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Christopher, Ivic, and, Williams, Grant, eds Forgetting in Early Modern English Literature and Culture: Lethe’s legacies. Routledge Studies in Renaissance Literature and Culture 3. London and New York : Routledge, 2004. x + 195 pp. index. illus. bibl. $60. ISBN: 0-415-31046-6. Includes: William E. Engel, “The Decay of Memory”; Garrett A. Sullivan, Jr., “Lethargic Corporeality On and Off the Early Modern Stage”; Elizabeth D. Faerie Queene”; Grant Williams, “Textual Crudities in Robert Burton’s Anatomy of Melancholy and Thomas Browne’s Pseudodoxia Epidemica”; Amanda Watson, “Off the Subject: Early Modern Poets on Rhyme, Distraction, and Forgetfulness”; Christopher Ivic, “Reassuring Fratricide in 1 Henry IV ”; David J. Baker, “‘The religion I was born in’: Forgetting Catholicism and Remembering the King in Donne’s Devotions”; Elizabeth Mazzola, “Legends of Oblivion: Enchangement and Enslavement in Book 6 of Spenser’s Faerie Queene”; Philippa Berry, “Nomadic Eros: Remapping Knowledge in A Midsummer Night’s Dream”; Zackariah Long, “‘Unless you could teach me to forget’: Spectatorship, Self-Forgetting, and Subversion in Antitheatrical Literature and As You Like It”; and Jennifer Summit, “Reading Reformed: Spenser and the Problem of the English Library.”Google Scholar

Frank A., James, ed. Peter Martyr Vermigli and the European Reformations: Semper Reformanda. Studies in the History of Christian Traditions 115. Leiden and Boston : Brill Academic Publishers, 2004. xxvi + 330 pp. index. tbls. bibl. $147. ISBN: 90-04-13914-1. Includes: Frank A. James III, “Introduction. Nunc Peregrinus Oberrat: Peter Martyr in Context”; John L. Farthing, “Praeceptor Carissimus: Images of Peter Martyr in Girolamo Zanchi’s Correspondence”; N. Scott Amos, “Strangers in a Strange Land: The English Correspondence of Martin Bucer and Peter Martyr Vermigli”; Gary Jenkins, “Pater Martyr and the Church of England after 1558”; Peter A. Lillback, “The Early Reformed Covenant Paradigm: Vermigli in the Context of Bullinger, Luther and Calvin”; Richard Gamble, “Sacramental Continuity among Reformed Refugees: Peter Martyr Vermigli and John Calvin”; Douglas H. Shantz, “Vermigli on Tradition and the Fathers: Patristic Perspectives from his Commentary on I Corinthians”; John L. Thompson, “Patriarchy and Prophetesses: Tradition and Innovation in Vermigli’s Doctrine of Woman”; Dan Shute, “And All Israel Shall Be Saved: Peter Martyr and John Calvin on the Jews according to Romans, Chapters 9, 10 and 11”; John Patrick Donnelly, S.J., “Christological Currents in Vermigli’s Thought”; Norman Klassen, “Nature, Virtue, and Humanism: Cross-Disciplinary Reflections on Vermigli’s Romans Commentary (10-16)”; Donald Fuller, “Sacrifice and Sacrament: Another Eu-charistic Contribution from Peter Martyr Vermigli”; Joseph C. McLelland, “Valdés and Vermigli: Spirituality and the Degrees of Reform”; Emidio Campi, “The Preces Sacrae of Peter Martyr Vermigli”; John F. Jackson, “Law and Order: Vermigli and the Reform of Ecclesiastical Laws in England”; and Torrance Kirby, “Peter Martyr Vermigli and Pope Boniface VIII: The Difference Between Civil and Ecclesiastical Power.”Google Scholar

Minna Skafte, Jensen. Friendship and Poetry: Studies in Danish Neo-Latin Literature. Renaessancestudier 12. Marianne Pade, Karen Skovgaard-Petersen, and Peter Zeeberg, eds. Copenhagen : Museum Tusculanum Press, 2004. 273 pp. index. illus. tbls. bibl. $46. ISBN: 87-7289-961-1. Includes: Minna Skafte Jensen, “Preface”; “A Neo-Latin Wedding Poem”; “Hans Jrgensen Sadolin’s Lyric Poetry”; “Latin Bucolic Poetry in Sixteenth-Century Denmark”; “Humanist Friendship in Sixteenth-Century Denmark”; “Latin Renaissance Poetry in Denmark”; “Lost and Found”; “The Language of Eternity”; “Appendix: Peder Hegelund as Author of the Rosenkrantz Epitaph?”; “The Latin Poet Zacharias Lund (1608-1667)”; “A Dream”; “The Alchemy of Love”; “Amicizia e amore nella poesia latina danese del Cinquecento”; “Eine humanis-tiche Dichterfreundschaft des siebzehnten Jahrhunderts”; and “Peder Hegelunds Sammlung der Epigramme Melanchthons (1583).”Google Scholar

