David E., Wellbery, and,
Ryan, Judith, eds.
A New History of German Literature. Harvard University Press Reference Library.
Cambridge, MA and London :
Harvard University Press,
2004. xxviii + 1004 pp. index. illus. map. bibl. $45. ISBN:
0-674-01503-7.
Includes: David E. Wellberg, “Introduction”; Hans Ulrich Gumbrecht, “The Charm of Charms”; Karl Maurer, “The Carolingian Renaissance”; Theodore M. Andersson, “Heroic or Vernacular Poetry?”; Wolfgang Haubrichs, “A Vernacular Gospel Harmony”; Carol J. Scriptoria”; Anselm Haverkamp, “The Mystical Exposition of a City”; Amy M. Hollywood, “A Cosmological Vision”; Udo Friedrich, “Anthropology of the Crusades”; Sean Ward, “Imperial Spin Control”; Eckehard Simon, “Phantom Ladies”; Dieter Kartschoke, “Religious Devotion and Courtly Display”; Sean Ward, “The Archpoet and Goliard Poetry”; Helmut Puff, “A Satire of Courtly Literature”; Horst Wenzel, “The Courtly Festival”; Thomas Bein, “Hartmann’s Poetry”; Jan-Dirk Müller, “Contagious Violence”; Orrin W. Robinson, “A Literary Language?”; James A. Schultz, “Salvation through Fiction”; Peter Gilgen, “Singer of Himself”; C. Stephen Jaeger, “Love Exalted”; Peter Strohschneider, “The Dual Economy of Medieval Life”; Gert Melville, “World History as Legitimation”; Johannes Janota, “Spiritual Drama in an Urban Setting”; Amy M. Hollywood, “A Vision of Flowing Light”; Thomas Bein, “Truth and Fiction”; Max Grosse, “Poetry, Teaching, and Experience”; Rochelle Tobias, “Mysticism and Scholastic Theology”; Niklaus Largier, “Acknowledging the Divine”; Jeffrey T. Schnapp, “The Emperor and the Poet”; Marion Aptroot, “The Emergence of Yiddish Literature”; Tracy Adams and Stephen G. Nichols, “The Culture of the Book”; Christian Kiening, “A Dialogue with Death”; Joachim Küpper, “The Beginning of Modern Thinking”; Wernfried Hofmeister, “Poetic Transformations of the Self”; Eckehard Simon, “Fastnachtsspiele”; Jan-Dirk Müller, “An Information Revolution”; Debra Prager, “Fortunatus Maps the World and Himself”; Helmut Puff, “The Ship of Fools”; Paul Oppenheimer, “A Philosophical Rascal?”; Doris McGonagill, “A New Science of Beauty”; Marisa Galvez, “A Cobbler-Poet Becomes a Master Author”; Anthony Grafton, “The Mysteries of the Kabbalah and the Theology of Obscure Men”; Lisa Freinkel, “Martin Luther and the Whole Man”; Orrin W. Robinson, “Luther’s Bible and the Emergence of Standard German”; Joseph Leo Koerner, “The Image of the Word”; Jan Ziolkowski, “Make Poetry, Not War”; Luciana Villas Bôas, “A German Mamluk in Colonial Brazil?”; Niklaus Largier and Karen S. Feldman, “Ethical Utopianism and Stylistic Excess”; Marion Aptroot, “Highlight of the Yiddish Renaissance”; Dorothea E. von Mücke, “To Explore the Secrets of Heaven and Earth”; Michel Chaouli, “Signatures of Divinity”; Christopher J. Wild, “Jesuit Theater and the Blindness of Self-Knowledge”; Rüdiger Campe, “Conversation, Poetic Form, and the State”; Richard Erich Schade, “Sense and Intellect”; Elio Brancaforte, “The Dramaturgy of Travel”; Christopher J. Wild, “Anatomy and Theology, Vanity and Redemption”; Emery Snyder, “Poems as Way-Signs”; “Learning and News in the Baroque”; Dorothea E. von Mücke, “‘Commit your way to the Lord’”; Klaus