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Gauvin Alexander, Bailey, Jones, Pamela , and, Worcester, Thomas W. , eds. Hope and Healing: Painting in Italy in a Time of Plague, 1500–1800. Chicago and London : The University of Chicago Press , 2005. viii + 264 pp. index. illus. bibl. $39.95. ISBN: 0-936042-05-2. Includes: Franco Mormando, “Introduction: Response to the Plague in Early Modern Italy: What the Primary Sources, Printed and Painted, Reveal”; Sheila C. Barker, “Plague Art in Early Modern Rome: Divine Directives and Temporal Remedies”; Pamela M. Jones, “San Carlo Borromeo and Plague Imagery in Milan and Rome”; James Clifton, “Art and Plague at Naples”; Gauvin Alexander Bailey, “Anthony van Dyck, the Cult of Saint Rosalie, and the 1624 Plague in Palermo”; Andrew Hopkins, “Combating the Plague: Devotional Paintings, Architectural Programs, and Votive Processions in Early Modern Venice”; Thomas Worcester, “Saint Roch vs. Plague, Famine, and Fear”; and Gauvin Alexander Bailey and Pamela M. Jones, “Catalogue of the Exhibition.”Google Scholar

Pamela J., Benson , and, Kirkham, Victoria , eds. Strong Voices, Weak History: Early Modern Writers and Canons in England, France, and Italy. Ann Arbor : The University of Michigan Press , 2005. viii + 380 pp. index. illus. tbls. bibl. $29.95. ISBN: 0-472-06881-4. Includes: Virginia Cox, “Women Writers and the Canon in Sixteenth-Century Italy: The Case of Vittoria Colonna”; Janet Levarie Smarr, “A Female Tradition? Womens’ Dialogue Writing in Sixteenth-Century France ”; Thelma S. Fenster, “Strong Voices, Weak Minds? The Defenses of Eve by Isotta Nogarola and Christine de Pizan, Who Found Themselves in Simone de Beauvoir’s Situation”; E. Ann Matter, “The Canon of Religious Life: Maria Domitilla Galluzzi and the Ruleof St. Clare of Assisi”; Kevin Brownlee, “Christine de Pizan: Gender and the New Vernacular Canon”; Fabio Finotti, “Women Writers in Renaissance Italy: Courtly Origins of New Literary Canons”; Pamela Joseph Benson, “The Stigma of Italy Undone: Aemilia Lanyers’ Canonization of Lady Mary Sidney ”; Mary Victoria Kirkham, “Sappho on the Arno: The Brief Fame of Laura Battiferra”; Armando Maggi, “The Place of Female Mysticism in the Italian Literary Canon”; John N. King, “Thomas Bentleys Monument of Matrons: The Earliest Anthology of English Women’s Texts”; Deanna Shemek, “The Collector’s Cabinet: Lodovico Domenichis’ Gallery of Women ”; Stuart Curran, “Recollecting the Renaissance: Luisa Bergallis Componimenti Poetici(1726)”; Ann Rosalind Jones, “Bad Press: Modern Editors versus Early Modern Women Poets (Tullia d’Aragona, Gaspara Stampa, Veronica Franco)”; Lina Insana, “Fascist Appropriations: The Case of Jolanda De Blasis Le scrittrici italiane”; and Elaine V. Beilin, “A Woman for All Seasons: The Reinvention of Anne Askew.”Google Scholar

Yvonne, Bruce , ed. Images of Matter: Essays on British Literature of the Middle Ages and Renaissance. Proceedings of the Eighth Citadel Conference on Literature, Charleston, South Carolina, 2002. Newark and Cranbury : University of Delaware Press/AUP , 2005. 283 pp. index. illus. $53.50. ISBN: 0-87413-894-9. Includes: Yvonne Bruce, “Preface”; “Introduction”; John M. Adrian, “Itineraries, Perambulations, and Surveys: The Intersections of Chorography and Cartography in the Sixteenth Century”; Rob Browning, “‘To serve my purpose’: Interpretive Agency in George Withers A Collection of Emblemes”; Kathryn L. Lynch, “The Three Noble Kinsmen: Chaucer, Shakespeare, Fletcher”; Heather James, “Ovid and the Question of Politics in Early Modern England”; Helen M. Whall, “Parodies Lost: Aretino Reads Raimondi”; Jeannie Sargent Judge, “Accepting the Flesh: George Herbert and the Sacrament of Holy Communion”; Julia B. Griffin, “’Twixt Treason and Convenience: Some Images of Thomas Wentworth, First Earl of Strafford”; Heather E. Ostman, “Backbiters, Flatterers, and Monarchs: Domestic Politics in The Tragedy of Mariam”; Jennifer A. Rich, “Gender and the Market in Henry VI, 1”; Erin Mullally, “Hrethels Heirloom: Kinship, Succession, and Weaponry in Beowulf”; Jay L. Halio, “Shylock: Shakespeare’s Bad Jew”; and Scott Lucas, “Coping with Providentialism: Trauma, Identity, and the Failure of the English Reformation.”Google Scholar

Edward, Chaney , ed. The Evolution of English Collecting: The Reception of Italian Art in the Tudor and Stuart Periods. Studies in British Art 12. New Haven and London : Yale University Press , 2004. vii + 484 pp. index. illus. $75. ISBN: 0-300-10224-0. Includes: Edward Chaney, “The Italianate Evolution of English Collecting”; Kathryn Barron, “The Collecting and Patronage of John, Lord Lumley (c. 1535–1609)”; Richarad L. Williams, “Collecting and Religion in Late Sixteenth-Century England”; Susan Bracken, “The Early Cecils and Italiante Taste”; Karen Hearn, “A Question of Judgement: Lucy Harington, Countess of Bedford, as Art Patron and Collector”; Robert Hill, “The Ambassador as Art Agent: Sir Dudley Carleton and Jacobean Collecting”; Jane Roberts, “Thomas Howard, the Collector Earl of Arundel”; Elizabeth V. Chew, “The Countess of Arundel and Tart Hall”; Philip McEvansoneya, “Italian Paintings in the Buckingham Collection”; Anne Brookes, “Richard Symonds and Thomas Isham as Collectors of Prints in Seventeenth-Century Italy”; Christopher Baker, “The Aldrich Prints: A Late Seventeenth-Century Collection, its Sources and Arrangements”; and Charles Avery, “The Duke of Marlborough as a Collector and Patron of Sculpture. ”Google Scholar