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Claudia, Lazzaro, and, Crum, Roger J., eds. Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy. Ithaca and London : Cornell University Press, 2005. viii + 293 pp. index. illus. chron. $57.50 (cl), $24.95 (pbk). ISBN: 0-8014-4288-5 (cl), 0-8014-8921-0 (pbk). Includes: Claudia Lazzaro and Roger J. Crum, “Introduction”; Claudia Lazzaro, “Forging a Visible Fascist Nation: Strategies for Fusing Past and Present”; Claudio Fogu, “To Make History Present”; Ann Thomas Wilkins, “Augustus, Mussolini, and the Parallel Imagery of Empire”; Gerard Silk, “‘Il Primo Pilota’: Mussolini, Fascist Aeronautical Symbolism, and Imperial Rome”; Jobst Welge, “Fascism Triumphans: On the Architectural Translation of Rome”; Diane Yvonne Ghirardo, “Inventing the Palazzo del Corte in Ferrara”; D. Medina Lasansky, “Towers and Tourists: The Cinematic City of San Gimignano”; Roger J. St. George and Mussolini’s Appropriated Renaissance of the Italian Nation”; Jacqueline Marie Musacchio, “Mussolini, Mothers, and Maiolica”; Claudia Lazzaro, “Politicizing a National Garden Tradition: The Italianness of the Italian Garden”; Emily Braun, “Leonardo’s Smile”; Benjamin George Martin, “Celebrating the Nation’s Poets: Petrarch, Leopardi, and the Appropriation of Cultural Symbols in Fascist Italy”; Christine Poggi, “The Return of the Repressed: Tradition as Myth in Futurist Fascism”; Jeffrey T. Schnapp, “Flash Memories (Sironi on Exhibit): Appendix: Mario Sironi, ‘The Manifesto of Muralism’”; and Roger J. Crum and Claudia Lazzaro, “Epilogue: Mussolini’s Body as Fotografia Infamante.”Google Scholar

Watanabe-O’Kelly, Mulryne J. R., and, Shewring, Margaret, eds. Europa Triumphans: Court and Civic Festivals in Early Modern Europe. Vol. 1. Modern Humanities Research Association 15. Aldershot and Burlington, VT : Ashgate Publishing Company, 2004. xxiv + 635 pp. index. illus. map. bibl. $250. ISBN: 0-7546-3873-1. Includes: Helen Watanabe-O’Kelly, “The Early Modern Festival Book: Function and Form”; R. J. Knecht, “Court Festivals as Political Spectacle: The Example of Sixteenth-Century France”; Ute Daniel, “The Baroque Court Festival: The Example of German Courts Around 1700”; Iain Fenlon, “Music and Festival”; Roger Savage, “The Staging of Courtly Theatre: 1560s to 1640s”; Henri Zerner, “Looking for the Unknowable: The Visual Experience of Renaissance Festivals”; R. J. Knecht, “Preface: The Festivals for Henri III in Cracow, Venice, Orléans and Rouen”; Mark Greengrass, “Henri III, Festival Culture and the Rhetoric of Royalty”; Nicolas Le Roux, “Henri III and the Rites of Monarchy”; Margaret M. McGowan, “Festivals and the Arts in Henri III’s Journey from Poland to France (1574)”; J. R. Mulryne, “Preface: Festivals in Genoa in the Sixteenth and Seventeenth Centuries”; Maria Ines Aliverti, “Visits to Genoa: The Printed Sources”; Carlo Bitossi, “A Republic in Search of Legitimation”; Lucia Nuti, “The City and its Image”; Lauro Magnani, “Temporary Architecture and Public Decoration: The Development of Images”; Bruna Niccoli, “Official Dress and Courtly Fashion in Genoese Entries”; Franco Vazzoler, “The Orations for the Election of the Doge”; Karin Friedrich, “Preface: Festivals in Poland-Lithuania from the Sixteenth to the Eighteenth Century”; Almut Bues, “The Elections, Coronations and Funerals of the Kings of Poland (1572-1764)”; Karin Friedrich, “Royal Entries into Cracow, Warsaw and Danzig: Festival Culture and the Role of the Cities in Poland-Lithuania”; Peter Davidson, “Preface: Festivals in the Netherlands”; Peter Davidson, Jane Stevenson, and Adriaan van der Weel, “General Introduction”; Werner Waterschoot, “Introduction: Ghent in 1577”; Peter Davidson and Adriaan van der Weel, “Introduction: The Entry of Archduke Ernst into Antwerp in 1594 in Context”; and Jochen Becker, “The Princess of Orange’s Welcome into Amsterdam in 1660.”Google Scholar

