck, eds. Histories of Scientific Observation. Chicago, 2011.Google Scholar
Dupré, Sven. “The Historiography of Perspective and Reflexy-Const in Netherlandish Art.Nederlands Kunsthistorisch Jaarboek 61 (2011): 3560.CrossRefGoogle Scholar
Elkins, James “Art History and Images That Are not Art.” Art Bulletin 77.4 (1995): 553–71.CrossRefGoogle Scholar
Fay, Isla, and Jardine, Nicholas, eds. Observing the World through Images: Diagrams and Figures in the Early-Modern Arts and Sciences. Leiden, 2014.Google Scholar
Felfe, Robert Naturform und bildnerische Prozesse: Elemente einer Wissensgeschichte in der Kunst des 16. und 17. Jahrhunderts. Berlin, 2015.CrossRefGoogle Scholar
Ferrell, Lori Anne “Page Techne: Interpreting Diagrams in Early Modern English ‘How-to’ Books.” In Printed Images in Early Modern Britain: Essays in Interpretation, ed. Michael Hunter, 113–26. Farnham, 2010.Google Scholar
Fischel, Angela Natur im Bild: Zeichnung und Naturerkenntnis bei Conrad Gessner und Ulisse Aldrovandi. Berlin, 2009.Google Scholar
Fischel, Angela “Collections, Images and Form in Sixteenth-Century Natural History: The Case of Conrad Gessner.” In Picturing Collections in Early Modern Europe, ed. Alexander Marr, special issue of Intellectual History Review 20.1 (2010): 147–64.Google Scholar
Freedberg, David The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History. Chicago, 2002.CrossRefGoogle Scholar
Freybürg, Sascha, and Blühm, Katharina. “Bildakt Demystified: Remarks on Philosophical Iconology and Empirical Aesthetics.” In Bildakt at the Warburg Institute, ed. Sabine Marienberg and Jürgen Trabant, 51–67. Berlin, 2014.Google Scholar
Göttler, Christine, and Neuber, Wolfgang, eds. Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture. Leiden, 2008.Google Scholar
Guerrini, Anita The Courtiers’ Anatomists: Animals and Humans in Louis XIV’s Paris. Chicago, 2015.CrossRefGoogle Scholar
Heilbron, John L. Galileo. Oxford, 2010.Google Scholar
Henderson, Felicity, Kusukawa, Sachiko, and Marr, Alexander, eds. Curiously Drawn: Early Modern Science as a Visual Pursuit. Special issue of Huntington Library Quarterly 78.1 (2015).Google Scholar
Hendrix, John Shannon, and Carman, Charles H., eds. Renaissance Theories of Vision. Farnham, 2010.Google Scholar
Heßler, Martina, and Mersch, Dieter, eds. Logik des Bildlichen: Zur Kritik der ikonischen Vernunft. Bielefeld, 2009.CrossRefGoogle Scholar
Hunter, Matthew C. Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London. Chicago, 2013.CrossRefGoogle Scholar
Hunter, Matthew C., and Francesco Lucchini. “The Clever Object: Three Pavilions, Three Loggia, and a Planetarium.” In The Clever Object, ed. Matthew C. Hunter and Francesco Lucchini, special issue of Art History 36.3 (2015): 474–97.Google Scholar
Jordanova, Ludmilla “Image Matters.” Historical Journal 51.3 (2008): 777–91.CrossRefGoogle Scholar
Jorink, Eric Reading the Book of Nature in the Dutch Golden Age, 1515–1715. Leiden, 2010.CrossRefGoogle Scholar
Klein, Ursula, and Spary, E. C.. Materials and Expertise in Early Modern Europe: Between Market and Laboratory. Chicago, 2010.CrossRefGoogle Scholar
Kraemer, FabianUlisse Aldrovandi’s Pandechion epistemonicon and the Use of Paper Technology in Renaissance Natural History.Early Science and Medicine 19 (2014): 398423.CrossRefGoogle ScholarPubMed
Kusukawa, Sachiko Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany. Chicago, 2012.CrossRefGoogle Scholar
Kusukawa, Sachiko, and Maclean, Ian, eds. Transmitting Knowledge: Words, Images, and Instruments in Early Modern Europe. Oxford, 2006.Google Scholar
Lefèvre, Wolfgang, ed. Picturing Machines 1400–1700. Cambridge, 2004.CrossRefGoogle Scholar
Lo, Melissa “Between Figure and Line: Visual Transformations of Cartesian Physics, 1620–1690.” PhD diss., Harvard University, 2014.Google Scholar
Long, Pamela O. Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance. Baltimore, 2001.Google Scholar
