Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-05T08:44:46.766Z Has data issue: false hasContentIssue false

CATEGORIES IN JEOPARDY: ARGINUSAE IN ARISTOPHANES’ FROGS

Published online by Cambridge University Press:  22 June 2022

Clara Bosak-Schroeder*
Affiliation:
University of Illinois, Urbana-Champaign [email protected]
Get access

Extract

In October of 2016, less than two weeks before the election of Donald J. Trump to the White House, Saturday Night Live (SNL) aired a stunning installment of ‘Black Jeopardy!’, a recurring sketch hosted by Kenan Thompson as Darnell Hayes. In this episode, Keeley (Sasheer Zamata) and Shanice (Leslie Jones), two Black women, were joined by Tom Hanks as Doug, a white man and MAGA-hat wearing Trump supporter. Though Darnell is initially skeptical that Doug is prepared to play ‘Black Jeopardy!’ the four bond over their shared appreciation for ‘big girls’, lottery tickets, and Tyler Perry movies, and their aversion to dogs, corporations, and the government. At one point, Darnell approaches Doug for a handshake; at first taken aback (and literally stepping back), Doug then gratefully clasps the other man's hand. The sketch ends when a new category is announced, ‘Lives That Matter’, and the fragile bonds between Doug, Darnell, and the other contestants begin to fray. Doug announces that he ‘has a lot to say’ about the category. ‘Well, it was good while it lasted’, Darnell replies.

Type
Research Article
Copyright
Copyright © Ramus 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

This article has been a long time coming. First and foremost I owe thanks to Richard Janko for encouraging me to publish the paper on Frogs I wrote for him as a graduate student. Since then, many readers have offered feedback and support, including Zachary Biles, Kelly Dugan, Sara Forsdyke, Katherine Lu Hsu, Helen Morales, Ky Merkley, Matt Newman, Lakshmi Ramgopal, Ralph Rosen, Ariana Traill, David Wright, members of the Chicago Regional Workshop in Classics, especially Dustin Dixon and Jonah Radding, and members of the Premodern World Reading Group at UIUC, especially Craig Koslofsky for naming the piece. I am especially grateful to the anonymous readers who engaged with my argument and made such thoughtful and constructive comments.