Renate, Dürr, Engel, Gisela , and, Süßmann, Johannes , eds. Expansionen in der Frühen Neuzeit. Vol. 34 of Zeitschrift für Historische Forschung. Berlin : Duncker & Homblot , 2005. 392 pp. illus. map. €54. ISBN: 3-428-11701-8. Includes: Gisela Engel, Johannes Süßmann, and Renate Dürr, “Einführung”; Felicitas Schmieder, “Das Werden des mittelalterlichen Europa aus dem Kulturkontakt: Voraussetzungen und Anfänge der europäischen Expansion”; Christoph Auffarth, “Neue Welt und Neue Zeit — Weltkarten und Säkularisie-rung in der Frühen Neuzeit”; Achim Mittag, “‘Offensive Expansion’ und innere ‘ Kolonisation’ — das Fallbeispiel China: Zu den Voraussetzungen der Expansion des Qing-Reichs (17.–19. Jh.) im historischen Denken und kartographisch-geographischen. .”; Jan Kusber, “‘Entdecker’ und ‘Entdeckte’: Zum Selbstverständnis von Zar und Elite im frühneuzeitlichen Moskauer Reich zwischen Europa und Asien”; Ralf Elger, “Der Fall Andalusiens und die eu-ropäische Expansion in der Sicht des algerischen Gelehrten Ahmad al-Maqqarî (gest. 1632)”; Eckhard Lobsien, “Die Pluralität der Welten im 16. und 17. Jahrhundert”; John M. Headley, “‘The Extended Hand of Europe: Expansionist and Imperialist Motifs in the Political Geography of Giovanni Botero”; Ulrike Ilg, “Die ‘Entdeckung der osmanischen Kultur durch Künstler und Gelehrte im 16. Jahrhundert: eine humanistische Utopie”; Catherine Jami, “Representations and Uses of ‘European Science’ in China (1582–1722)”; Maximilian Bergengruen, “Expansion in die Natur: Zum Verhältnis von arsund naturabei Paracelsus und im Paracelsismus”; Jürgen Klein, “Plus Ultra: Bacons Vision der Welterkenntnis im Spiegel der Begründung und Universalapplikation empirischer Wissenschaft”; Michael Kempe, “Jungfräuliche Erde, unsichtbare Welten: Mikro- und makro-kosmiche Ausdehnungen der frühneuzeitlichen Medizin und Naturgeschichte”; Daniel Damler, “Herr der Welt und König der Frösche: Von der ästhetischen zur teleologischen Weltherrschaftsidee”; Susanna Burghartz, “Erfolg durch Scheitern? Zur Konstruktion von Überlegenheit im kolonialen Diskurs um 1600”; Kirsten Mahlke, “Das Alte und das Neue Frankreich: Lescarbots Histoire de la Nouvelle Franceund die hebräischen Wurzeln einer politischen Utopie”; Iris Gareis, “Uto-pie und Expansion: Eine europäische Idee in der Neuen Welt”; and Tanja Michalsky, “Horizonterweiterung? Niederländische Landschaft in Brasilien.”Google Scholar

Roberto González, Echevarría , ed. Cervantes’ Don Quixote: A Casebook. Casebooks in Criticism. Oxford and New York : Oxford University Press , 2005. xiv + 281 pp. index. illus. bibl. $24.95. ISBN: 0-19-516938-7. Includes: Roberto González, “Introduction”; Manuel Durán Echevarría, “Cervantes’ Harassed and Vagabond Life”; Erich Auerbach, “The Enchanted Dulcinea”; Ramón Men éndez Pidal, “The Genesis of Don Quixote”; Georgina Dopico Black, “Canons Afire: Libraries, Books, and Bodies in Don Quixotes Spain”; E. C. Riley, “Literature and Life in Don Quixote”; Bruce W. Wardropper, “Don Quixote: Story or History?”; Leo Spitzer, “Linguistic Perspectivism in the Don Quijote”; Roberto González “Don Quixote: Crossed Eyes and Vision”; George Haley Echevarra, í “The Narrator in Don Quijote: Maese Pedro’s Puppet Show”; and Miguel de Cervantes, “Self-Portraits: Introduced by Roberto González Echevarr í a. ”Google Scholar

