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3 See Gosebruch 143-47.

4 Stubblebine, James, Assisi and the Rise of Vernacular Art (New York, 1985) 88–98 Google Scholar. Other studies cited here on the date of the frescoes are: Gardner, Julian, “The Decoration of the Baroncelli Chapel in Santa Croce,” Zeitschrift für Kunstgeschichte, 34 (1971): 89–113 CrossRefGoogle Scholar; also Gardner, , “The Early Decoration of Santa Croce in Florence,” Burlington Magazine, 113 (July 1971): 391-92Google Scholar; Borsook, Eve, “Giottonelle Cappelle Bardi e Peruzzi,” in Giotto egotteschi in Santa Croce (Florence, 1966) 30–38 Google Scholar; Gilbert, Creighton, “L'ordine cronologico degli affreschi Bardi e Peruzzi,” Bolletino a“Arte, 43 (October 1968): 192-97Google Scholar; White, John, Pictorial Space 72–77 Google Scholar. For an examination of Sta. Croce, see Walter, and Paatz, Elisabeth, Die Kirchen von Florenz, 1 (Frankfurt-am-Main, 1955): 497–569 Google Scholar.

5 Gnudi, Cesare, L'artegotica in Francia e in Italia (Turin, 1982)Google Scholar, illus. 58 and 59. See also Schmidt, Gerhard, “Giotto und die Gotische Skulpturei,” Romische Historische Mitteilungen, 21 (1979): 127-44Google Scholar. See Telpaz, Anne Markham, “Some Antique Motifs in Trecento Art,” Art Bulletin, 46 (1964): 372-76CrossRefGoogle Scholar, for comparisons of the Arena frescoes with antique sarcophagi.

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10 Larner 73, 112. See also Wieruszowski, Helene, “Art and the Commune in the Time of Dante,” Speculum, 19 (1944): 14–33 CrossRefGoogle Scholar, and Davidsohn, 2.2:125.

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