Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-23T14:49:45.604Z Has data issue: false hasContentIssue false
  • English
  • Français

Intertextual Labyrinths: Ariadne's Lament in Montaigne's "Sur des vers de Virgile"*

Published online by Cambridge University Press:  20 November 2018

Marc-André Wiesmann
Marc-André Wiesmann*
Affiliation:
Skidmore College
Get access Rights & Permissions [Opens in a new window]

Extract

This study reconstructs the thematic and literary presence of a labyrinth in Montaigne's "Sur des vers de Virgile." Indispensable to such a reconstruction will be a consideration of Catullus's epithalamium on the marriage of Peleus and Thetis from which are derived the hexameters textually anchoring the labyrinth in Montaigne's text. I will then place these verses in their French surroundings and pursue the insights that an awareness of the Catullan context makes available for interpretations of the essay.

Type
Studies
Information
Renaissance Quarterly , Volume 53 , Issue 3 , Autumn 2000 , pp. 792 - 820
Copyright
Copyright © Renaissance Society of America 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

I wish to express my gratitude to Richard Regosin and to the other (anonymous) referee of this paper, who were most helpful with their valuable suggestions towards its improvement. My thanks also to Dora Polachek, who saw and commented upon an earlier and very inchoate version, and to Steve Light, whose sharp editing was essential.