Stephen N., Fliegel , and, Jugie, Sophie , eds. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364–1419. Musée des Beaux-Arts, Dijon. Cleveland : The Cleveland Museum of Art , 2004. 367 pp. illus. chron. bibl. $55. ISBN: 2-7118-4864-7. Includes: Renaud Donnedieu de Vabres, François Rebsamen, and Katharine Lee Reid, “Preface”; Stephen N. Fliegel and Sophie Jugie, “Foreword”; Stephen N. Fliegel, “The Collecting of Valois Burgundian Art in the United States”; Bertrand Schnerb, “The Dukes of Burgundy and the Burgundian Principalities (1361–1419)”; Sophie Jugie, “The Dukes of Burgundy: Princes of Paris and the Fleur-de-lis”; Ludovic Nys, “Art in the Court of Flanders at the Time of the Marriage of Philip the Bold and Margaret de Male”; Bertrand Schnerb, “The Piety and Worship of Philip the Bold and John the Fearless”; Fabrice Rey, “Princely Piety: The Devotions of the Duchesses, Margaret of Flanders and Margaret of Bavaria (1369–1423)”; Gaëlle Tarbochez, “The Furnishings of the Ducal Chapel”; Laurent Hablot, “The Use of Emblems by Philip the Bold and John the Fearless”; Sylvain Faivre and Sophie Jolivet-Jacquet, “Ephemeral Art: Ceremonial Dress and Decor at the Court of Burgundy”; Sophie Cassagnes-Brouquet, “Artists to the Dukes of Burgundy”; Philippe Lorentz, “The Painters of Philip the Bold and John the Fearless in Dijon”; Claudine Lemaire, “The Burgundy Library”; Fabrice Rey, “The Tapestry Collections”; Élisabeth Taburet-Delahaye, “Gold and Silver”; Patrice Bek, “The Ducal Residences: Architecture as the Theater of Power”; Sophie Cassagnes-Brouquet, “Decor of the Ducal Residences”; Patrice Beck, “The Royal Residences in Dijon”; Céline Berrette, “The Beaune Mansions: Ducal Residences?”; Michel Maerten, “The Germolles Château”; Emmanuel Laborier, “Montbard, a Capetian Fortress for the Duchesses”; Georges Frignet, “The Château de Rouvres”; Priscilla Debouige, “Philip the Bolds Ch âteau at Argilly (1363–1404)”; Philippe Plagnieux, “The Artois Mansion: Paris Residence of John the Fearless”; François Duceppe-Lamarre, “The Ducal Residence at Hesdin and its Place in Courtly Art under Philip the Bold and his Son (1384–1419)”; Vincent Tabbagh, “Introduction: Religious Institutions Founded by the Dukes”; Renate Prochno, “The Origins and History of the Chartreuse”; Sherry C. M. Lindquist, “The Organization of the Construction Site at the Chartreuse de Champmol”; Renate Prochno, “The Portal”; “The Church and Its Interior Plan”; “The Chapels”; Sophie Jugie, “Painting”; Marie-Françoise Damongeot-Bourdat, “The Manuscripts of the Chartreuse de Champmol”; Renate Prochno, “The Well of Moses”; Sophie Jugie, “The Tomb of Philip the Bold”; Renate Prochno, “Funerary Customs”; “Influences”; Vincent Tabbagh, “Art Patrons in Burgundy (1360–1420)”; Sabine Witt, “The Statuary of Poligny: Foundations and Court Art in Franche-Comté”; Sandrine Roser, “Baume-les-Messieurs ”; Sophie Cassa-gnes-Brouquet, “Atelier Activity and the Status of Artists”; Sophie Jugie, “Painting in Burgundy”; Virginie Inguenaud, “Notes on Some Burgundian Painted Wall Decorations”; Denise Borl ée, “Sculpture in Fourteenth-Century Burgundy”; Véronique Boucherat, “A New Approach to the Sculpture of Claus de Werve”; Céline Vandeuren-David, “Metalwork and Metalworkers under Philip the Bold and John the Fearless: Dijon”; and Sophie Jugie, “Artists Biographies.”Google Scholar

David G., Franklin , ed. Leonardo da Vinci, Michelangelo, and the Renaissance in Florence. National Gallery of Canada. New Haven and London : Yale University Press , 2005. 371 pp. index. illus. bibl. $65. ISBN: 0-88884-804-8. Includes: David Franklin, “‘Revealing Magnificence and Grandeur:’ Florentine Drawing in the First Half of the Sixteenth Century”; Louis A. Waldman, “‘Ingenious and Subtle Spirits: Florentine Painting in the First Half of the Sixteenth Century”; and Andrew Butterfield, “‘Equal to the Ancients: Florentine Sculpture in the First Half of the Sixteenth Century.”Google Scholar

Ian, Gadd , and, Gillespie, Alexandra , eds. John Stow and the Making of the English Past (1525–1605). Studies in Early Modern Culture and the History of the Book. London : The British Library , 2004. xiv + 192 pp. index. illus. map. bibl. $60. ISBN: 0-7123-4864-6. Includes: Alexandra Gillespie, “Introduction”; Ian W. Archer, “John Stow, Citizen and Historian”; Oliver Harris, “Stow and the Contemporary Antiquarian Network”; Meraud Grant Ferguson and Ian Gadd, “‘For his paynes: John Stow and the Stationers”; Alfred Hiatt, “Stow, Grafton, and Fifteenth-Century Historiography”; Alexandra Gillespie, “Stow’s ‘Owlde’ Manuscripts of London Chronicles”; Anthony Bale, “Stow’s Medievalism and Antique Judaism in Early Modern London”; Andrew Gordon, “Overseeing and Overlooking: John Stow and the Surveying of the City”; Angela Stock, “Stow’s Surveyand the London Playwrights”; Helen Moore, “Succeeding Stow: Anthony Munday and the 1618 Survey of London”; A. S. G. Edwards, “John Stow and Middle English Literature”; Derek Pearsall, “John Stow and Thomas Speght as Editors of Chaucer: A Question of Class”; Jane Griffiths, “Text and Authority: John Stows 1568 Edition of Skeltons Workes”; Martha W. Driver, “Stow’s Books Bequeathed: Notes on William Browne (1591–c. 1643) and Peter Le Neve (1661–1729)”; Joseph A. Dane, “In Search of Stow’s Chaucer ”; and Katherine Duncan-Jones, “Afterword: Stow’s Remains.”Google Scholar

Marcia B., Hall , ed. The Cambridge Companion to Raphael. Cambridge Companions to the History of Art. Cambridge and New York : Cambridge University Press , 2005. xvi + 415 pp. + 39 b/w pls. index. illus. map. bibl. $95. ISBN: 0-521-80809-X. Includes: Marcia B. Hall, “Introduction”; Jeryldene M. Wood, “Young Raphael and the Practice of Painting in Renaissance Italy”; Sheryl E. Reiss, “Raphael and His Patrons: From the Court of Urbino to the Curia and Rome”; Linda Pellecchia, “The Contested City: Urban Form in Early Sixteenth-Century Rome”; Ingrid Rowland, “The Vatican Stanze”; Joanna Woods-Marsden, “One Artist, Two Sitters, One Role: Raphael’s Papal Portraits”; Costanza Barbieri, “The Competition between Raphael and Michelangelo and Sebastiano’s Role in It ”; Bette Talvacchia, “Raphael’s Workshop and the Development of a Managerial Style”; Patricia Emison, “Raphael’s Multiples ”; Linda Wolk-Simon, “Raphael Drawings, Pro-Contra”; Marcia B. Hall, “Classicism, Mannerism, and the Relieflike Style”; Carl Goldstein, “French Identity in the Realm of Raphael”; Giovanna Perini, “Raphael’s European Fame in the Seventeenth and Eighteenth Centuries ”; and Cathleen Sara Hoeniger, “Restoring Raphael.”Google Scholar

