Hostname: page-component-f554764f5-44mx8 Total loading time: 0 Render date: 2025-04-23T02:38:38.944Z Has data issue: false hasContentIssue false
  • English
  • Français

Introduction: The work of Thea Astley

Published online by Cambridge University Press:  03 December 2019

Susan Sheridan
Susan Sheridan*
Affiliation:
[email protected]
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Information
Queensland Review , Volume 26 , Special Issue 2: Thea Astley special issue , December 2019 , pp. 199 - 202
Copyright
© The Author(s) 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Notes

1 Maguire, Emily, ‘No endings,’ in Astley, Thea, Drylands: A book for the world’s last reader (Melbourne: Text, 2018 [1999]), p. xii.Google Scholar

2 Down, Jennifer, ‘Unsentimental journey’, in Astley, Thea, Reaching Tin River [1990] (Melbourne: Text, 2018 [1990]), p. x.Google Scholar

3 Astley, Thea, ‘Being a Queenslander: A form of literary and geographical conceit’, in Sheridan, Susan and Genoni, Paul (eds), Thea Astley’s fictional worlds (Newcastle-upon-Tyne: Cambridge Scholars, 2006), p. 9.Google Scholar

4 Sheridan, Susan, The fiction of Thea Astley (New York: Cambria, 2016), p. 2.Google Scholar