Watanabe-O’Kelly, Mulryne J. R., eds. Europa Triumphans: Court and Civic Festivals in Early Modern Europe. Vol. 2. Modern Humanities Research Association 15. Aldershot and Burlington, VT : Ashgate Publishing Company, 2004. x + 467 pp. index. illus. map. bibl. $250. ISBN: 0-7546-3873-1. Includes: Helen Watanabe-O’Kelly, “Preface: Festivals of the Protestant Union”; Pierre Béhar, “The Holy Roman Empire on the Eve of the Thirty Years’ War: A New World in the Making”; Helen Watanabe-O’Kelly, “The Protestant Union: Festivals, Festival Books, War and Politics”; Sara Smart, “The Württemberg Court and the Introduction of Ballet in the Empire”; Jill Bepler, “Another Protestant Point of View: The Funeral Book for Ludwig V of Hesse-Darmstadt (1627)”; Margaret Shewring and Marie-Claude Canova-Green, “Preface: Festivals Commemorating the Defeat of Protestantism in La Rochelle”; Christian Jouhaud, “The Context of the Siege of La Rochelle”; “La Rochelle: Publications Recording the Entries (1628-1632)”; Véronique Meyer, “Louis XIII’s Entry into Paris after the Capture of La Rochelle”; Marie-Claude Canova-Green, “Fireworks and Bonfires in Paris and La Rochelle”; J. R. Mulryne, “Preface: Festivals in Scandinavia”; Mara R. Certamen Equestre: The Carousel for the Accession of Karl XI in 1672”; Mrten Snickare, “The Funeral of Queen Ulrika Eleonora the Elder in 1693”; Peter Davidson, “Preliminary Note: The New World: Seventeenth-Century Festivals in the Viceroyalties of Mexico and Peru”; Jean Andrews and Peter Davidson, “Introduction”; D. A. Brading, “Civic Festivals in Colonial Spanish America”; Linda A. Curcio-Nagy, “Sor Juana Inés de la Cruz and the 1680 Viceregal Entry of the Marquis de la Laguna into Mexico City”; and Peter Davidson, “Sor Juana’s Sources for Neptuno Alegórico”; “Mexico, 1680, Summary of the First Part of the Festival: Carlos Sigüenza y Góngora’s Theatre of Political Virtues/Teatro de Virtudes Políticas”; and “The Cuzco Procession of 1650.”Google Scholar

Rita, Palmerino, and, , J. M. M. H. Thijssen, eds. The Reception of the Galilean Science of Motion in Seventeenth-Century Europe. Boston Studies in the Philosophy of Science 239. Dordrecht and Boston : Kluwer Academic Publishers, 2004. x + 275 pp. index. illus. bibl. $109. ISBN: 1-4020-2454-1. Includes: Carla Rita Palmerino, “Introduction”; Alan Gabbey, “What Was ‘Mechanical’ about ‘The Mechanical Philosophy’?”; Sophie Roux, “Cartesian Mechanics”; William R. Shea, “The ‘Rational’ Decartes and the ‘Empirical’ Galileo”; H. Floris Cohen, “A Historical-Analytical Framework for the Controversies over Galileo’s Conception of Motion”; Jochen Büttner, Peter Damerow, and Jürgen Renn, “Galileo’s Unpublished Treatises: A Case Study on the Role of Shared Knowledge in The Emergence and Dissemination of an Early Modern ‘New Science’”; Enrico Giusti, “A Master and His Pupils: Theories of Motion in the Galilean School”; Carla Rita Palmerino, “Galileo’s Theories of Free Fall and Projectile Motion as Interpreted by Pierre Gassendi”; Cees Leijenhorst, “Hobbes and the Galilean Law of Free Fall”; Christiane Vilain, “Christiaan Huygens’ Galilean Mechanics”; Wallace Hooper, “Seventeenth-Century Theories of the Tides as a Gauge of Scientific Change”; and Michel Blay, “Mathematization of the Science of Motion at the Turn of the Seventeenth and Eighteenth Centuries: Pierre Varignon.”Google Scholar