Marcia B., Hall , ed. Rome. Artistic Centers of the Italian Renaissance. Cambridge and New York : Cambridge University Press , 2005. xl + 358 pp. + 32 color pls. index. illus. bibl. $120. ISBN: 0-521-62445-2. Includes: Ingrid D. Rowland, “Cultural Introduction to Renaissance Rome”; Marcia B. Hall, “Introduction: The Art History of Renaissance Rome”; Meredith J. Gill, “The Fourteenth and Fifteenth Centuries”; Marcia B. Hall, “The High Renaissance, 1503–1534”; Clare Robertson, “Phoenix Romanus: Rome, 1534–1565”; and Steven F. Ostrow, “The Counter-Reformation and the End of the Century.”Google Scholar

James, Hankins. Humanism and Platonism in the Italian Renaissance. Vol. 1, Humanism. Storia e Letteratura: Raccolta di Studi e Testi 215. Rome : Edizioni di Storia e Letteratura , 2003. 649 pp. index. append. illus. tbls. €76. ISBN: 88-8498-076-3. Includes: James Hankins, “Preface”; “Life and Works”; “Unknown and Little-known Texts of Leonardo Bruni”; “Remarks on the Textual Tradition of Leonardo Brunis Epistulae familiares”; “A Zibaldone of Rinuccio Aretino”; “The Humanist, the Banker, and the Condottiere: An Unpublished Letter of Cosimo and Lorenzo de’ Medici Written by Leonardo Bruni”; “The Latin Poetry of Leonardo Bruni”; “Translation Practice in the Renaissance: The Case of Leonardo Bruni”; “The EthicsControversy”; “Manuel Chrysoloras and the Greek Studies of Leonardo Bruni”; “The Study of Greek in the Latin West”; “Renaissance Crusaders: Humanist Crusade Literature in the Age of Mehmed II”; “Cosimo de’ Medici as a Patron of Humanistic Literature”; “Ptolemys Geogra- phy in the Renaissance”; “The Popes and Humanism”; “Roma caput mundi: Humanism in High Renaissance Rome”; “Forging Links with the Past”; “Christ and the Classics: Three Exhibitions for the Bimillenario di Cristo”; “Living with History: Jacob Burckhardt on the Greeks”; “The Lost Continent”; “Neo-Latin Philology in North America during the Twentieth Century”; “Two Twentieth-Century Interpreters of Renaissance Humanism: Eugenio Garin and Paul Oskar Kristeller”; and “Renaissance Philosophy between God and the Devil.”Google Scholar

James, Hankins. Humanism and Platonism in the Italian Renaissance. Vol. 2, Platonism. Storia e Letteratura: Raccolta di Studi e Testi 220. Rome : Edizioni di Storia e Letteratura , 2004. 538 pp. index. append. illus. €60. ISBN: 88-8498-167-0. Includes: James Hankins, “Plato in the Middle Ages”; “Antiplatonism in the Renaissance and Middle Ages”; “Scholasticism and Modernity”; “The Reception of Plato in the Early Renaissance: Two Case Studies”; “The Study of the Timaeusin Early Renaissance Italy”; “Pierleone da Spoleto on Plato’s Psychogony”; “Galileo, Ficino, and Renaissance Platonism”; “Cosimo de’ Medici and the ‘Platonic Academy’”; “The Myth of the Platonic Academy of Florence”; “Lorenzo de’ Medici as a Patron of Philosophy”; “Lorenzo de’ Medici as a Student of Ficino: The De summo bono”; “The Invention of the Platonic Academy of Florence”; “Renaissance Platonism”; “Bessarione, Ficino e le scuole di Platonismo del secolo XV”; “Marsilio Ficino”; “On the History and Character of Ficino’s Translation of Plato”; “Marsilio Ficino as a Critic of Scholasticism”; “Giovanni Pico della Mirandola”; “Michelangelo and the Culture of Laurentian Florence”; and “Castigliones Courtierand Renaissance Philosophy.”Google Scholar

Thomas DaCosta, Kaufmann , and, Pilliod, Elizabeth , eds. Time and Place: The Geohistory of Art. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xvi + 224 pp. index. illus. $99.95. ISBN: 0-7546-0873-5. Includes: Thomas DaCosta Kaufmann, “Introduction”; Bruce Boucher, “Jacob Burckhardt and the Renaissance ‘ North of the Alps”; Jean Guillaume, “Styles and Manners: Reflections on the longue duréein the History of Architecture”; Konrad A. Ottenheym, “Unity and Discontinuity in the Architecture of the Low Countries, 1530–1700”; Elisabeth de Bièvre, “Alchemy of Wind and Water: Amsterdam, 1200–1700”; Clara Bargellini, “At the Center on the Frontier: The Jesuit Tarahumara Missions of New Spain”; Jennifer Purtle, “Placing Chinese Painting History: The Cultural Production of the Geohistory of Painting Practice in China”; Piotr Piotrowski, “Between Place and Time: A Critical Geography of New ‘ Central Europe”; Dario Gamboni, “‘Independent of time and place: On the Rise and Decline of a Modernist Ideal”; and David Summers, “Arbitrariness and Authority: How Art Makes Cultures.”Google Scholar

