Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-17T14:51:43.434Z Has data issue: false hasContentIssue false
  • English
  • Français

Verdi's Macbeth

Published online by Cambridge University Press:  02 January 2018

Mark Jones
Mark Jones*
Affiliation:
Department of Psychological Medicine, St Bartholomew's Hospital, London EC3
Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

Mark Jones continues this occasional series by examining Verdi's Macbeth of 1847 in the light of David Pountney's new production for the English National Opera premiered at the London Coliseum in April.

The ten year period 1840–1850 saw the appearance of ten operas by the young Giuseppe Verdi which now constitute his ‘early’ musical output. Not all the operas were equally successful and Verdi later acknowledged their inconsistencies; but here was the work of a genius who was to become the greatest composer in the Italian tradition, and at this time was thought of as a worthy successor to Rossini, Donizetti and Bellini.

Type
The Psychiatry of Opera
Information
Psychiatric Bulletin , Volume 14 , Issue 12 , December 1990 , pp. 735 - 737
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution (CC-BY) license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © Royal College of Psychiatrists, 1990
Submit a response

eLetters

No eLetters have been published for this article.