Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-09T14:26:33.354Z Has data issue: false hasContentIssue false

A Catalogue and Bibliography of English Song From Its Beginnings to c1300

Published online by Cambridge University Press:  01 January 2020

Get access

Extract

This catalogue lists all the twelfth- and thirteenth-century songs with English words known to exist, and is designed to be of interest to the transcriber, performer and general student of medieval English music. Although there are only nineteen items surviving from the period in question a number have never been published either in facsimile or transcription. A forthcoming appendix to this catalogue will include facsimiles of previously unpublished manuscripts to encourage work on new transcriptions and scrutiny of available ones. It is to be hoped that musicians who have already given much attention to the thirteenth-century repertoires of France and Spain will begin to perform these first English songs more frequently.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1976

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbreviations and Bibliography

AFr Anglo-FrenchGoogle Scholar
Archer (1902) Archer, T. A., ‘A Note on St. Godric’. English Historical Review, 17 (1902), pp. 479–80.Google Scholar
Bennet/Smithers (1968) Early Middle English Verse and Prose, ed. Bennett, J. A. W. and Smithers, G. V., 2nd ed., Oxford, 1968.Google Scholar
Bessinger (1967) Bessinger, Jess B. Jr., ‘The Sutton Hoo Harp Replica and Old English Musical Verse’, in Old English Poetry, ed. Creed, R. P., Brown University Press, 1967, pp. 326.Google Scholar
Bukofzer (1935) Bukofzer, M., ‘The Gymel; the Earliest Form of English Polyphony’, Music and Letters, 16 (1935), pp. 77–84.CrossRefGoogle Scholar
Bukofzer (1936) Bukofzer, M., ‘The First Motet with English Words’, Music and Letters, 17 (1936), pp. 225233.Google Scholar
Bukofzer (1944) Bukofzer, M., ‘‘Sumer is icumen in’ – a revision’, University of California Publications in Music, 2 (1944), 2, pp. 79113.Google Scholar
Chickering (1971) Chickering, H. D. Jr., ‘‘Foweles in e Frith’ – a Religious Art Song’, Philological Quarterly, L (1971), pp. 115120.Google Scholar
Davison/Apel (1949) Historical Anthology of Music, vol. 1, Oriental Medieval and Renaissance Music, ed. Davison, A. T. and Apel, W., Cambridge, 1949.Google Scholar
Dobson (1965) Dobson, E. J., Supplement to a recording of Medieval English Lyrics (see MEL).Google Scholar
Dronke (1968) Dronke, P., The Medieval Lyric, London, 1968.Google Scholar
Einstein (1953) Einstein, A., A Short History of Music, Illus. Edition, London, 1953.Google Scholar
Ellis (1868) Ellis, A. J., ‘The Prisoner's Prayer’, Transactions of the Philological Society, (1868), pp. 104–6.Google Scholar
Ellis (1869) Ellis, A. J., Early English Pronunciation 5 vols., Early English Text Society, extra series, 2, 7, 14, 23 and 61, 1869–1889.Google Scholar
Falck (1972) Falck, R., ‘Rondellus, Canon and Related Types before 1300Journal of the American Musicological Society, 25 (1972), I, pp. 3857.CrossRefGoogle Scholar
Gennrich (1929) Gennrich, F., ‘Internationale Mittelalterliche Melodien’, Zeitschrift für Musik-Wissenschaft, II (1929), pp. 259, 321.Google Scholar
Gleason (1945) Gleason, H., Examples of Music Before 1400, New York, 1945.Google Scholar
Grove Grove's Dictionary of Music and Musicians, editions as specified.Google Scholar
Handschin (1949), (1951) Handschin, J., ‘The Summer Canon and its Background’, Musica Disciplina, 3 (1949), pp. 5594; 5 (1951), pp. 65113.Google Scholar
Harman (1962) Man and his Music, Vol. I, Medieval and Early Renaissance Music by Harman, A., London, 1962.Google Scholar
Harrison (1958) Harrison, F., Music in Medieval Britain, 2nd ed., London, 1963.Google Scholar
Harrison (1959/60) Harrison, F., ‘Rota and Rondellus in English Medieval Music’, Proceedings of the Royal Musical Association, 86, (1959/60), pp. 98107.CrossRefGoogle Scholar
Harrison/Dobson (1965) Harrison, F. and Dobson, E. J., Notes to a recording of Medieval English Lyrics (see MEL).Google Scholar
HH Cat. Hughes-Hughes, A., Catalogue of MS Music in the British Museum, 3 vols., London, 1906, 1908, 1909.Google Scholar
HMS The History of Music in Sound, vol. 2, Early Medieval Music up to 1300, ed. Hughes, Dom Anselm, Oxford University Press, 1953.Google Scholar