William J., Kennedy , ed. Renaissance Transactions and Exchanges. Annals of Scholarship: Art Practices and the Human Sciences in a Global Culture 16. Philadelphia : 2004. 207 pp. $30. ISBN: ISSN: 0192-2858. Includes: William J. Kennedy, “Introduction”; Margaret A. Gallucci, “Burned Under the Tuscan Sun: A Newly Discovered Witchcraft Document in the Archivio di Stato, Florence”; Glen Carman, “Redefining Courtly Language: From Castiglione to Boscán”; Ricardo Padrón, “The Hero in Drag: Poetry, Desire, and the Patriain Garcilasos Second Eclogue”; Edwin M. Duval, “Wrestling Petrarchs Laurels: Scève, Du Bellay, and the Invention of the Canzoniere”; Alan K. Smith, “Melancholic Constraints: Gender and Narrative Space in the Early Modern Novella”; Carla Boyer, “To Bed by Royal Command: Marguerite de Valois and Iphigenia at the Altar”; Mary Moore, “Mary Sidney’s Coupled Work ‘: Poetry as Performance”; Alan Hager, “Shakespeares Twins: The Case of 2 and 3 Henry VI, Richard III, and Taming of the Shrew”; David Posner, “Religious Economies in The Merchant of Venice”; José R. Cartagena-Calderón, “Transatlantic Conquests and the Imagining of Imperial Masculinities in Lope de Vegas El Nuevo Mundo descubierto por Cristóbal Colón”; Elvira Vilches, “Imperial Sissies and Bully Amazons: Economic Crisis and Gender Inversion in Seventeenth-Century Spain”; Thomas Claviez, “Theoretical Specters, Spectral Theories orGlobal America’s New Clothes on Daniel T. O’Hara, Empire Burlesque”; and Lee Piepho, “The Politics of Petrarchism on William J. Kennedy, The Site of Petrarchism” .Google Scholar

Lloyd E., Kermode, Scott-Warren, Jason E. , and, van Elk, Martine , eds. Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Hampshire and New York : Palgrave/St. Martins Press , 2004. ’ 271 pp. index. illus. tbls. $59.95. ISBN: 1-4309-6526-9. Includes: Lloyd Edward Kermode, Jason Scott-Warren, and Martine van Elk, “Introduction”; Peter Happé, “‘Erazed in the booke’: The Mystery Cycles and Reform”; Karen Sawyer Marsalek, “‘Doctrine Evangelicall’ and Erasmus’s Paraphrasesin The Resurrection of Our Lord”; Paul Whitfield White, “Holy Robin Hood! Carnival, Paris Guilds, and the Outlaw Tradition”; Michelle M. Butler, “Baleus Prolocutor and the Establishment of the Prologue in Sixteenth-Century Drama”; Janette Dillon, “Chariots and Cloud Machines: Gods and Goddesses on Early English Stages”; Alan Somerset, “Some New Thoughts on an Old Question: ‘Professional’ Touring Theater Outside London Before 1590”; Ursula Potter, “Performing Arts in the Tudor Classroom ”; Christopher Gaggero, “Pleasure Unreconciled to Virtue: George Gascoigne and Didactic Drama”; Terry Reilly, “‘This is the case: Gorboducand Early Modern English Legal Discourse Concerning Inheritance”; Todd H. J. Pettigrew, “Sex, Sin, and Scarring: Syphilis in Redford’s Wit and Science”; Daniel T. Kline, “The Circulation of the Letter in Kyd’s The Spanish Tragedy”; and Pamela King, “Postscript.”Google Scholar

Thomasin, LaMay , ed. Musical Voices of Early Modern Women: Many-Headed Melodies. Women and Gender in the Early Modern World. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xvi + 454 pp. index. illus. tbls. $89.95. ISBN: 0-7546-3742-5. Includes: Thomasin LaMay, “Preliminaries”; Linda Phyllis Austern, “Portrait of the Artist as (Female) Musician”; Jeanice Brooks, “Chivalric Romance, Courtly Love and Courtly Song: Female Vocality and Feminine Desire in the World of Amadis de Gaule”; Pilar Ramos López, “Music and Women in Early Modern Spain: Some Discrepancies between Educational Theory and Musical Practice”; Shawn Marie Keener, “Virtue, Illusion, Venezianita: Vocal Bravura and The Early Cortigiana Onesta”; Catherine E. Gordon-Seifert, “Strong Men — Weak Women: Gender Representation and the Influence of Lullys Operatica Style ‘ on French Airs Sérieux(1650–1700)”; Amanda Eubanks Winkler, “From Whore to Stuart Ally: Musical Venuses on the Early Modern English Stage”; Raphael Seligmann, “With a Sword by Her Side and a Lute in Her Lap: Moll Cutpurse at the Fortune”; Beth L. Glixon, “La sirena antica dell ’Adriatico: Caterina Porri, a Seventeenth-Century Roman Prima Donna on the Stages of Venice, Bologna, and Pavia”; Inna Naroditskaya, “Serf Actresses in the Tsarinas’ Russia: Social Class Cross-Dressing in Russian Serf Theaters of the Eighteenth Century”; Colleen Reardon, “The Good Mother, the Reluctant Daughter, and the Convent: A Case of Musical Persuasion”; Colleen Baade, “‘Hired’ Nun Musicians in Early Modern Castile”; Enrique Alberto Arias, “Sor Juana Inès de la Cruz and Music: Mexicos ‘Tenth Muse ’”; Jennifer Thomas, “Patronage and Personal Narrative in Music Manuscript: Marguerite of Austria, Katherine of Aragon, and London Royal 8 G.vii”; Thomasin LaMay, “Composing from the Throat: Madalena Casulanas Primo libro de madrigali, 1568”; Janet Pollack, “Princess Elizabeth Stuart as Musician and Muse”; and Suzanne G. Cusick, “Epilogue: Francesca among Women, a 600 Gynecentric View. ‘ ”Google Scholar

