Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-12-01T09:06:20.345Z Has data issue: false hasContentIssue false

A Fifteenth-Century Cofferet

Published online by Cambridge University Press:  20 November 2018

Karl Kup*
Affiliation:
New York Public Library
Get access

Extract

The Spencer Collection of the New York Public Library recently acquired an interesting, late fifteenth-century leather-covered wooden box, probably designed to hold a manuscript or book, with a rare impression of a single woodcut representing The Almighty Enthroned which is pasted into its upper lid. The object is of significance as it leads to observations of the use of printed illustrative material during the first century of printing. It is also of sociological value for our knowledge of its use by the people of the time. Only about thirty such boxes, coffers, cofferets, or cassettes with pasted-in woodcuts are in the collections of London, Paris, Berlin, and Amsterdam, with but one box recorded in an American collection, that of the Print Room of the Metropolitan Museum of Art in New York.

Type
Research Article
Copyright
Copyright © Renaissance Society of America 1956

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Schreiber, W. L., Einblattdrucke des Fünfzehnten Jahrhunderts, Band LXXVI, ‘Kassetten-Holzschnitte des XV. Jahrhunderts* (Strassburg, 1931)Google Scholar.

2 Ivins, William M. Jr., ‘Noteworthy Prints Acquired in 1928’, Bulletin of the Metropolitan Museum of Art, XXIV, No. 1 (January 1929), 2226 Google Scholar. Schreiber, , Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts, Band VIII (Leipzig, 1930)Google Scholar. The author fully describes the Nativity woodcut pasted into the upper lid of the small leather box or cofferet now owned by the Metropolitan Museum of Art.

3 Schreiber, Handbuch, Band II (Leipzig, 1926), passim.

R. Forrer and P. Gerschel, Sechs Holztafeldrucke der Sammlung Forrer (Strassburg, 1891), passim.

4 Courboin, François, Histoire Illustrée de la Gravure en France, 1. Partie, ‘Des Origines à 1660’ (Paris, 1923)Google Scholar. No. 42 describes and illustrates the woodcut as used in the Verdun Missal of 1481.

5 A similar book box or cofferet appears in a painting by the Maitre de l'Annonciation d'Aix, entitled Le Prophète Jérémie, in the Brussels Museum, while a book box of slightly larger format may be seen in the title-page miniature of a manuscript of religious tracts, now in the Bibliothèque Royale in Brussels (Mss. 9092) attributed to Jean le Tavernier. Here the scribe, perhaps author, of the manuscript is seated at his desk with books strewn all over the floor of his study. To the lower right is the book box with lock and leather strap. A vase of lilies in full bloom indicates religious content or significance.

6 Lemoisne, P. A., Les Xylographies du XIVe et du XVe Siècle au Cabinet des Estampes de la Bibliothèque Nationale (Paris, 1927)Google Scholar, passim.

7 Prescott, H. F. M., Jerusalem Journey, Pilgrimage to the Holy Land in the Fifteenth Century (London, 1954), p. 89 Google Scholar, where Frater Felix Fabri describes his pilgrimage for which he provides himself with pictures of saints, especially that of St. Christopher.

8 Symonds, R. W., “The Chest and the Coffer, Their Differences in Function and Design’, The Connoisseur (New York and London, January 1941), pp. 1521 Google Scholar.

9 Lehrs, Max, ‘Die Dekorative Verwendung von Holzschnitten im XV. und XVI. Jahrhundert’, Jahrbuch der Koeniglich Preussischen Kunstsammlungen, XXIX (Berlin, 1908), 183193 Google Scholar.

10 Weixlgärtner, Arpad, ‘Ungedruckte Stiche, Materialien und Anregungen aus Grenzgebieten der Kupferstichkunde’, Jahrbuch der kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, XXIX (Wien, 1910-1911), 259283 Google Scholar.