, Schiebinger, and, Swan, Claudia, eds. Colonial Botany: Science, Commerce, and Politics in the Early Modern World. Philadelphia : University of Pennsylvania Press, 2005. vi + 346 pp. index. illus. $55. ISBN: 0-8122-3827-3. Includes: Londa Schiebinger and Claudia Swan, “Introduction”; Chandra Mukerji, “Dominion, Demonstration, and Domination: Religious Doctrine, Territorial Politics, and French Plant Collection”; Staffan Müller-Wille, “Walnuts at Hudson Bay, Coral Reefs in Gotland: The Colonialism of Linnaean Botany”; Michael T. Bravo, “Mission Gardens: Natural History and Global Expansion, 1720-1820”; Andrew J. Materia Medica”; Harold J. Cook, “Global Economies and Local Knowledge in the East Indies: Jacobus Bontius Learns the Facts of Nature”; Londa Schiebinger, “Prospecting for Drugs: European Naturalists in the West Indies”; Nuria Valverde and Antonio Lafuente, “Linnaean Botany and Spanish Imperial Biopolitics”; Jorge Cañizares-Esguerra, “How Derivative Was Humboldt? Microcosmic Nature Narratives in Early Modern Spanish America and the (Other) Origins of Humboldt’s Ecological Sensibilities”; Julie Berger Hochstrasser, “The Conquest of Spice and the Dutch Colonial Imaginary: Seen and Unseen in the Visual Culture of Trade”; E. C. Spary, “Of Nutmegs and Botanists: The Colonial Cultivation of Botanical Identity”; Judith Carney, “Out of Africa: Colonial Rice History in the Black Atlantic”; Claudia Swan, “Collecting Naturalia in the Shadow of Early Modern Dutch Trade”; Anke te Heesen, “Accounting for the Natural World: Double-Entry Bookkeeping in the Field”; Kapil Raj, “Surgeons, Fakirs, Merchants, and Craftspeople: Making L’Empereur’s Jardin in Early Modern South Asia”; and Marie-Noëlle Bourguet, “Measurable Difference: Botany, Climate, and the Gardener’s Thermometer in Eighteenth-Century France.”Google Scholar

Alan C., Shepard, eds. Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and Early Modern Europe. Essays and Studies 5. Toronto : Centre for Reformation and Renaissance Studies, 2004. xii + 306 pp. index. $37. ISBN: 0-7727-2025-8. Includes: Stephen D. Powell and Alan Shepard, “Introduction”; James Carscallen, “How Troy Came to Spenser”; Michael Keefer, “‘Fairer than the evening air’: Marlowe’s Gnostic Helen of Troy and the Tropes of Belatedness and Historical Mediation”; Paul Cohen, “In Search of the Trojan Origins of French: The Uses of History in the Elevation of the Vernacular in Early Modern France”; Brent Miles, “Togail Troi: The Irish Destruction of Troy on the Cusps of the Renaissance”; Sheila Das, “The Disappearance of the Trojan Legend in the Historiography of Venice”; Pamela Luff Troyer, “Smithing High Culture in the ‘Fondement’: The Seege of Troye as Medieval Burlesque”; Lorna Jane Abray, “Imagining the Masculine: Christine de Pizan’s Hector, Prince of Troy”; Stéphanie Bélanger, “La Troade de Garnier: destins malheureux et exemples héroïques”; Andrew Hiscock, “‘What’s Hecuba to him.. Hamlet”; Stephen Guy-Bray, “Embracing Troy: Surrey’s Aeneid ”; Christopher Johnson, “Appropriating Troy: Ekphrasis in Shakepeare’s The Rape of Lucrece”; Elizabeth Jane Bellamy, “Slanderous Troys: Between Fame and Rumor”; Rebecca Helfer, “Falling into History: Trials of Empire in Spenser’s Faerie Queene”; Scott Schofield, “According to ‘the common received opinion’: Munday’s Brute in The Triumphes of Re-United Britannia (1605)”; and Michael Ullyot, “The Fall of Troynovant: Exemplarity after the Death of Henry, Prince of Wales.”Google Scholar