Donald K., McKim , ed. The Cambridge Companion to John Calvin. Cambridge Companions to Religion. Cambridge and New York : Cambridge University Press , 2004. xviii + 352 pp. index. chron. bibl. $24.99. ISBN: 0-521-01672-X. Includes: James Schmitt, David L. Foxgrover, and Alexandre Ganoczy, “Calvins Life”; William G. Naphy, “Calvin’s Geneva ”; Wulfert De Greef, “Calvins Writ- ings”; John L. Thompson, “Calvin as a Biiblical Interpreter”; I. John Hesselink, “Calvin’s Theology”; Guenther H. Haas, “Calvin’s Ethics”; Dawn DeVries, “Calvin’s Preaching”; Joel R. Beeke, “Calvin on Piety”; Jeannine E. Olson, “Calvin and Social-Ethical Issues”; William R. Stevenson, Jr., “Calvin and Political Issues”; Richard C. Gamble, “Calvins Controversies ”; Andrew Pettegree, “The Spread of Calvin’s Thought”; Carl R. Trueman, “Calvin And Calvinism ”; R. Ward Holder, “Calvin’s Heritage”; David R. Wright, “Calvin’s Role in Church History”; B. A. Gerrish, “The Place of Calvin In Christian Theology”; Jane Dempsey Douglass, “Calvin In Ecumenical Context”; and Paul Fields and Karin Maag, “Calvin In Context: Current Resources.”Google Scholar

Ernan, McMullin , ed. The Church and Galileo. Studies in Science and the Humanities from the Reilly Center for Science, Technology, and Values. Notre Dame : University of Notre Dame Press , 2005. xiv + 391 pp. index. illus. map. bibl. $60 (cl), $30 (pbk). ISBN: 0-268-03483-4 (cl), 0-268-03484-2 (pbk). Includes: Ernan McMullin, “Introduction”; Michel-Pierre Lerner, “The Heliocentric Heresy ‘ ’: From Suspicion to Condemnation ”; Irving Kelter, “The Refusal to Accommodate: Jesuit Exegetes and the Copernican System”; Michael Shank, “Setting the Stage: Galileo in Tuscany, the Veneto, and Rome”; Ernan McMullin, “Galileos’ Theological Venture ”; Annibale Fantoli, “The Disputed Injunction and its Role in Galileo’s Trial”; Ernan McMullin, “The Church’s Ban on Copernicanism, 1616”; Francesco Beretta, “The Documents of Galileos’ Trial: Recent Hypotheses and Historical Criticism”; William Shea, Rafael Martnez, í and Mariano Artigas, “New Light on the Galileo Affair?”; Francesco Beretta, “Galileo, Urban VIII, and the Prosecution of Natural Philosophers”; Stéphane Garcia, “Galileo’s Relapse: On the Publication of the Letter to the Grand Duchess Christina (1636)”; John Heilbron, “Censorship of Astronomy in Italy after Galileo”; Michael Sharratt, “Galileo’s Rehabilitation ‘ :’ Elbow-Room in Theology”; and George Coyne, “The Churchs’ Most Recent Attempt to Dispel the Galileo Myth.”Google Scholar

Kees, Meerhoff, Moisan, Jean-Claude , and, Magnien, Michel , eds. Autour de Ramus: Le Combat. Colloques, Congrès et Conférences sur la Renaissance 46. Paris : Honoré Champion Éditeur , 2005. 491 pp. index. €51. ISBN: 2-7453-1137-9. Includes: Guido Oldrini, “Les stratégies du combat chez Ramus et les ramistes”; Cesare Vasoli, “La prima polemica antiaristotelica di Pietro Ramo”; André Robinet, “La postérité cartésienne du combat raméen et ramiste: Le lieu de lieu: lieu, étendue, espace”; Peter Sharratt, “Ramus’s Engagement with Aristotle s Politics: Unfinished Business”; Christoph Strohm, “Theology and Zeitgeist: The Triumph of the Method of Peter Ramus at the Beginning of the Modern Age”; Riccardo Pozzo, “Ramus contra Martinum defensus: the Helmstedt Controversy, 1594–1598”; Kees Meerhoff, “Pierre Galland: un mélanchthonien masqué”; Marc van der Poel, “The Dispute between Ramus and Turnebus on Ciceros Orations on the Agrarian Law”; Judith Rice Henderson, “Professors of Eloquence and Philosophy: Muret in Two Parisian Controversies”; Jean-Eudes Girot, “Petri Rami familiares: le Père Perpinien (S.J.) et les discours parisiens de 1566”; Catherine Magnien, “La forte‘ guerre d’Étienne Pasquier contre Ramus réformateur de l orthographe dans Les Lettresde 1586: une fiction demonstrative”; François Rigolot, “Montaigne, la cour et le débat ramiste sur la philosophie morale”; and Alfonso Martn Jim í énez, “La persecución inquisitorial del ramismo en la España de la segunda mitad del siglo XVI.”Google Scholar

Lodi, Nauta , and, Pätzold, Detlev , eds. Imagination in the Later Middle Ages and Early Modern Times. Groningen Studies in Cultural Change 12. Leuven and Paris : Peeters Publishers and Booksellers , 2004. xvi + 213 pp. index. illus. bibl. € 40. ISBN: 90-429-1535-8. Includes: Lodi Nauta and Detlev Pätzold, “Introduction”; Jan R. Veenstra, “The Subtle Knot: Robert Kilwardby and Gianfrancesco Pico on the Imagination”; Olaf Pluta, “On the Matter of the Mind: Late-Medieval Views on Mind, Body, and Imagination”; M. W. F. Stone, “The Scope and Limits of Moral Deliberation: Recta Ratio, Natural Law, and Conscience in Francisco Suárez”; Peter Mack, “Early Modern Ideas of Imagination: the Rhetorical Tradition”; Suzanne Kooij, “Poetic Imagination and the Paradigm of Painting in Early Modern France”; Lodi Nauta, “Lorenzo Valla and the Limits of the Imagination”; Martin Gosman, “Imagining the Necessary: Italian Artists and the Road to Fame in Late-Medieval and Early Modern Times”; John North, “Macrocosm, Microcosm, and Analogy”; Detlev Pätzold, “Imagination in Descartes’ Meditations”; and Piet Steenbakkers, “Spinoza on the Imagination.”Google Scholar

