Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-25T05:20:53.849Z Has data issue: false hasContentIssue false

Circa 1600: Spanish Values and Tuscan Painting*

Published online by Cambridge University Press:  20 November 2018

Edward L. Goldberg*
Affiliation:
The Medici Archive Project, Florence

Abstract

In the years 1599-1604, Grand Duke Ferdinando I de'Medici ordered state gifts of contemporary Florentine paintings for three influential Spanish noblewomen (Catalina de la Cerda, Marquesa de Denia; Magdalena de Guzmán, Marquesa del Valle; and María de Toledo y Colonna, Duquesa de Alba). The problem of producing images suitable for Spanish usage is discussed in explicit detail, in a series of documents recently discovered in the Archivio di Stato di Firenze.

Type
Studies
Copyright
Copyright © Renaissance Society of America 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

These documents were discovered in the course of work on: Documentary Sources for the Arts and Humanities in the Medici Granducal Archive (1537-1743), an initiative of The Medici Archive Project. Special thanks are due to the scholars of Spanish and Tuscan art and history who read and commented on this article in various stages of its preparation; these include Jonathan Brown, Marcus Burke, Malcolm Campbell, Robert Carlucci, Marco Chiarini, Jose Luís Colomer, Elizabeth Cropper, Charles Dempsey, John Elliott, Margarita M. Estella, Enriqueta Harris, Mary Jane Harris, Willian Jordan, Rosemarie Mulcahy, Alfonso E. Pérez Sánchez, and Sarah Schroth, as well as two anonymous readers who offered timely reminders of the historical complexity of the questions raised by these documents.

References

Bleiberg, G., ed. Diccionario de Historia de Espana Madrid, 1968.Google Scholar
Brown, Jonathan. The Golden Age of Painting in Spain. New Haven, 1991.Google Scholar
Bustamante Garcia, Augustln. “Datos sobre el gusto espafiol del siglo XVI.” Archivo Espafiol de Arte 78 (1995): 304–8.Google Scholar
Checa Cremades, Ferdinando. Felipe II: Mecenas de las Artes. Madrid, 1992.Google Scholar
Checa Cremades. Tiziano y la monarquia hispdnica. Madrid, 1994.Google Scholar
Cloulas, Annie. “Les Peintures du Grand Retable au Monastere de l'Escurial.” Melanges de la Casa de Veldzquez 4 (1964); 184–96.Google Scholar
Domfnguez Bordona, J. “Federico Ziiccaro en Espafia.” Archivo Espafiol de Arte 3 (1927): 7789.Google Scholar
Goldberg, Edward. “Artistic Relations between the Medici and the Spanish Courts; 1587-1621.” The Burlington Magazine 128 (1996): 105-14 and 529–40.Google Scholar
Gomez Moreno, M. Catdlogo Monumental: Provincia de Lion. L&n, 1925.Google Scholar
Heikamp, D. “Federico Zuccaro a Firenze.” Paragone 205 (1967): 44- 68; 207 (1967): 334.Google Scholar
Martin Gonzalez, J.J. and de la Plaza Santiago, F.J. Catdlogo Monumental de la Provincia de Valladolid. Valladolid, 1987.Google Scholar
McKim-Smith, G. Examining Veldzquez. New Haven, 1988.Google Scholar
Mulcahy, Rosemarie. “Federico Zuccaro and Philip II; the Reliquary Altars for the Basilica of San Lorenzo de El Escorial.” The Burlington Magazine 129 (1987): 502–9.Google Scholar
Mulcahy, Rosemarie. The Decoration of the Royal Basilica of El Escorial. Cambridge, 1994.Google Scholar
Sigiienza, Jose de. La Fundacidn del Monasterio de El Escorial. Madrid, 1963.Google Scholar