Michel, Simonin. L’encre et la lumière: Quarante-sept articles (1976-2000). Travaux d’Humanisme et Renaissance 391. Geneva : Librairie Droz S. A., 2004. xx + 872 pp. index. append. illus. tbls. chron. bibl. CHF 202. ISBN: 2-600-00697-4. Includes: Michel Simonin, “Notes sur Pierre Boaistuau”; “Traduction et pédago-gie des langues au XVIe siècle: sur un ouvrage de Pierre Boiastuau mis en latin par Bénigne Poissenot”; “Boaistuau et Bruscambille: note sur le texte des Imaginations”; “Michel de Nostredame, Pierre Boaistuau, Chavigny et la peste aixoise de 1546”; “François de Belleforest traducteur de Bandel dans le premier volume des Histoires tragiques”; “Le retour de Martin Ponthus: trajets d’une rumeur des Comptes du Monde adventureux aux Novelle de Bandello”; “La publication et la traduction de La quarta parte de le Novelle de Bandello: de la trahison de l’Éditeur à l’infidélité du traducteur?”; “Un conteur tenté par le savoir: Guillaume Bouchet correcteur de sa IIIe ‘sérée’”; “Autour du Traicté paradoxique en dialogue de Benigne Poissenot: dialogue, foi et paradoxe dans les années 1580”; “Bebel en France au XVIe siècle: le cas des Comptes du monde adventureux”; “Enquête sur les Escraignes”; “L’héritage de la Renaissance dans Le Chasse-Ennuy de Louis Garon”; “Le statut de la description à la fin de la Renaissance”; “La réputation des romans de chevalerie selon quelques listes de livres (XVIe-XVIIe siècles)”; “La disgrâce d’Amadis”; “Ronsard et la poétique des Œuvres”; “‘Poësie est un pré’, ‘Poëme est une fleur’: métaphore horticole et imaginaire du texte à la Renaissance”; “Ronsard et la tradition de l’épitaphios”; “Hélène avant Surgères: pour une lecture humaniste des Sonnets pour Hélène”; “Ronsard et l’exil de l’âme”; “Sur le personnel du premier livre des Hymnes. Discours des misères de ce temps”; “Ronsard encomiaste: la rhétorique de l’éloge dans les pieces liminaires”; Ronsard et l’anagramme: sur le quatrain à Michel Lecomte”; “Les relations de Des Masures avec Dorat et Ronsard”; “L’apothéose de Ronsard dans l’Oraison funèbre de Du Perron”; “Poétique(s) du politique: Montaigne et Ronsard prosopographes de François de Guise”; “œuvres complètes ou plus que complètes? Montaigne, Éditeur de La Boétie”; “Les papiers de La Boétie, Thomas de Montaigne et l’édition de la chorographie du Médoc”; “Montaigne et ses frères: un poème inédit de George Buchanan conservé par Henri de Mesmes”; “Le Périgourdin au Palais: sur le voyage des Essais de Bordeaux à Paris”; “Aux origines de l’édition de 1595”; “Montaigne, son Éditeur et le correcteur devant l’exemplaire de Bordeaux des Essais”; “Montaigne et les Feuillants”; “Eléonore de Montaigne”; “Notes sur les voyages et la reliure de l’exemplaire de Bordeaux des Essais de Montaigne”; “Eros au XVIe et XVIIe siècles: les limites du savoir”; “De Marot à Ronsard: les Traductions de Latin en François (1550 et 1554)”; “De la prime fortune éditoriale des nouvelles de Marguerite de Navarre (XVIe siècle et début du XVIIe siècle)”; “La version primitive inédite de l’Histoire des délivrances de la ville de Sancerre de Jean de Léry (août 1573)”; “Poétiques des éditions ‘à l’essai’ au XVIe siècle”; “Des projets littéraires et de leurs réalisations éditoriales à la Renaissance”; “Peut-on parler de politique éditoriale au XVIe siècle? Le cas de Vincent Sertenas, libraire du Palais”; “Les contrefaçons lyonnaises de Montaigne et Ronsard au temps de la Ligue”; “Des livres pour l’Europe? Réflexions sur quelques ouvrages polyglottes (XVIe siècle – début XVIIe siècle)”; “La Méditerranée à l’assaut de Paris: Pierre Du Buisson, ses catalogues et ses livres”; and “Réflexions sur un catalogue d’amateur.”Google Scholar

Christian, Trottmann, and, Vasiliu, Anca, ed. Du visible à l’intelligible: Lumière et ténèbres de l’Antiquité à la Renaissance. Centre d’études Supérieures de la Renaissance: Le savoir de Mantice. Paris : Honoré Champion Éditeur, 2004. 401 pp. index. illus. tbls. €67. ISBN: 2-7453-1163-8. Includes: Anca Vasiliu, “Autour d’un anonyme aristotélicien, nouvelles perspectives sur le diaphane”; Alain Galonnier, “La lumière enténébrée dans les Opuscula sacra de Boèce”; Christian Trottmann, “Lumière et niveaux de connaissance chez Albert le Grand et Henri de Gand”; Gérard Sondag, “Lumière et obscurité corporelles et incorporelles chez Jean Duns Scot”; Bruno Pinchard, “Remarques virgiliennes sur les lumières de Dante”; Antoine Côté, “Timent intrare caliginem: Nicolas de Cues critique d’Albert le Grand”; Hosein Masoumi Hamedani, “La lumière et sa propagation chez Alhazen et Avicenne”; Leen Spruit, “Espèces et esprits dans la théorie de la vision de Kepler”; Jacques Blamont, “Du regard à la lumière”; Maurice Brock, “La lumière de l’étoile dans la Pala Strozzi de Gentile de Fabriano (1423)”; Luc Bergmans, “Les effets lumineux dans le retable de Gand: Un rapprochement entre l’art de Jan Van Eyck et la pensée de Ruysbroeck l’Admirable et Nicolas de Cues”; Isabelle Bouvrande, “Entre ombre et lumière: le Saint Jean-Baptiste de Léonard de Vinci”; Baldine Saint Girons, “La peinture et la nuit”; Annick Charles-Saget, “La pensée de l’obscur chez Plotin”; Pascal Blanchard, “La Vie de Moïse et la théognosie selon Grégoire de Nysse”; Michel Lemoine, “Remarques sur les ténèbres chez les Cisterciens du XIIe siècle”; Ysabel de Andia, “L’entrée dans la ténèbre divine et le feu de l’esprit”; and Dominique de Courcelles, “La ténèbre lumineuse dans l’œuvre de Jean de la Croix.”Google Scholar

