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Desportes and the Civil Wars
Published online by Cambridge University Press: 20 November 2018
Extract
The secular poetry of Philippe Desportes (1546-1606) is most often characterized as précieux. One may wish to distinguish between préciosité as an historical phenomenon and précieux as a recurring literary tendency, and one may quarrel about the exact definition of the term, but when examples are needed none are any better than those chosen from the works of Desportes. This no one would deny, but when the extreme view is taken that Desportes is nothing but an insincere and clever versifier who crassly imitates Italian models and hawks his wares to the highest bidder, then one must protest.
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- Copyright © Renaissance Society of America 1956
References
1 See de Mourgues, Odette, Metaphysical, Baroque and Précieux Poetry (Oxford at the Clarendon Press, 1953), Chapter viiiGoogle Scholar, passim; and Bray, René, La Préciosité et les Précieux, de Thibaut de Champagne à Jean Giraudoux (Paris: Editions Albin Michel, 1948)Google Scholar, Chapter v, ‘Desportes empereur de précieux’.
2 Gide, André, Anthologie de la poésie française (Paris: Gallimard, 1949), p. xxv.Google Scholar
3 For recent judicious praise of Desportes, compare also the brief comments of Weinberg, Bernard, French Poetry of the Renaissance (New York: Harper and Brothers, 1954), PP. 157–158.Google Scholar
4 Lebègue, Raymond, La Poésie française de 1560 à 1630 (Paris: Société d'Edition d'enseignement Supérieur, 1951)Google Scholar, Chapter ix, ‘Les Prédécesseurs de Malherbe: Desportes’.
5 For a detailed list, see Levend, Jacques, Un Poète de cour du temps des derniers Valois, Philippes Desportes (1346-1606) (Paris: Droz, 1936), p. 177, n. 6.Google Scholar
6 Lebègue, p. 160. The italics are mine.
7 Desportes, Philippe, Oeuvres, edited by Michiels, Alfred (Paris: Adolphe Delahays, 1858).Google Scholar All references are to this edition (which gives only the text of 1607) unless otherwise noted.
8 Ibid., p. 59, Il. 22-36 of the poem in its original form.
Chanson (1573)
3 les fait bander (1600) 8 travaillant de (1600) 9 Mon coeur qui l'a (1600) 10 modeste (1600) II Ses cruels projets (1600) 19 surprennent (1600) 22-36 replaced in 1600 by these lines
33 mon opinion (1576-1593).
9 Ibid., p. 84, Il. 73-78. For variants see below.
10 Ibid., p. 95, Il. 7-24.
11 Text of 1573. Variants are as follows: 73 partis (1600) 74 Sent enfin sa rage accoisée (1600) 75 Au doux leniment d'une paix (1600) 76 Las! pour quoyl'ay-je souhaitée (1600) 77s. la guerre est plus irritée (1600)
12 Jean de Sponde, Poésies, ed. Alan Boase and François Ruchon. In the collection Les trésors de la littérature française (Genève: Editions Pierre Cailler, 1949), p. 189.
13 D'Aubigné, Agrippa, Poésie. In the collection Ides et Calendes (Neuchatel: Henri Meseiller), p. 12.Google Scholar
14 de Brach, Pierre, Oeuvres poétiques, ed. Dezeimeris, R. (Paris: A. Aubry, 1862), II, 123–137.Google Scholar
15 Elégies, 1, 1, Il. 68-75, and Elégiesi, II, Il. 19-34.
16 Inspired, no doubt, by Horace, Carmina III, 5.
17 Diverses Amours, xii. Op. cit., p. 377.
18 Ibid., p. 429.
19 Guidiccioni ‘Dal pigro, e grave sonno, ove sepolta’, p. 325 in I Fiori delle Rime de' Poeti illustri, nuovamente raccolti et ordinati da Girolamo Ruscelli (Venice: Giovan Battista et Melchior Sessa fratelli, 1558).
20 Op. cit, p. 470.
21 Lebègue, p. 161.
22 Lebègue, pp. 164-166.