Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-05T06:17:02.716Z Has data issue: false hasContentIssue false

PROSERPINA IN PIECES: CLAUDIAN ON HER RAPE

Published online by Cambridge University Press:  02 August 2019

Sigrid Schottenius Cullhed*
Affiliation:
Get access

Extract

      antra procul Scyllaea petit, canibusque reductis
      pars stupefacta silet, pars nondum exterrita latrat.
    (Claud. Rapt. 3.447f.)
      [The torch-light], farther away, reaches the cave of Scylla—her dogs drawn back,
      one part is silent with amazement, one part barks, still undaunted.
With this climactic scene, the Latin epic poem De raptu Proserpinae by Claudius Claudianus (fl. c.400 AD) ends just as Ceres sets out to search for her lost daughter. The poem relates the myth primarily known from the Homeric Hymn to Demeter with a great deal of variations, the most crucial one being that mother and daughter, Ceres and Proserpina, are still not reunited when the poem comes to a close.

Type
Research Article
Copyright
Copyright © Ramus 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

This research was supported by a fellowship from the Royal Swedish Academy of Letters, History and Antiquities. I am grateful for comments on previous versions of this paper from Marco Formisano, Philip Hardie, Scott McGill, Ingela Nilsson, Jesper Olsson, Michael Paschalis, Danny Praet, Cristiana Sogno, and Wim Verbaal. I am also grateful for the helpful comments of two anonymous readers.

References

Burkert, W. (1983), Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, tr. Bing, P. (Berkeley/Los Angeles/London).Google Scholar
Cameron, A. (1970), Claudian: Poetry and Propaganda at the Court of Honorius (Oxford).Google Scholar
Caruth, C. (1995), Trauma: Explorations in Memory (Baltimore).Google Scholar
Charlet, J.-L. (1991), Claudien: Le rapt de Proserpine (Paris).Google Scholar
Connor, P. (1993), ‘Epic in mind: Claudian's De raptu Proserpinae’, in Boyle, A.J. (ed.), Roman Epic (London/New York), 237–60.Google Scholar
Evelyn-White, H.G. (ed. and tr.) (1919), Ausonius, vol.1 (Cambridge).Google Scholar
Fargues, P. (1933), Claudien. Études sur sa poésie et son temps (Paris).Google Scholar
Fo, A. (1979), ‘Osservazioni su alcune questioni relative al De raptu Proserpinae di Claudiano’, Quaderni Catanesi di studi classici e medievali 1.2, 385415.Google Scholar
Formisano, M. (2018), ‘Fragments, Allegory, and Anachronicity: Walter Benjamin and Claudian’, in Schottenius Cullhed, S. and Malm, M. (eds), Reading Late Antiquity (Heidelberg), 3350.Google Scholar
Gruzelier, C. (1993), Claudian: De Raptu Proserpinae (Oxford).Google Scholar
Hall, J.B. (ed.) (1969), Claudian: De raptu Proserpinae (Cambridge).Google Scholar
Hayes, E.T. (1994), ‘“Like Seeing You Buried”: Persephone in The Bluest Eye, Their Eyes Were Watching God, and The Color Purple’, in Hayes, Elisabeth T. (ed.), Images of Persephone: Feminist Readings in Western Literature (Gainesville), 170–94.Google Scholar
Heslin, P. (2005), The Transvestite Achilles: Gender and Genre in Statius' Achilleid (Cambridge).Google Scholar
Hinds, S. (2013), ‘Claudianism in the De Raptu Proserpinae’, in Papanghelis, T. D. et al. (eds), Generic Interfaces in Latin Literature (Berlin), 169–92.Google Scholar
Huang, Y. (2016), ‘Trauma Theory and Chinese Antiquity’, Existential Analysis 27.2, 369–81.Google Scholar
Hurst, I. (2012), ‘“Love and Blackmail”: Demeter and Persephone’, Classical Receptions Journal 4.2, 176–89.Google Scholar
Luckhurst, R. (2008), The Trauma Question (London/New York).Google Scholar
Möller, A., et al. (2017), ‘Tonic immobility during sexual assault – a common reaction predicting post-traumatic stress disorder and severe depression’, Acta Obstreticia et Gynecologica Scandinavica 96, 932–8.Google Scholar
Morales, H. (2016), ‘Rape, Violence, Complicity: Colluthus's Abduction of Helen’, Arethusa 49(1), 6192.Google Scholar
Mozley, J.H., and Goold, G.P. (ed. and tr.) (1979), Ovid: The Art of Love and other poems, second edition (Cambridge, MA).Google Scholar
Newlands, C.E. (2018), ‘Violence and Resistance in Ovid's Metamorphoses’, in Gale, M.R. and Scourfield, J.H.D. (eds), Texts and Violence in the Roman World (Cambridge), 140–78.Google Scholar
Parkers, R. (2015), ‘Love or War? Erotic and martial poetics in Claudian's De Raptu Proserpinae’, CJ 110(4), 471–92.Google Scholar
Pelttari, A. (2014), The Space that Remains: Reading Latin Poetry in Late Antiquity (Ithaca/London).Google Scholar
Romano, D. (1958), Claudiano (Palermo).Google Scholar
Schottenius Cullhed, S. (2016), ‘In Bed with Virgil: Ausonius’ Wedding Cento and its Reception’, G&R 63(2), 237–50.Google Scholar
Tsai, S.-C. K. (2007), ‘Hellish Love: Genre in Claudian's De raptu Proserpinae’, Helios 34(2), 3768.Google Scholar
Walters, T.L. (2007), African American Literature and the Classicist Tradition: Black Women Writers from Wheatley to Morrison (Basingstoke).Google Scholar
Wheeler, S. (1995), ‘The Underworld Opening of Claudian's De Raptu Proserpinae’, TAPA 125, 113–34.Google Scholar