Renzo, Ragghianti , and, Savorelli, Alessandro , eds. Rinascimento: mito e concetto. Seminari e Convegni 2. Pisa : Scuola Normale Superiore , 2005. xxviii + 301 pp. index. €35. ISBN: 88-7642-159-9. Includes: Michele Ciliberto, “Tra mondo storico ‘ e mondo storiografico ‘ ’”; Luca D’Ascia, “Coscienza della Rinascita e coscienza antibarbara: Appunti sulla visione storica del Rinascimento nei secoli XV e XVI”; Fiorella De Michelis “Il rapporto Umanesimo-Riforma come problema storiografico: il caso della Pintacuda, Philosophia Christidi Erasmo”; Francesca Maria Crasta, “Immagini del Rinascimento nel Settecento italiano”; Gregorio Piaia, “Rinascimento e identità nazionale nella storiografia filosofica italiana e francese nel primo Ottocento”; Renzo Ragghianti, “Immagini del Rinascimento nell’Ottocento francese”; Alessandro Savorelli, “Rinascimento e modernità nel Discours sur l’histoire de la Philosophie à ’é l poque de la Renaissancedi Giuseppe Ferrari”; Cesare Vasoli, “Due momenti della discussione sul Rinascimentodel Burckhardt: Émile Gebhart e Konrad Burdach”; and Andrea Orsucci, “Storie di parole: Controversie intorno al termine humanitasnella prima metà del Novecento (1907–1947).”Google Scholar

Sheryl E., Reiss , ed. The Pontificate of Clement VII: History, Politics, Culture. Catholic Christendom, 1300–1700. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xxvi + 437 pp. + 58 b/w pls. index. append. illus. tbls. chron. $99.95. ISBN: 0-7546-0680-5. Includes: Kenneth Gouwens, “Clement and Calamity: The Case for ReEvaluation”; T. C. Price Zimmerman, “Guicciardini, Giovio, and the Character of Clement VII”; Barbara McClung Hallman, “The Disastrous ‘ Pontificate of Clement VII: Disastrous for Giulio de’ Medici?”; Natalie Tomas, “All in the Family: The Medici Women and Pope Clement VII”; Patricia J. Osmond, “The Conspiracy of 1522 against Cardinal Giulio de’ Medici: Machiavelli and gli‘ esempli delli antiqui’”; Cecil H. Clough, “Clement VII and Francesco Maria Della Rovere, Duke of Urbino”; Ivana Ait, “Clement VII and the Sack of Rome as Represented in the Ephemerides Historicaeof Cornelius de Fine”; Anna Esposito and Manuel Vaquero Piñeiro, “Rome During the Sack: Chronicles and Testimonies from an Occupied City”; Anne Reynolds, “The Papal Court in Exile: Clement VII in Orvieto, 1527–28”; Charles L. Stinger, “The Place of Clement VII and Clementine Rome in Renaissance History”; William E. Wallace, “Clement VII and Michelangelo: An Anatomy of Patronage”; Caroline Elam, “Michelangelo and the Clementine Architectural Style”; Richard Sherr, “Clement VII and the Golden Age of the Papal Choir”; Linda Wolk-Simon, “Competition, Collaboration, and Specialization in the Roman Art World, 1520–27”; Victor Anand Coelho, “Papal Tastes and Musical Genres: Francesco da Milano Il ‘ Divino’ (1497–1543) and the Clementine Aesthetic”; Julia Haig Gaisser, “Seeking Patronage under the Medici Popes: A Tale of Two Humanists”; George L. Gorse, “Augustan Mediterranean Iconography and Renaissance Hieroglyphics at the Court of Clement VII: Sebastiano del Piombo’s Portrait of Andrea Doria”; Sheryl E. Reiss, “Adrian VI, Clement VII, and Art ”; W. David Myers, “Humanism and Confession in Northern Europe in the Age of Clement VII”; and Alexander Nagel, “Experiments in Art and Reform in Italy in the Early Sixteenth Century.”Google Scholar

Kellie, Robertson , and, Uebel, Michael , eds. The Middle Ages at Work. The New Middle Ages. Hampshire and New York : Palgrave/St. Martins Press , 2004. ’ 267 pp. index. illus. $65. ISBN: 1-4039-6007-0. Includes: Michael Uebel and Kellie Robertson, “Introduction: Conceptualizing Labor in the Middle Ages”; Catherine Batt, “The Idioms of Women’s Work and Thomas Hoccleves Travails ”; Brian W. Gastle, “‘As If She Were Single’: Working Wives and the Late Medieval English Femme Sole”; Kate Crassons, “‘The Workman is Worth his Mede:’ Poverty, Labor, and Charity in the Sermonof William Taylor”; Mark Addison Amos, “The Naked and the Dead: The Carpenters’ Company and Lay Spirituality in Late Medieval England”; Anthony Musson, “Reconstructing English Labor Laws: A Medieval Perspective”; Kellie Robertson, “Branding and the Technologies of Labor Regulation”; Britton J. Harwood, “The Displacement of Labor in Winner and Waster”; Andrew Cole, “Scribal Hermeneutics and the Genres of Social Organization in Piers Plowman”; Ethan Knapp, “Poetic Work and Scribal Labor in Hoccleve and Langland”; and William Kuskin, “The Erasure of Labor: Hoccleve, Caxton, and the Information Age.”Google Scholar

