O’Malley, John W., S.J., ,
Gauvin, Alexander Bailey , and,
Steven J, Harris , eds.
The Jesuits II: Culture, Sciences, and the Arts, 1540–1773. With CD-ROM.
Toronto :
University of Toronto Press ,
2006. xxxvi + 906 pp. index. append. illus. tbls. $95. ISBN:
0-8020-3861-1.
Includes: Olwen Hufton, “Every Tub on Its Own Bottom: Funding a Jesuit College in Early Modern Europe”; Peter Burke, “The Jesuits and the Art of Translation in Early Modern Europe”; Elizabeth Rhodes, “Join the Jesuits, See the World: Early Modern Women in Spain and the Society of Jesus”; Sabina Pavone, “Between History and Myth: The
Monita secreta Societatis Jesu”; Judi Loach, “Revolutionary Pedagogues? How Jesuits Used Education to Change Society”; Peter Davidson, “The Jesuit Garden”; Jeffrey Muller, “Jesuit Uses of Art in the Province of Flanders”; Anna C. Knaap, “Meditation, Ministry, and Visual Rhetoric in Peter Paul Rubens's Program for the Jesuit Church in Antwerp”; Nuno Vassallo e Silva, “Art in the Service of God: The Impact of the Society of Jesus on the Decorative Arts in Portugal”; Gauvin Alexander Bailey, “Cultural Convergence at the Ends of the Earth: The Unique Art and Architecture of the Jesuit Missions to the Chiloé Archipelago (1608–1767)”; Humberto Rodrìguez-Camilloni “The Rural Churches of the Jesuit Haciendas on the Southern Peruvian Coast”; Hiromitsu Kobayashi, “Suzhou Prints and Western Perspective: The Painting Techniques of Jesuit Artists at the Qing Court, and Dissemination of the Contemporary Court Style of Painting to Mid-Eighteenth-Century Chinese Society through Woodblock Prints”; Volker R. Remmert, “Picturing Jesuit Anti-Copernican Consensus: Astronomy and Biblical Exegesis in the Engraved Title-Page of Clavius's
Opera mathematica (1612)”; William A. Wallace, O.P., “Jesuit Influences on Galileo's Science”; Daniel Stolzenberg, “Utility, Edification, and Superstition: Jesuit Censorship and Athanasius Kircher's
Oedipus Aegyptiacus”; Antonella Romano, “Teaching Mathematics in Jesuit Schools: Programs, Course Content, and Classroom Practices”; Henrique Leitão, “Entering Dangerous Ground: Jesuits Teaching Astrology and Chiromancy in Lisbon”; Vì ctor Navarro Brot óns, “Science and Enlightenment in Eighteenth-Century Spain: The Contribution of the Jesuits before and after the Expulsion”; Ugo Baldini, “The Reception of a Theory: A Provisional Syllabus of Boscovich Literature, 1746–1800”; David Crook, “‘A Certain Indulgence’: Music at the Jesuit College in Paris, 1575–1590”; Franz Körndle, “Between Stage and Divine Service: Jesuits and Theatrical Music”; Vctor Rondón, “Sung Catechism and College Opera: Two Musical Genres in the Jesuit Evangelization of Colonial Chile”; Bruna Filippi, “The Orator's Performance: Gesture, Word, and Image in Theatre at the Collegio Romano”; Giovanna Zanlonghi, “The Jesuit Stage and Theatre in Milan during the Eighteenth Century”; Michael Zampelli, S.J., “‘
Lascivi Spettacoli’: Jesuits and Theatre (from the Underside)”; Sabine MacCormack, “Grammar and Virtue: The Formulation of a Cultural and Missionary Program by the Jesuits in Early Colonial Peru”; Aliocha Maldavsky, “The Problematic Acquisition of Indigenous Languages: Practices and Contentions in Missionary Specialization in the Jesuit Province of Peru (1568–1640)”; Charlotte de Castelnau-L’Estoile, “The Uses of Shamanism: Evangelizing Strategies and Missionary Models in Seventeenth-Century Brazil”; Haruko Nawata Ward, “Jesuits, Too: Jesuits, Women Catechists, and Jezebels in Christian-Century Japan”; Catherine Pagani, “Clockwork and the Jesuit Mission in China”; Marc Fumaroli, “Between the Rigorist Hammer and the Deist Anvil: The Fate of the Jesuits in Eighteenth-Century France”; Richard Clay, “The Expulsion of the Jesuits and the Treatment of Catholic Representational Objects during the French Revolution”; Dauril Alden, “The Gang of Four and the Campaign against the Jesuits in Eighteenth-Century Brazil”; Ronnie Po-chia Hsia, “Twilight in the Imperial City: The Jesuit Mission in China, 1748–60”; Larry Wolff, “Boscovich in the Balkans: A Jesuit Perspective on Orthodox Christianity in the Age of Enlightenment”; Alicia Fraschina, “A Jesuit
Beata at the Time of the Suppression in the Viceroyalty of Ro de la Plata: Marìa Antonia de ì Paz y Figueroa, 1730–1799”; Daniel L. Schlafly, Jr., “The Post-Suppression Society of Jesus in the United States and Russia: Two Unlikely Settings”; and T. Frank Kennedy, S.J., “Jesuit Opera in Seventeenth-Century Vienna:
Patientis Christi memoria by Johann Bernhard Staudt (1654–1712).”
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