Hughes Dom Anselm Hughes, Medieval Polyphony in the Bodleian Library, Oxford, 1951.Google Scholar
Hurry (1901) Hurry, J., Reading Abbey, London, 1901.Google Scholar
Hurry (1913) Hurry, J., Sumer is icumen in, Reading, 1913.Google Scholar
James (1912) James, M.R., A Descriptive Catalogue of the MSS in the Library of Corpus Christi College Cambridge, 2 vols., Cambridge, 1909–1912.Google Scholar
James (1913) James, M.R., A Descriptive Catalogue of the MSS in St. John's College Cambridge, Cambridge, 1913.Google Scholar
Lang (1942) Lang, P. H., Music in Western Civilisation, London, 1942.Google Scholar
McKeehan (1941) McKeehan, I. P., ‘The First Biography of an English Poet’, University of Colorado Studies, series B, 1941.Google Scholar
ME Middle EnglishGoogle Scholar
MEL Medieval English Lyrics: a recording with texts edited by Dobson, E. J. and music edited by Harrison, Frank, Argo ZRG5443, 1965.Google Scholar
ML Music and LettersGoogle Scholar
MLR Modern Language ReviewGoogle Scholar
Morris (1873) Morris, R., Old English Homilies, Early English Text Society, Orig. Ser., 53, 1873.Google Scholar
Mosse (1952) A Handbook of Middle English (trans. Walker, J. A.), Baltimore, 1952.Google Scholar
Napier (1894) Napier, A. S., History of the Holy Rood-tree, Early English Text Society, Original Series, 103, 1894.Google Scholar
Naumann (1882) Naumann, E., The History of Music (trans. Praegar), ed. F. Gore-Ouseley, 2 vols., London, 1882 and 1886.Google Scholar
NOHM The New Oxford History of Music, vol. 2, Early Medieval Music up to 1300, ed. Dom Anselm Hughes, revised ed., London, 1955; vol. 3, Ars Nova and the Renaissance, ed. Dom Anselm Hughes and Gerald Abraham, London, 1960.Google Scholar
OHM The Oxford History of Music, ed. Hadow, , vols. 1 and 2: The Polyphonic Period (parts 1 and 2), by H. E. Wooldridge, 1901 and 1905.Google Scholar
Page (1974) Page, C. H., ‘The pes of Sumer is icumen in’, Early Music, 2 (1974), 4, p. 263.Google Scholar
Parrish (1957) Parrish, C., The Notation of Medieval Music, New York, 1957.Google Scholar
Pirotta (1948) Pirotta, N., ‘On the Problem of ‘Sumer is icumen in’, Musica Disciplina, 2 (1948), pp. 205216.Google Scholar
Rankin (1923) Rankin, J. W., ‘The Hymns of St. Godric’, Publications of the Modern Language Society of America, 38 (1923), pp. 699711Google Scholar
Reese (1940) Reese, G., Music in the Middle Ages, New York, 1940.Google Scholar
Saintsbury (1906) Saintsbury, G., A History of English Prosody from the 12c to the Present Day, 3 vols., 1906–10.Google Scholar
Saltmarsh (1935) Saltmarsh, J., ‘Two Medieval Love-Songs set to Music’, Antiquaries Journal, 15 (1935), pp. 121.CrossRefGoogle Scholar
Sanders (1965) Sanders, E. H., ‘Tonal Aspects of Thirteenth Century English Polyphony’, Acta Musicologica, 37 (1965), pp. 1934.CrossRefGoogle Scholar
Sargent (1974) Sargent, B., ‘Sumer is icumen in’, Early Music, 2 (1974): 3, p. 205.CrossRefGoogle Scholar
Schering (1931) Schering, A., Geschichte der Musik in Beispielen, Leipzig, 1931.Google Scholar
Schofield (1948) Schofield, B., ‘The provenance and date of ‘Sumer’ is icumen in’, ’ Music Review, 9 (1948), pp. 81–6.Google Scholar
Stainer (1901) Stainer, J., Early Bodleian Music, 3 vols., London, 1901.Google Scholar
Smoldon (1965) Smoldon, W. L., A History of Music, London, 1965.Google Scholar
Summ. Cat. Summary Catalogue of Western MSS in the Bodleian Library, Oxford, 1895–1937.Google Scholar
Travis (1968) Travis, J., Miscellanea Musica Celtica MS 14, Brooklyn, 1968.Google Scholar
Trend (1928) Trend, J. B., ‘The First English Songs’, Music and Letters, 9 (1928), pp. 111128.Google Scholar
Walker (1952) Walker, E., A History of Music in England, 3rd ed., revised and enlarged by Westrup, J. A., Oxford, 1952.Google Scholar
Wooldridge, Wooldridge Hughes H.E., Early English Harmony, vol. 1, facsimiles; (1897) and (1913) London 1897, Dom Anselm Hughes, Early English Harmony, vol. 2, transcription and notes, London 1913.Google Scholar
Woolf (1968) Woolf, R., The English Religious Lyric in the Middle Ages, Oxford, 1968.Google Scholar
YWES The Year's Work in English StudiesGoogle Scholar
Zupitza (1888) Zupitza, J., ‘Cantus Beati Godrici’, Englische Studien, 11 (1888), pp. 401432.Google Scholar