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Risky Business: Three Political Cartooning Lessons from Indonesia during Suharto's Authoritarian Rule

Published online by Cambridge University Press:  26 April 2007

Richard Ostrom
Richard Ostrom
Affiliation:
California State University, Chico
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Extract

The recent international uproar caused by the publication of the “Muhammad Cartoons” has had the useful side effect of stimulating thought about the roles newspaper editors and editorial cartoonists ought to play in our increasingly globalized world. This symposium article is based on my 10-year study of cartoons related to watershed changes in the Indonesian political system.This article draws on previous articles by the author. See the References section.

Type
SYMPOSIUM—GLOBAL POLITICS
Information
PS: Political Science & Politics , Volume 40 , Issue 2 , April 2007 , pp. 297 - 301
Copyright
© 2007 The American Political Science Association

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References

Lamb, Chris. 2004. Drawn to Extremes: The Use and Abuse of Editorial Cartoons in the United States. New York: Columbia University Press.Google Scholar
Nicholson, Peter. 1999. Letter to the author, April 8.Google Scholar
Ostrom, Richard. 2000. “Bali's Tourism Interests: Local Responses to Suharto's Globalization Policies.” Southeast Asian Journal of Social Science 28 (2): 111–30.CrossRefGoogle Scholar
Ostrom, Richard. 2003. “The Changed Function of Political Cartoonists in Indonesia: From Challenging a Repressive Regime to Promoting Democratic Reforms.” International Journal of Comic Art 5 (1): 231–43.Google Scholar
Ostrom, Richard. 2003. “Indonesia Honors a Political Cartoonist with a Postage Stamp.” Popular Culture Review 14 (1): 95–107.Google Scholar
Pendet, Wayan Gunasta. 1997. Bali Dalam Kartun. Denpasar: P.T. Upada Sastra.Google Scholar
Warren, Carol. 1996. “The Dalang and the Cartoonist: Mediating Modernity in Bali.” Presented at the Crossroads in Cultural Studies Conference, Tampere, Finland, p. 20.Google Scholar