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City Portrait, Civic Body, and Commercial Printing in Sixteenth-Century Ghent

Published online by Cambridge University Press:  20 November 2018

Frederik Buylaert ,
Jelle De Rock  and
Anne-Laure Van Bruaene
Frederik Buylaert
Affiliation:
Vrije Universiteit Brussel
Jelle De Rock
Affiliation:
Universiteit Gent
Anne-Laure Van Bruaene
Affiliation:
Universiteit Gent
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Abstract

This article discusses a woodcut series with an elaborate iconographic representation of the Flemish city of Ghent, printed in 1524 by Pieter de Keysere. The three-sheet composition consists of a city view, an image of the allegorical Maiden of Ghent, and an extensive heraldic program with the coat of arms of prominent Ghent families and of the Ghent craft guilds. The print series’ production and consumption are unraveled and framed within the wider debate on civic religion in Renaissance Europe. The main argument is that while in this region of Northern Europe civic ideology was equally strong as in Italy, it was not the exclusive playground of the ruling elites. Pieter de Keysere’s woodcut series was aimed at a socially broad, local audience, most particularly Ghent’s corporate middle groups.

Type
Research Article
Information
Renaissance Quarterly , Volume 68 , Issue 3 , Fall 2015 , pp. 803 - 839
Copyright
Copyright © Renaissance Society of America 2015

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References

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de Vecchi, Pierluigi, and Vergani, Graziano Alfredo. La Rappresentazione Della Città Nella Pittura Italiana. Milan, 2003.Google Scholar
De Vreese, Willem. Leekebijdrage tot de geschiedenis van Vlaanderen, ingezonderheid van Gent. Ghent, 1910.Google Scholar
Dibbits, Hester. Vertrouwd bezit: Materiële cultuur in Doesburg en Maassluis, 1650–1800. Nijmegen, 2001.Google Scholar
Dumolyn, Jan, and Jelle Haemers. “Patterns of Urban Rebellion in Medieval Flanders.” Journal of Medieval History 31 (2005): 369–93.Google Scholar
Frangenberg, Thomas. “Chorographies of Florence: The Use of City Views and City Plans in the Sixteenth Century.” Imago Mundi 46 (1994): 41–64.Google Scholar
Gysseling, Maurits, and A. C. F. Koch, eds. Diplomatica belgica ante annum millesimum centesimum scripta. Tongeren, 1950.Google Scholar
Haemers, Jelle. De Gentse opstand (1449–1453): De strijd tussen rivaliserende netwerken om het stedelijk kapitaal. Kortrijk, 2004.Google Scholar
Haemers, Jelle. “Social Memory and Rebellion in Fifteenth-Century Ghent.” Social History 36 (2011): 455–62.Google Scholar
Harvey, Paul. The History of Topographical Maps: Symbols, Pictures and Surveys. London, 1980.Google Scholar
Heins, Armand, and Victor van der Haeghen, eds. Vue panoramique de Gand, armoires de familles et corporations imprimées et éditées par Pierre De Keysere en 1524: Reproduction chromolithographique de l’exemplaire du Musée de Gotha. Ghent, 1910.Google Scholar
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Kopytoff, Igor. “The Cultural Biography of Things: Commoditization as Process.” In The Social Life of Things (1986): 64–94.Google Scholar
Kowaleski, Maryanne. “A Consumer Economy.” In A Social History of England, 1200–1500, ed. Rosemary Horrox and Mark Ormrod, 238–59. Cambridge, 2006.Google Scholar
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