References

Adam, J. N. 1982. The Latin Sexual Vocabulary. Baltimore.Google Scholar
Aristotle, . 1956. The Nicomachean Ethics. Trans. Rackham, H.. London.Google Scholar
Blanchard, Marc E. 1990. Trois portraits de Montaigne: Essai sur la representation a la Renaissance. Paris.Google Scholar
Boccaccio, Giovanni. 1975. The Corbaccio. Ed. and trans. Cassell, Anthony K.. Chicago.Google Scholar
Brousseau-Breuermann, Christine M. 1989. La copie de Montaigne. Etude sur Us Citations dans Us Essais. Paris.Google Scholar
Catullus, . 1973. The Poems. Ed. Quinn, Kenneth. New York.Google Scholar
Ce“ard, Jean. 1977. La Nature et Us prodiges. Geneva.Google Scholar
Coleman, Dorothy. 1979. The Gallo-Roman Muse. Aspects of Roman Literary Tradition in Sixteenth- Century France. Cambridge.Google Scholar
Collins, Daniel L. 1992. “Anamorphosis and the Eccentric Observer: Inverted Perspective and Construction of the Gaze.” Leonardo 25 : 73–82.Google Scholar
Compagnon, Antoine. 1979. La seconde main ou le travail de la citation. Paris.Google Scholar
Compagnon, Antoine. 1993. Chat enpoche. Montaigne et l'allégorie. Paris.Google Scholar
Curtius, Ernst Robert. 1953. European Literature and the Latin Middle Ages. Trans. Trask, W. R.. New York.Google Scholar
Cotgrave, Randle. 1950. A dictionarie of the French and English Tongues. 1611. Columbia, SC.Google Scholar
Doob, Penelope. 1990. The Idea of the Labyrinth from Classical Antiquity through the Middle Ages. Ithaca.Google Scholar
Ernout, A. and Meillet, A.. 1985. Dictionnaire itymologique de la langue latine. Histoire des mots. Paris.Google Scholar
Fitzgerald, William. 1995. Catullan Provocations. Lyric poetry and the Drama of Position. Berkeley.Google Scholar
Ford, Philip. 1997. Ronsard's Hymnes: A Literary and Iconographical Study. Tempe.Google Scholar
Gaisser, Julia Haig. 1993. Catullus and his Renaissance Readers. Oxford.Google Scholar
Garavani, Fausta. 1993. Monstres et Chimeres: Montaigne, le texte et le fantasme. Trans. Picon, I.. Paris.Google Scholar
Gray, Floyd. 1991. Montaigne bilingue. Le latin des Essais. Paris.Google Scholar
Hollander, Robert. 1988. Boccaccio's Last Fiction, “II Corbaccio.“ Philadelphia.Google Scholar
Jordan, Constance. 1996. “Sexuality and volition in Sur des vers de Virgile.“ Montaigne Studies 8: 65–80.Google Scholar
Juvenal, . 1950. Satires. Ed. and trans. Labriolle, Pierre and Villeneuve, François. Paris.Google Scholar
Laird, Andrew. 1993. “Sounding out Echphrasis: Art and Text in Catullus 64.“ Journal of Roman Studies 83: 50–62.Google Scholar
Lewis, Charlton T. 1879. A Latin Dictionary. Oxford.Google Scholar
Magnien-Simonin, Catherine. 1996. “Estienne Pasquier (1529-1615) lecteur de Montaigne.” In Montaigne et Henri TV (1595-1995). Actes du colloque international, ed. Dubois, Claude-Gilbert, 67–86. Bordeaux.Google Scholar
Mathieu-Castellani, Gisèle. 1988. Montaigne. L'écriture de I'essai. Paris.Google Scholar
McKinley, Mary B. 1981a. “Salle/Cabiner. Literature and self-disclosure in Sur des vers de Virgile.” In Columbia Montaigne Conference Papers, eds. Frame, Donald and McKinley, Mary, 80–104. New York.Google Scholar
McKinley, Mary B.. 1981b. Words in a Corner. Studies in Montaigne's Latin Quotations. Lexington, KY.Google Scholar
McKinley, Mary B.. 1996. Les terrains vagues des Essais: itine“raires et intertextes. Paris.Google Scholar
Miller, Nancy K. 1986. “Arachnologies: the Woman, the Text, and the Critic.” In The Poetics of Gender, ed. Miller, Nancy K., 270-95. New York.Google Scholar
Miller, Paul Allen. 1995. “The Minotaur Within: Fire, the Labyrinth, and Strategies of Containment in Aeneid 5 and 6.” Classical Philology 90 : 225-40.Google Scholar
Mirollo, James V. 1984. Mannerism and Renaissance Poetry. Concept, Mode, Inner Design. New Haven.Google Scholar
Montaigne, Michel de. 1965. Complete Essays of Montaigne. Trans. Frame, Donald M.. Stanford.Google Scholar
Montaigne, Michel de. 1988. Essais. Eds. Pierre Villey and V.-L. Saulnier. Paris.Google Scholar
Morrison, Mary. 1956. “Ronsard and Catullus: the Influence of the Teachings of Marc-Antoine de Muret.” Bibliothèque d'Humanisme et de Renaissance 18: 240-74.Google Scholar
Morrison, Mary. 1963. “Catullus and the Poetry of Renaissance France.” Bibliothèque d'Humanisme et de Renaissance 25: 25–56.Google Scholar
Ovid, . 1977. Metamorphoses. Ed. Anderson, William S.. Leipzig.Google Scholar
Pasquier, Estienne. 1956. Choix de Lettres sur la Littérature, la Langue et la Tradition. Ed. Thickett, D.. Geneva.Google Scholar
Perriere, Guillaume de la. 1964. Le theatre des bons engins auquel sont contenuz cent Emblemes moraulx (1539). Gainsville, FL.Google Scholar
Plato, . 1929. Timaeus. Critias. Trans. Bury, R. G.. London.Google Scholar
Pot, Olivier. 1990. L'inquiètante étrangeti. Montaigne: la pierre, le cannibale et la melancholic Geneva.Google Scholar
Pouilloux, Jean-Yves. 1969. Lire les Essais de Montaigne. Paris.Google Scholar
Putnam, Michael. 1972. “The Art of Catullus 64.” In Approaches to Catullus, ed. Quinn, Kenneth, 225-68. New York.Google Scholar
Quinn, Kenneth. 1971. The Catullan Revolution. Ann Arbor.Google Scholar
Rabelais, Francois. 1995. Oeuvres completes. Ed. Boulenger, Jacques. Paris.Google Scholar
Regosin, Richard L. 1996. Montaigne's Unruly Brood. Textual Engendering and the Challenge to Paternal Authority. Berkeley.Google Scholar
Rigolot, Francois. 1987. “Les sutils ouvrages de Louise Labé ou: quand Pallas devient Arachné’ Etudes Littiraires 20: 43–60.Google Scholar
Rigolot, Francois. 1988. Les Métamorphoses de Montaigne. Paris.Google Scholar
Ronsard, Pierre de. 1950. La Franciade (1572). Ed. Laumonier, Paul. Paris.Google Scholar
Ronsard, Pierre de. 1966. Les Hymnes de 1555. Le Second Livre des Hymnes de 1556. Ed. Laumonier, Paul. Paris.Google Scholar
Starobinski, Jean. 1982. Montaigne en mouvement. Paris.Google Scholar
Statius, Pierre. 1997. Le riel et la joie. Essais sur I'oeuvre de Montaigne. Paris.Google Scholar
Trinquet, Roger. 1972. La jeunesse de Montaigne. Ses origines familiales, son enfance et ses itudes. Paris.Google Scholar
Villey, Pierre. 1933. Les sources et Involution des Essais de Montaigne. Tome premier. Les sources et la chronologic des Essais. Paris.Google Scholar
Virgil, . 1969. Opera. Ed. Mynors, R. A. B.. Oxford.Google Scholar
Wiesmann, Marc-André 1993. “Verses have fingers: Montaigne reads Juven a l . “ Journal of Medieval and Renaissance Studies 23: 43–67.Google Scholar