Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-05T03:24:14.921Z Has data issue: false hasContentIssue false

The Exhibition of Chancery Italic Manuscripts

Published online by Cambridge University Press:  20 November 2018

Ray Nash*
Affiliation:
Dartmouth College
Get access

Extract

Oregon was put prominently on the calligraphy map last autumn with the premier showing at the Portland Art Museum of an ambitious exhibition: ‘Calligraphy: The Golden Age and its Modern Revival’. It reopened, with a number of additions and subtractions, at the Grolier Club of New York City in mid-December to a large and appreciative audience. Never before, in this country anyway, has the art of the writing master been seen in so many fine examples written viva mano. It was done to the taste of a Montefeltro duke—not a page of paper or vellum in the whole show had passed through printing press or camera.

The Portland Art Association confessed to an ulterior motive.

Type
Research Article
Copyright
Copyright © Renaissance Society of America 1959

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)