Haberkamm, “Hermaphroditism and the Battle of the Sexes”; Dorothea E. von Mücke, “‘The Entirety of Scripture Is within Us’”; J. B. Schneewind, “Natural Law”; Emery Snyder, “The Baroque Novel and the Romance Tradition”; Jeremy Dauber, “Life’s Balance Sheet”; Haun Saussy, “‘The Case of God Defended’”; Helmut Müller-Sievers, “A Scientist and Poet”; Jochen Schulte-Sasse, “Aesthetic Orientation in a Decentered World”; Klaus Weimar, “Reading for Feeling”; Carol Jacobs, “Questioning the Enlightenment”; Chris Cullens, “‘Educating Paper Girls’ and Regulating Private Life”; Helmut J. Schneider, “A Woman’s Design on Soldiers’ Fortune”; Suzanne L. Marchand, “Becoming Greek”; Walter Hinderer, “Wieland’s Cosmopolitan Classicism”; David E. Wellbery, “Pathologies of Literature”; Fritz Gutbrodt, “Taking Individualism at Face Value”; Andreas Huyssen, “The Confusions of Genre”; James A. Steintrager, “From Enlightenment Universalism to Romantic Individuality”; Andreas Gailus, “
Anton Reiser, Case History, and the Emergence of Empirical Psychology”; Hansjakob Werlen, “The Universal and the Particular”; Frederick Beiser, “The Limits of Enlightenment”; Hans Rudolf Vaget, “Self-Censorship and Priapic Inspiration”; Isabel V. Hull, “A Snapshot of Civil Society”; Lorraine Daston, “The Disciplines of Attention”; Paul Guyer, “The Experience of Freedom”; Karol Berger, “Beyond Language”; Paul Franks, “Identity and Community”; Klaus L. Berghahn, “An Aesthetic Revolution”; Michael Eskin, “The ‘German’ Shakespeare”; Paul Fleming, “An Alien Fallen from the Moon”; Eckart Förster, “A New Program for the Aesthetic Education of Mankind?”; Luiz Costa Lima, “Holistic Vision and Colonial Critique”; Michel Chaouli, “Intimations of Morality”; Bianca Theisen, “The Emergence of Literary History and Criticism”; Elizabeth Bronfen, “The Night of Imagination”; Kelly Barry, “The Subject and Object of Mythology”; Glenn W. Most, “Homer Between Poets and Philologists”; Wolf Kittler, “
Die Hermannsschlacht and The Concept of Guerrilla Warfare”; Rainer Nägele, “Poetic Revolution”; Maria Tatar, “Folklore and Cultural Identity”; Dorothea E. von Mücke, “The Occult, the Fantastic, and the Limits of Rationality”; Susan Bernstein, “Heine’s Versatility”; Cordula Grewe, “Art Between Muse and Marketplace”; Arthur C. Danto, “Hegel’s End-of-Art Thesis”; Reinhold Brinkmann, “Schubert’s Political Landscape”; David E. Wellbery, “
Faust and the Dialectic of Modernity”; Barbara Hahn, “Writing between Genres and Discourses”; Hinrich C. Seeba, “Viennese Biedermeier”; Harro Müller, “The Guillotine as Hero”; Peter Uwe Hohendahl, “Emancipation and Critique”; Anette Schwarz, “Crimes of Probability”; Martin Puchner, “The Reinvention of a Genre”; Chris Cullens, “Marginality and Melancholia”; Eva Geulen, “Tales of a Collector”; David E. Wellbery, “Aesthetic Salvation”; Werner Sollors, “German-American Literary Relations”; Anthony Grafton, “A Model for Cultural History”; Anthony Krupp, “Unruly Children”; Kenneth S. Calhoon, “Intimations of Mortality”; David J. Levin, “Wanting Art”; Robert B. Pippin, “Nietzsche and Modernity”; Judith Ryan, “Germany’s Heart of Darkness”; Kenneth S. Calhoon, “Apparitions of Time”; Robert E. Norton, “Stefan George and Symbolism”; Stanley Corngold, “The Dream as Symbolic Form”; Reingard Nethersole, “The Limits of Language”; Maria Tatar, “Eroticism and the