María José, Vega, and, Esteve, Cesc, eds. Idea de la lírica en el Renacimiento (Entre Italia y España). Seminario de Poética Europea del Renacimiento. Biblioteca de Escrituras Profanas. Barcelona : Mirabel Editorial, 2004. 457 pp. index. illus. bibl. €20. ISBN: 84-931-983-4-X. Includes: María José Vega, “Poética de la Lírica en el Renacimiento”; Cesc Esteve, “La Teoría de la Lírica en las Artes Poéticas Italianas”; Fernando Romo, “Poemata Minora: La Lírica en los Grandes Comentarios Latinos del Arte Poética de Horacio y de la Poética de Aristóteles”; Donatella Gagliardi, “Voluptuosa Musa: La Censura de la Lírica de Amor en la España del Siglo XVI”; Lara Vilà, “Lírica Laudatoria y Retórica Epideíctica en las Letras en el Renacimiento”; Juan F. Tituli Graeci de las Odas de Horacio y su Supervivencia en el Renacimiento y el Barroco”; Bienvenido Morros, “Idea de la Lírica en las Anotaciones a Garcilaso de Fernando de Herrera”; Jesús G. Maestro, “La Teoría de la Lírica en los Tratadistas Españoles de Arte Poética: Pinciano y Cascales”; Eugenia Fosalba, “Teoría y Praxis de la égloga en el Siglo XVI”; Jordi Julià, “Meditación de la Ausencia: Ideas Teóricas sobre la Elegía”; José Luis Capón, “Multum in Parvo: La Teoría del Epigrama en el Siglo XVI”; L. Castelvetro, J. C. Scaliger, Alonso López Pinciano, A. S. Minturno, G. G. Trissino, Pomponio Torelli, and Torquato Tasso, “Teoría de la Lírica”; Fernando de Herrera, Alonso López Pinciano, A. Viperano, J. C. Scaliger, and G. G. Trissino, “Teoría de la égloga”; Fernando de Herrara, Alonso López Pinciano, and F. Robortello, “Teoría de la Elegía”; and F. Robortello and J. C. Scaliger, “Teoría de la Epigrama.”Google Scholar

William A, Wallace. Domingo de Soto and the Early Galileo: Essays on Intellectual History. Variorum Collected Studies Series. Aldershot and Burlington, VT : Ashgate Publishing Company, 2004. xiv + 342 pp. index. append. illus. tbls. bibl. $105.95. ISBN: 0-86078-964-0. Includes: William A. Wallace, “Domingo de Soto and the Iberian Roots of Galileo’s Science”; “The Enigma of Domingo de Soto: Uniformiter difformis and Falling Bodies in Late Medieval Physics”; “Domingo de Soto’s ‘Laws’ of Motion: Text and Context”; “Late Sixteenth-Century Portuguese Manuscripts Relating to Galileo’s Early Notebooks”; “Duhem and Koyré on Domingo de Soto”; “Quantification in Sixteenth-Century Natural Philosophy”; “The Certitude of Science in Late Medieval and Renaissance Thought”; “Galileo’s Sources: Manuscripts or Printed Works?”; “Galileo’s Concept of Science: Recent Manuscript Evidence”; “The Dating and Significance of Galileo’s Pisan Manuscripts”; “Galileo’s Pisan Studies in Science and Philosophy”; “Circularity and the Paduan Regressus: From Pietro d’Abano to Galileo Galilei”; “Galileo’s Regressive Methodology, Its Prelude and Its Sequel”; and “Dialectics, Experiments, and Mathematics in Galileo.”Google Scholar

William, Weber, ed. The Musician as Entrepreneur, 1700-1914: Managers, Charlatans, and Idealists. Bloomington and Indianapolis : Indiana University Press, 2004. viii + 269 pp. index. illus. $44.95. ISBN: 0-253-34456-5. Includes: William Weber, “The Musician as Entrepreneur and Opportunist, 1700-1914”; Richard Leppert, “The Musician of the Imagination”; Tanya Kevorkian, “Changing Times, Changing Music: ‘New Church’ Music and Musicians in Leipzig, 1699-1750”; David Gramit, “Selling the Serious: The Commodification of Music and Resistance to It in Germany, circa 1800”; William Weber, “From the Self-Managing Musician to the Independent Concert Agent”; Laure Schnapper, “Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849”; Dana Gooley, “Franz Liszt: The Virtuoso as Strategist”; Simon McVeigh, “‘An Audience for High-Class Music’: Concert Promoters and Entrepreneurs in Late-Nineteenth-Century London”; Tia DeNora, “Embodiment and Opportunity: Bodily Capital, Gender, and Reputation in Beethoven’s Vienna”; Paula Gillett, “Entrepreneurial Women Musicians in Britain: From the 1790s to the Early 1900s”; and Jann Pasler, “Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation.”Google Scholar