Lüthy, Christoph. “Where Logical Necessity Turns into Visual Persuasion: Descartes’ Clear and Distinct Illustrations.” In Transmitting Knowledge: Words, Images, and Instruments in Early Modern Europe, ed. Ian Maclean and Sachiko Kusukawa, 97–133. Oxford, 2006.Google Scholar
Lüthy, Christoph, and Smets, Alexis. “Words, Lines, Diagrams, Images: Towards a History of Scientific Imagery.Early Science and Medicine 14 (2009): 398439.Google Scholar
Marcaida López, José Ramón. Arte y Ciencia en el Barroco español: Historia natural, coleccionismo y cultura visual. Madrid, 2014.Google Scholar
Margocsy, Daniel Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age. Chicago, 2014.CrossRefGoogle Scholar
Marr, Alexander Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy. Chicago, 2011.Google Scholar
Murdoch, John Album of Science: Antiquity and Middle Ages. New York, 1984.Google Scholar
Nagel, Alexander, and Wood, Christopher S.. Anachronic Renaissance. New York, 2010.Google Scholar
Neri, Janice The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500–1700. Minneapolis, 2011.CrossRefGoogle Scholar
Ogilvie, Brian The Science of Describing: Natural History in Renaissance Europe. Chicago, 2008.Google Scholar
Panofsky, Erwin Galileo as a Critic of the Arts. The Hague, 1954.CrossRefGoogle Scholar
Panofsky, Erwin The Life and Art of Albrecht Dürer. Princeton, 2005.Google Scholar
Parshall, PeterImago contrafacta: Images and Facts in the Northern Renaissance.” Art History 16.4 (1993): 554–79.Google Scholar
Popplow, Marcus “Why Draw Pictures of Machines?” In Picturing Machines 1400–1700, ed. Wolfgang Lefèvre, 17–48. Cambridge, 2004.Google Scholar
Prints and the Pursuit of Knowledge in Early Modern Europe. Ed. Susan Dackerman. New Haven, 2011.Google Scholar
Remmert, Volker Picturing the Scientific Revolution: Title Engravings in Early Modern Scientific Publications. Philadelphia, 2011.Google Scholar
Roos, Anna Marie Web of Nature: Martin Lister (1639–1712), the First Arachnologist. Leiden, 2011.CrossRefGoogle Scholar
Rothstein, Bret “Visual Difficulty as a Cultural System.” Res 65–66 (2014–15): 332–47.Google Scholar
Rublack, Ulinka “Matter in the Material Renaissance.” Past and Present 219.1 (2013): 41–85.CrossRefGoogle Scholar
Skinner, Quentin “Meaning and Understanding in the History of Ideas.” History and Theory 8.1 (1969): 3–53.CrossRefGoogle Scholar
Smith, Jeffrey Chipps, ed. Visual Acuity and the Arts of Communication in Early Modern Germany. Farnham, 2014.Google Scholar
Smith, Pamela H. The Body of the Artisan: Art and Experience in the Scientific Revolution. Chicago, 2004.CrossRefGoogle Scholar
Smith, Pamela H., Amy R. W. Meyers, and Harold J. Cook, eds. Ways of Making and Knowing: The Material Culture of Empirical Knowledge. Ann Arbor, 2014.Google Scholar
Stechow, Wolfgang Northern Renaissance Art, 1400–1600: Sources and Documents. Evanston, 1989.Google Scholar
Swan, Claudia Art, Science, and Witchcraft in Early Modern Holland: Jacques de Gheyn II (1565–1629). Cambridge, 2005.Google Scholar
van Eck, Caroline Art, Agency and Living Presence : From the Animated Image to the Excessive Object. Berlin, 2015.CrossRefGoogle Scholar
van Netten, Djoeke Koopman in kennis: De uitgever Willem Jansz Blaeu (1571–1638) in de geleerde wereld van zijn tijd. Zutphen, 2014.Google Scholar
“Visual Culture Questionnaire.” October 77 (1996): 25–70.CrossRefGoogle Scholar
Wilding, Nick “Review of Horst Bredekamp, ed., Galileo’s O vols. 1 and 2.” Renaissance Quarterly 65.1 (2012): 217–18.Google Scholar
Wilding, Nick “Review of Horst Bredekamp, Irene Brückle, and Paul Needham, eds., A Galileo Forgery: Unmasking the New York Sidereus Nuncius.” Renaissance Quarterly 67.4 (2014): 1337–40.Google Scholar
Wragge-Morley, Alexander. “The Work of Verbal Picturing for John Ray and Some of His Contemporaries.” In Picturing Collections in Early Modern Europe, ed. Alexander Marr, special issue of Intellectual History Review 20.1 (2010): 165–79.Google Scholar
Zittel, Klaus Theatrum philosophicum: Descartes und die Rolle ästhetischer Formen in der Wissenschaft. Berlin, 2009.CrossRefGoogle Scholar
Zorach, Rebecca The Passionate Triangle. Chicago, 2011.CrossRefGoogle Scholar