Femme Fatale”; Peter Wollen, “An Alpine Vegetarian Utopia”; Andreas Huyssen, “Urban Experience and the Modernist Dream of a New Language”; Thomas S. Grey, “The Agency of the Past”; Mark W. Roche, “Provocation and Parataxis”; Clayton Koelb, “The Lasciviousness of Ruin”; Charles W. Haxthausen, “An Optics of Fragmentation”; Judith Ryan, “Kafka’s Narrative Breakthrough”; Eric L. Santner, “The New Thinking”; Stanley Corngold, “Ecstatic Release from Personality”; Greil Marcus, “‘The Jingling Carnival Goes Right Out Into the Street’”; Leo A. Lensing, “War and the Press”; Anton Kaes, “Cinema and Expressionism”; Judith Ryan, “Modernism and Mourning”; Mark M. Anderson, “Lion Feuchtwanger’s
Jud Süss”; Brigid Doherty, “Photography, Typography, and the Modernization of Reading”; Elisabeth Bronfen, “Modernism and Hysteria”; Hans Sluga, “The Limits of Historicism”; John T. Hamilton, “The Task of the Flâneur”; Janet Ward, “The Lesson of the Magic Theater”; Stephen Hin-ton, “The
Urform of Opera”; David Dollenmayer, “Narration and the City”; Burton Pike, “A Modernist Thought-Experiment”; Barbara Kosta, “Irmgard Keun and the ‘New Woman’”; Hans Sluga, “Politics, Technology, and History”; Eric Rentschler, “Hitler’s Imagined Community”; Lindsay Waters, “The Machine Takes Command”; Peter Fritzsche, “Germans Reading Hitler”; Peter Nisbet, “Spectacle of Denigration”; Elliot Y. Neaman, “The Problem of ‘Inner Emigration’”; Gertraud Gutzmann, “Crisis and Transition”; Elisabeth Young-Bruehl, “Origins of Totalitarianism”; Hans Rudolf Vaget, “A Musical Prefiguration of History”; Robert C. Holub, “Guilt and Atonement”; Karlheinz Barck, “Intellectuals under Hitler”; Andrew Hewitt, “Snatching Defeat from the Jaws of Victory”; Rainer Nägele, “History, Evidence, Gesture”; Julia Hell, “Socialist Realism as Heroic Antifascism”; Jennifer M. Kapczynski, “Making History Visible”; Stéphane Moses, “Poetry after Auschwitz”; Bernhard Siegert, “Coming to Terms with the Past”; James Conant, “A Ladder Turns into a Fly-Bottle”; Gordon A. Craig, “Politics and Literature”; Geoffrey Winthrop-Young, “From a Tragedy of Physics to a Physics of Tragedy”; Mark M. Anderson, “Love as Fascism”; Rob Burns, “Dramaturgies of Liberation”; David Roberts, “Transformations of the Literary Institution”; Julia Hell, “Utopian Hopes and Traces of the Past”; David Bathrick, “The Politics of Poetry”; Arlene A. Teraoka, “Intellectuals and the Failed Revolution”; Leslie A. Adelson, “Migrants and Muses”; David Roberts, “The Enigma of Arrival”; Maria Louise Ascher, “The Homecoming of a ‘Good European’”; Beatrice Hanssen, “Critique of Violence”; Jochen Hörisch, “Anniversaries and the Revival of Storytelling”; Eric Rentschler, “Homeland and Holocaust”; Robert C. Holub, “Democracy and Discourse”; Bianca Theisen, “Remembrance as Provocation”; Edward Dimendberg, “A Republic of Voids”; Judith Ryan, “The Skull Beneath the Skin”; Deniz Göktürk, “Spectacles of Multiculturalism”; and Andreas Huyssen, “Gray Zones of Remembrance.”
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