References

Allen, D. (2004), Talking to Strangers (Chicago).CrossRefGoogle Scholar
Andrewes, A. (1974), ‘The Arginusae Trial’, Phoenix 28, 112–22.CrossRefGoogle Scholar
Asmonti, L.A. (2006), ‘The Arginiusae Trial, the Changing Role of “Strategoi”, and the Relationship between “Demos” and Military Leadership in Late-Fifth Century Athens’, BICS 49, 121.Google Scholar
Biles, Z. (2011), Aristophanes and the Poetics of Competition (Cambridge).CrossRefGoogle Scholar
Bouie, J. (2016), ‘The Most Astute Analysis of American Politics in 2016? SNL’s “Black Jeopardy!” Sketch’, Slate, www.slate.com/articles/news_and_politics/politics/2016/10/snl_s_black_jeopardy_sketch_was_the_most_astute_analysis_of_american_politics.html (accessed on October 24, 2016).Google Scholar
Bowie, A.M. (1993), Aristophanes: Myth, Ritual, and Comedy (Cambridge).CrossRefGoogle Scholar
Bruzzese, L. (2012), ‘La revisione “politica” delle Rane tra i fatti delle Arginuse e le teorie moderate di fine V sec. a.C.’, Philologia Antiqua 5, 942.Google Scholar
Dover, K. (1993), Aristophanes: Frogs. Edited with Introduction and Commentary (Oxford).Google Scholar
Foley, H.P., and Rosen, R.M. (eds) (2020), Aristophanes and Politics: New Studies (Leiden).Google Scholar
Framke, C. (2016), ‘SNL's brilliant Black Jeopardy sketch gave us some of the best political commentary of this election’, Vox, www.vox.com/culture/2016/10/24/13381668/snl-black-jeopardy-tom-hanks (accessed on October 27, 2016).Google Scholar
Gomme, A.W. (1938), ‘Aristophanes and Politics’, CR 52, 97109.Google Scholar
Habash, M. (2002), ‘Dionysus’ Role in Aristophanes’ Frogs’, Hermes 55, 117.Google Scholar
Halliwell, S. (2011), Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus (Oxford).Google Scholar
Harding, P. (1974), ‘The Theramenes Myth’, Phoenix 28.1, 101–11.CrossRefGoogle Scholar
Henderson, J. (1990), ‘The Demos and the Comic Competition’, in Winkler, J.J. and Zeitlin, F. (eds), Nothing to Do with Dionysus? (Princeton), 271313.Google Scholar
Hooker, J. (1980), ‘The Composition of the Frogs’, Hermes 108.2, 169–82.Google Scholar
Hunt, P. (2001), ‘The Slaves and Generals of Arginusae’, AJP 122, 359–80.Google Scholar
Jordan, B. (2003), ‘Slaves Among the Frogs’, LAntiquité Classique 72, 4153.CrossRefGoogle Scholar
Konstan, D. (1995), Greek Comedy and Ideology (Oxford).Google Scholar
Kornhaber, S. (2016), ‘SNL’s Surprisingly Affectionate Portrayal of a Trump Supporter’, The Atlantic, www.theatlantic.com/entertainment/archive/2016/10/black-jeopardy-snl-tom-hanks-donald-trump-supporter/505142/ (accessed on October 24, 2016).Google Scholar
Kurke, L. (1999), Coins, Bodies, Games, and Gold (Princeton).Google Scholar
Lada-Richards, I. (1999), Initiating Dionysus: Ritual and Theatre in Aristophanes’ Frogs (Oxford).Google Scholar
Nelson, S. (2016), Aristophanes and His Tragic Muse: Comedy, Tragedy and the Polis in 5th Century Athens (Leiden).CrossRefGoogle Scholar
Osborne, R. (2020), ‘Politics and Laughter: The Case of AristophanesKnights’, in Foley, H.P. and Rosen, R.M. (2020), 2444.Google Scholar
Padilla, M. (1992), ‘The Heraclean Dionysus: Theatrical and Social Renewal in Aristophanes’ Frogs, Arethusa 25, 359–84.Google Scholar
Revermann, M. (2006), ‘The Competence of Theatre Audiences in Fifth- and Fourth-Century Athens’, JHS 126, 99124.CrossRefGoogle Scholar
Robinson, J. (2016), ‘Saturday Night Live: Tom Hanks Exposes a Surprising Truth About Trump Supporters’, Vanity Fair, www.vanityfair.com/hollywood/2016/10/saturday-night-live-donald-trump-supporters-tom-hanks-black-jeopardy (accessed on October 23, 2016).Google Scholar
Rosen, R.M. (2004), ‘Aristophanes’ Frogs and the Contest of Homer and Hesiod’, TAPA 134, 295322.Google Scholar
Rosen, R.M. (2012), ‘Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart’, Social Research 79, 132.CrossRefGoogle Scholar
Rosen, R.M. (2015), ‘Reconsidering the Reperformance of Aristophanes’ Frogs’, Trends in Classics 7, 237–56.CrossRefGoogle Scholar
Rosen, R.M. (forthcoming), ‘Evolutionary and Cognitive Perspectives on Greek Humour’, in Destrée, P., Rosen, R.M., and Zucker, A. (eds), The Cambridge Companion to Greek Humour (Cambridge).Google Scholar
Rosen, R.M., and Foley, H.P. (2020), ‘Introduction’, in H.P. Foley and R.M. Rosen (2020), 118.Google Scholar
Ruffell, I.A. (2020), ‘Conservative and Radical: Aristophanic Comedy and Populist Debate in Democratic Athens’, in H.P. Foley and R.M. Rosen (2020), 6089.Google Scholar
Russo, C.F. (1966), ‘The Revision of Aristophanes’ Frogs’, G&R 13.1, 113.Google Scholar
Saturday Night Live (2015), ‘Donald Trump Monologue’, Sketch, https://youtu.be/PkLzSLkYnGc (accessed on February 15, 2022).Google Scholar
Saturday Night Live (2016), ‘Black Jeopardy with Tom Hanks’, Sketch, www.youtube.com/watch?v=O7VaXlMvAvk (accessed on October 23, 2016).Google Scholar
Segal, C.P. (1961), ‘The Character and Cults of Dionysus and the Unity of the Frogs’, CPh 65, 207–42.Google Scholar
Sidwell, K. (2009), Aristophanes the Democrat (Cambridge).CrossRefGoogle Scholar
Sommerstein, A.H. (2009), ‘Kleophon and the restaging of Frogs’, in Sommerstein, A.H. (ed.), Talking about Laughter: and other studies in Greek Comedy (Oxford), 254–71.CrossRefGoogle Scholar
Stevenson, B. (2020), ‘Bryan Stevenson on how America can heal’, interview by E. Klein for The Ezra Klein Show, July 20, 2020, www.vox.com/21327742/bryan-stevenson-the-ezra-klein-show-america-slavery-healing-racism-george-floyd-protests (accessed on September 22, 2020).Google Scholar
Taplin, O. (1983), ‘Tragedy and Trugedy’, CQ 33.2, 331–3.CrossRefGoogle Scholar
Wright, M. (2012), The Comedian as Critic: Greek Old Comedy and Poetics (London).Google Scholar
Worthington, I. (1989), ‘Aristophanes’ Frogs and Arginusae’, Hermes 117, 359–63.Google Scholar
Zak, D. (2016), ‘Forget Trump and Clinton. “Black Jeopardy” is SNL's best political sketch this year’, The Washington Post, www.washingtonpost.com/news/arts-and-entertainment/wp/2016/10/24/forget-trump-and-clinton-black-jeopardy-is-snls-best-political-sketch-thisyear/?utm_term=.cad6414fc220 (accessed on October 24, 2016).Google Scholar