Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-20T05:08:08.101Z Has data issue: false hasContentIssue false

Endless Sacks: Soldiers’ Desire in Tamburlaine*

Published online by Cambridge University Press:  20 November 2018

Alan Shepard*
Affiliation:
Texas Christian University

Extract

Christopher Marlowe's two-part Tamburlaine the Great (published 1590) captures all of the spirit and something of the scope of legendary violence the historical Tamerlane levied against his enemies. In the course of ten acts Tamburlaine's armies roll over several nations and cultures, leaving thousands of civilians enslaved or worse. Marlowe's graphic representation of the trail of blood and brutality is itself notorious.

In the interest of founding his own legend as the hypermasculine “Generall of the world” (1:5.1.451), Tamburlaine practices virtual genocide against his enemies and ethnocide against their cities, religions, and ways of life. By no means does he work alone. The soldier-males who serve in his armies eagerly follow his lead.

Type
Studies
Copyright
Copyright © Renaissance Society of America 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

I wish to thank Steven Wozniak for his generous help with earlier versions of this essay and Emily C. Bartels for her detailed suggestions for revision.

References

Babb, Lawrence. The Elizabethan Malady: A Study of Melancholia in English Literature from 1580 to 1642. East Lansing 1951 Google Scholar
Barber, C. L. “The Death of Zenocrate: 'Conceiving and Subduing Both’ in Marlowe's Tamburlaine.” Literature and Psychology 16 (1966): 1524.Google Scholar
Barkan, Leonard. Nature's Work of Art: The Human Body as Image of the World. Rpt. New Haven 1977 Google Scholar
Battenhouse, Roy. Marlowe's Tamburlaine: Study in Renaissance Moral Philosophy. Nashville 1941 Google Scholar
Battenhouse, Roy. “Protestant Apologetics and the Subplot of 2 Tamburlaine.” ELR 3 (1973): 3043.Google Scholar
Berek, Peter. “Tamburlaine's Weak Sons: Imitation as Interpretation Before 1593.” RD n.s. 13 (1982): 5582.Google Scholar
Braden, Gordon. Renaissance Tragedy and the Senecan Tradition: Anger's Privilege. New Haven and London 1985 Google Scholar
Burnett, Mark Thornton. “Tamburlaine and the Renaissance Concept of Honour.” Studia Neophilologica 59 (1987): 201-06.Google Scholar
Cole, Douglas. Suffering and Evil in the Plays of Christopher Marlowe. Rpt. New York 1972 Google Scholar
Clayton, Giles. Approved Order of Martiall Discipline [1591]. New York 1973 Google Scholar
Clayton, Jay. “Narrative and Theories of Desire.” Critical Inquiry 16 (1989): 33-53.Google Scholar
Cunningham, Karen. “Renaissance Execution and Marlovian Elocution: The Drama of Death.” PMLA 105 (1990): 209-22.Google Scholar
Danson, Lawrence. “Christopher Marlowe: The Questioner.” ELR 12 (1982): 329.Google Scholar
Erasmus, Desiderius. The Adages of Erasmus. Trans. Margaret Mann Phillips. Cambridge 1964 Google Scholar
Gray, J. Glenn. The Warriors: Reflections on Men in Battle. New York 1959 Google Scholar
Greenblatt, Stephen. Renaissance Self Fashioning. Chicago 1980 Google Scholar
Harre, Rom. ed. The Social Construction of Emotions. Oxford 1986 Google Scholar
Hope, A. D.Tamburlaine: The Argument of Arms.” In Christopher Marlowe, ed. Harold Bloom, 45-54. New York 1986 Google Scholar
Hulme, Peter. Colonial Encounters: Europe and the Native Caribbean, 1492-1797. London 1986 Google Scholar
Kocher, Paul. “Marlowe's Art of War.” SP 39 (1942): 207-25.Google Scholar
Kuriyama, Constance Brown. Hammer or Anvil: Psychological Patterns in Christopher Marlowe's Plays. New Brunswick 1980 Google Scholar
Levin, Richard. “The Contemporary Perception of Marlowe's Tamburlaine.” In Medieval and Renaissance Drama in England 1, ed.J. Leeds Barroll, 51-70. New York 1984 Google Scholar
MacCary, W., Thomas. Childlike Achilles: Ontogeny and Phylogeny in the Iliad. New York 1982 Google Scholar
Machiavelli, Niccolo. The ArtofWar[i﹜2i]. Trans. Ellis Farneworth. Introd. Neal Wood. Rev. ed. Indianapolis 1965 Google Scholar
Marlowe, Christopher. The Complete Works, ed. Fredson Bowers. 2 vols. 2d ed. Cambridge 1981 Google Scholar
Oxenhandler, Neal. “The Changing Concept of Literary Emotion: A Selective History.” New Literary History 20 (1988): 105-21.Google Scholar
Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford and New York 1985 Google Scholar
Shepherd, Simon. Amazons and Warrior Women: Varieties of Feminism in Seventeenth- Century Drama. New York 1981 Google Scholar
Theweleit, Klaus. Male Fantasies. Trans. Stephen Conway, Erica Carter, and Chris Turner. 2 vols. Minneapolis, 1987, 1989.Google Scholar
Turner, Victor. “Colour Classification in Ndembu Ritual.” In Anthropological Approaches to the Study of Religion, ed. Michael Banton, 47-84. London, 1966.Google Scholar
Vermeule, Emily. Aspects of Death in Early Greek Art and Poetry. Berkeley 1979 Google Scholar
Waith, Eugene. “Tamburlaine.” Rpt. in Marlowe: A Collection of Critical Essays, ed. Clifford Leech, 69-91. Twentieth- Century Views Series. Englewood Cliffs, 1964.Google Scholar
Waswo, Richard. Language and Meaning in the Renaissance. Princeton 1987 Google Scholar
Weil, Judith. Christopher Marlowe: Merlin's Prophet. Cambridge 1977 Google Scholar