David E., Wellbery, and, Ryan, Judith, eds. A New History of German Literature. Harvard University Press Reference Library. Cambridge, MA and London : Harvard University Press, 2004. xxviii + 1004 pp. index. illus. map. bibl. $45. ISBN: 0-674-01503-7. Includes: David E. Wellberg, “Introduction”; Hans Ulrich Gumbrecht, “The Charm of Charms”; Karl Maurer, “The Carolingian Renaissance”; Theodore M. Andersson, “Heroic or Vernacular Poetry?”; Wolfgang Haubrichs, “A Vernacular Gospel Harmony”; Carol J. Scriptoria”; Anselm Haverkamp, “The Mystical Exposition of a City”; Amy M. Hollywood, “A Cosmological Vision”; Udo Friedrich, “Anthropology of the Crusades”; Sean Ward, “Imperial Spin Control”; Eckehard Simon, “Phantom Ladies”; Dieter Kartschoke, “Religious Devotion and Courtly Display”; Sean Ward, “The Archpoet and Goliard Poetry”; Helmut Puff, “A Satire of Courtly Literature”; Horst Wenzel, “The Courtly Festival”; Thomas Bein, “Hartmann’s Poetry”; Jan-Dirk Müller, “Contagious Violence”; Orrin W. Robinson, “A Literary Language?”; James A. Schultz, “Salvation through Fiction”; Peter Gilgen, “Singer of Himself”; C. Stephen Jaeger, “Love Exalted”; Peter Strohschneider, “The Dual Economy of Medieval Life”; Gert Melville, “World History as Legitimation”; Johannes Janota, “Spiritual Drama in an Urban Setting”; Amy M. Hollywood, “A Vision of Flowing Light”; Thomas Bein, “Truth and Fiction”; Max Grosse, “Poetry, Teaching, and Experience”; Rochelle Tobias, “Mysticism and Scholastic Theology”; Niklaus Largier, “Acknowledging the Divine”; Jeffrey T. Schnapp, “The Emperor and the Poet”; Marion Aptroot, “The Emergence of Yiddish Literature”; Tracy Adams and Stephen G. Nichols, “The Culture of the Book”; Christian Kiening, “A Dialogue with Death”; Joachim Küpper, “The Beginning of Modern Thinking”; Wernfried Hofmeister, “Poetic Transformations of the Self”; Eckehard Simon, “Fastnachtsspiele”; Jan-Dirk Müller, “An Information Revolution”; Debra Prager, “Fortunatus Maps the World and Himself”; Helmut Puff, “The Ship of Fools”; Paul Oppenheimer, “A Philosophical Rascal?”; Doris McGonagill, “A New Science of Beauty”; Marisa Galvez, “A Cobbler-Poet Becomes a Master Author”; Anthony Grafton, “The Mysteries of the Kabbalah and the Theology of Obscure Men”; Lisa Freinkel, “Martin Luther and the Whole Man”; Orrin W. 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Wild, “Anatomy and Theology, Vanity and Redemption”; Emery Snyder, “Poems as Way-Signs”; “Learning and News in the Baroque”; Dorothea E. von Mücke, “‘Commit your way to the Lord’”; Klaus Haberkamm, “Hermaphroditism and the Battle of the Sexes”; Dorothea E. von Mücke, “‘The Entirety of Scripture Is within Us’”; J. B. Schneewind, “Natural Law”; Emery Snyder, “The Baroque Novel and the Romance Tradition”; Jeremy Dauber, “Life’s Balance Sheet”; Haun Saussy, “‘The Case of God Defended’”; Helmut Müller-Sievers, “A Scientist and Poet”; Jochen Schulte-Sasse, “Aesthetic Orientation in a Decentered World”; Klaus Weimar, “Reading for Feeling”; Carol Jacobs, “Questioning the Enlightenment”; Chris Cullens, “‘Educating Paper Girls’ and Regulating Private Life”; Helmut J. Schneider, “A Woman’s Design on Soldiers’ Fortune”; Suzanne L. Marchand, “Becoming Greek”; Walter Hinderer, “Wieland’s Cosmopolitan Classicism”; David E. Wellbery, “Pathologies of Literature”; Fritz Gutbrodt, “Taking Individualism at Face Value”; Andreas Huyssen, “The Confusions of Genre”; James A. Steintrager, “From Enlightenment Universalism to Romantic Individuality”; Andreas Gailus, “Anton Reiser, Case History, and the Emergence of Empirical Psychology”; Hansjakob Werlen, “The Universal and the Particular”; Frederick Beiser, “The Limits of Enlightenment”; Hans Rudolf Vaget, “Self-Censorship and Priapic Inspiration”; Isabel V. Hull, “A Snapshot of Civil Society”; Lorraine Daston, “The Disciplines of Attention”; Paul Guyer, “The Experience of Freedom”; Karol Berger, “Beyond Language”; Paul Franks, “Identity and Community”; Klaus L. 