Albert, Schirrmeister , and, Pozsgai, Mathias , eds. Zergliederungen: Anatomie und Wahrnehmung in der Frühen Neuzeit. Zeitsprünge : Forschungen zur Frühen Neuzeit 9. No. 1/2. Frankfurt am Main; Vittorio Klostermann , 2005. 363 pp. illus. €61. ISBN: 3-465-03383-3. Includes: Albert Schirrmeister and Mathias Pozsgai, “Perspektiven der Zergliederung. Einleitende Bemerkungen”; Sven Lembke, “Wie der menschliche Leichnam zu einem Buch der Natur ohne Druckfehler wird. Über den epistemologischen Wert anatomischer Sektionen im Zeitalter Vesalius”; Matteo Burioni, “Corpus quod est ipsa ruina docet.Sebastiano Serlios vitruvianisches Architekturtraktat in seinen Strukturäquivalenzen zum Anatomietrakat des Andreas Vesalius”; Cynthia Klestinec, “Juan Valverde de (H)Amusco and Print Culture: The Editorial Apparatus in Vernacular Anatomy Texts”; Claus Zittel, “Demonstrationes ad oculus. Typologisierungsvorschläge für Abbildungsfunktionen in wissenschaft-lichen Werken der frühen Neuzeit”; Alessandro Nova, “‘La dolce morte’. Die anatomischen Zeichnungen Leonardo da Vincis als Erkenntnismittel und refle-ktierte Kunstpraxis”; Markus Buschhaus, “Anatomische Operationen. Körperwissen zwischen Seziertisch und Bildfläsche”; Marlen Bidwell-Steiner, “Weiblische Anatomie zwischen Gebärmutter und ‘frommer’ Mutter: Meta-phorische Relationen von Gesellschaftskörper und Geschlechtskörper bei Juan Huarte de San Juan und Olivia Sabuco de Nantes y Barrera”; Segius Kodera, “Meretricious Arts: Cosmetic Surgery, the Astrological Significance of Birthmarks and their Manipulations in Giambattista della Portas Metoposcopia, Physionomiaand Magia naturalis”; Peter Mitchell, “Anatomy, Rationality and Scepticism: The Poetic Anatomies of John Davies of Hereford and Phineas Fletcher”; Ulrike Zeuch, “Anatomie als dieHerausforderung für die Schönheitsbestimmung des menschlichen Körpers in der Frühen Neuzeit”; Stefanie Stockhorst, “Unter-weisung und Ostentation auf dem anatomischen Theater der Frühen Neuzeit: Die öffentliche Leichensektion als Modellfall des theatrum mundi”; Anna Maerker, “Handwerker, Wissenschaftler und die Produktion anatomischer Modelle in Florenz, 1775–1790”; Nicole Karafyllis, “Der therapueutische Blick ins Körperinnere als Vivisektion. Methodische Grundlegungen der experimen-tellen Physiologie Claude Bernards im Kontext der Eroberung von Körperwelten”; and Daniela Bohde, “Pellis Memoriae Peccatorum. Die Moralisierung der Haut in Frontispizen und Anatomietheatern der Niederlande im 17. Jahrhundert — ein blinder Fleck in der Medizingeschichte nach 1945.”Google Scholar

Brett D., Steele , and, Dorland, Tamera , eds. The Heirs of Archimedes: Science and the Art of War through the Age of Enlightenment. Dibner Institute Studies in the History of Science and Technology. Cambridge, MA and London : The MIT Press , 2005. x + 397 pp. index. illus. tbls. $55. ISBN: 0-262-19516-X. Includes: Tamera Dorland and Brett D. Steele, “Introduction”; Kelly DeVries, “Facing the New Technology: Gunpowder Defenses in Military Architecture Before the Trace Italienne, 1350–1500”; Frederic J. Baumgartner, “The French Reluctance to Adopt Firearms Technology in the Early Modern Period”; Barton C. Hacker, “Gunpowder and the Changing Military Order: The Islamic Gunpowder Empires, ca. 1450–ca. 1650”; Ga ´bor Ágoston, “Behind the Turkish War Machine: Gunpowder Technology and War Industry in the Ottoman Empire, 1450–1700”; Alexzandra Hildred, “The Mary Rose: A Tale of Two Centuries”; Lesley B. Cormack, “Mathematics and Empire: The Military Impulse and the Scientific Revolution”; Amir Alexander, “Harriot and Dee on Exploration and Mathematics: Did Scientific Imagery Make for New Scientific Practice?”; Michael S. Mahoney, “Charting the Globe and Tracking the Heavens: Navigation and the Sciences in the Early Modern Era”; Brenda J. Buchanan, “‘The Art and Mystery of Making Gunpowder: The English Experience in the Seventeenth and Eighteenth Centuries”; Thomas Kaiserfeld, “Chemistry in the War Machine: Saltpeter Production in Eighteenth-Century Sweden”; Seymour H. Mauskopf, “Chemistry in the Arsenal: State Regulation and Scientific Methodology of Gunpowder in Eighteenth-Century England and France”; Janis Langins, “Eighteenth-Century French Fortification Theory after Vauban: The Case of Montalembert”; and Brett D. Steele, “Military Progress ‘ and Newtonian Science in the Age of Enlightenment.”Google Scholar

Eduardo, Urbina , and, Maestro, Jesús G. , eds. Cervantes y el IV Centenario del Quijote. Vol. 1 of Anuario de Estudios Cervantinos. Pontevedra : Mirabel Editorial , 2004. 207 pp. illus. bibl. €20. ISBN: 84-931983-7-4. Includes: Anthony Close, “Cómo se deshace una novela para hacer una comedia”; Edward H. Friedman, “Books Errant: The Objects of Invention in ‘Don Quixote’”; Georges Güntert, “Sobre la recepci ón de Cervantes en el mundo germano: las principales traducciones del Quijote ‘ ’”; María Jesús Barsanti, “Estudio crítico de las ediciones del Quijote de Ludwig Tieck en lengua alemana”; Rosa Navarro Durán, “Literatura en la literatura: guiños literarios en el Quijote ‘ ’”; Frederick A. De Armas, “Pinturas de Lucrecia en el Quijote ‘: Tiziano, Rafael y Lope de Vega ”; David A. Boruchoff, “Free Will, Beauty and the Pursuit of Happiness: Don ‘ Quijote’ and the Moral Intent of Pastoral Literature”; Heinrich Merkl, “Cervantes, Protágoras y la Posmodernidad: El Quijote ‘ de 1605 y algunos diálogos de Platón”; Hilaire Kallendorf, “Why the Inquisition Dismantles the Cabeza‘ Encantada ’”; Martha Garcí a, “Marcela: ¿Defendida o defensora? Un tribunal cervantino”; and Eduardo Urbina, “Bibliografía cervantina (2003–2004).”Google Scholar

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