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Wellbery, “Faust and the Dialectic of Modernity”; Barbara Hahn, “Writing between Genres and Discourses”; Hinrich C. Seeba, “Viennese Biedermeier”; Harro Müller, “The Guillotine as Hero”; Peter Uwe Hohendahl, “Emancipation and Critique”; Anette Schwarz, “Crimes of Probability”; Martin Puchner, “The Reinvention of a Genre”; Chris Cullens, “Marginality and Melancholia”; Eva Geulen, “Tales of a Collector”; David E. Wellbery, “Aesthetic Salvation”; Werner Sollors, “German-American Literary Relations”; Anthony Grafton, “A Model for Cultural History”; Anthony Krupp, “Unruly Children”; Kenneth S. Calhoon, “Intimations of Mortality”; David J. Levin, “Wanting Art”; Robert B. Pippin, “Nietzsche and Modernity”; Judith Ryan, “Germany’s Heart of Darkness”; Kenneth S. Calhoon, “Apparitions of Time”; Robert E. Norton, “Stefan George and Symbolism”; Stanley Corngold, “The Dream as Symbolic Form”; Reingard Nethersole, “The Limits of Language”; Maria Tatar, “Eroticism and the Femme Fatale”; Peter Wollen, “An Alpine Vegetarian Utopia”; Andreas Huyssen, “Urban Experience and the Modernist Dream of a New Language”; Thomas S. Grey, “The Agency of the Past”; Mark W. Roche, “Provocation and Parataxis”; Clayton Koelb, “The Lasciviousness of Ruin”; Charles W. Haxthausen, “An Optics of Fragmentation”; Judith Ryan, “Kafka’s Narrative Breakthrough”; Eric L. Santner, “The New Thinking”; Stanley Corngold, “Ecstatic Release from Personality”; Greil Marcus, “‘The Jingling Carnival Goes Right Out Into the Street’”; Leo A. Lensing, “War and the Press”; Anton Kaes, “Cinema and Expressionism”; Judith Ryan, “Modernism and Mourning”; Mark M. Anderson, “Lion Feuchtwanger’s Jud Süss”; Brigid Doherty, “Photography, Typography, and the Modernization of Reading”; Elisabeth Bronfen, “Modernism and Hysteria”; Hans Sluga, “The Limits of Historicism”; John T. Hamilton, “The Task of the Flâneur”; Janet Ward, “The Lesson of the Magic Theater”; Stephen Hin-ton, “The Urform of Opera”; David Dollenmayer, “Narration and the City”; Burton Pike, “A Modernist Thought-Experiment”; Barbara Kosta, “Irmgard Keun and the ‘New Woman’”; Hans Sluga, “Politics, Technology, and History”; Eric Rentschler, “Hitler’s Imagined Community”; Lindsay Waters, “The Machine Takes Command”; Peter Fritzsche, “Germans Reading Hitler”; Peter Nisbet, “Spectacle of Denigration”; Elliot Y. Neaman, “The Problem of ‘Inner Emigration’”; Gertraud Gutzmann, “Crisis and Transition”; Elisabeth Young-Bruehl, “Origins of Totalitarianism”; Hans Rudolf Vaget, “A Musical Prefiguration of History”; Robert C. Holub, “Guilt and Atonement”; Karlheinz Barck, “Intellectuals under Hitler”; Andrew Hewitt, “Snatching Defeat from the Jaws of Victory”; Rainer Nägele, “History, Evidence, Gesture”; Julia Hell, “Socialist Realism as Heroic Antifascism”; Jennifer M. Kapczynski, “Making History Visible”; Stéphane Moses, “Poetry after Auschwitz”; Bernhard Siegert, “Coming to Terms with the Past”; James Conant, “A Ladder Turns into a Fly-Bottle”; Gordon A. Craig, “Politics and Literature”; Geoffrey Winthrop-Young, “From a Tragedy of Physics to a Physics of Tragedy”; Mark M. Anderson, “Love as Fascism”; Rob Burns, “Dramaturgies of Liberation”; David Roberts, “Transformations of the Literary Institution”; Julia Hell, “Utopian Hopes and Traces of the Past”; David Bathrick, “The Politics of Poetry”; Arlene A. Teraoka, “Intellectuals and the Failed Revolution”; Leslie A. Adelson, “Migrants and Muses”; David Roberts, “The Enigma of Arrival”; Maria Louise Ascher, “The Homecoming of a ‘Good European’”; Beatrice Hanssen, “Critique of Violence”; Jochen Hörisch, “Anniversaries and the Revival of Storytelling”; Eric Rentschler, “Homeland and Holocaust”; Robert C. Holub, “Democracy and Discourse”; Bianca Theisen, “Remembrance as Provocation”; Edward Dimendberg, “A Republic of Voids”; Judith Ryan, “The Skull Beneath the Skin”; Deniz Göktürk, “Spectacles of Multiculturalism”; and Andreas Huyssen, “Gray Zones of Remembrance.”Google Scholar

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