Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-26T06:40:54.081Z Has data issue: false hasContentIssue false
  • English
  • Français

“I Won’t Back Down,” or Will I?: The Law and Politics Surrounding Presidential Candidates’ Unauthorized Use of Copyrighted Songs

Published online by Cambridge University Press:  26 January 2016

Eric T. Kasper  and
Benjamin S. Schoening
Eric T. Kasper
Affiliation:
University of Wisconsin-Eau Claire
Benjamin S. Schoening
Affiliation:
University of North Georgia
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Features Symposium: The Art of Elections
Information
PS: Political Science & Politics , Volume 49 , Issue 1 , January 2016 , pp. 53 - 58
Copyright
Copyright © American Political Science Association 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

ASCAP. n.d. “Using Music in Political Campaigns: What You Should Know.” Available at http://www.ascap.com/∼/media/files/pdf/advocacy-legislation/political_campaign.pdf (accessed June 2, 2015).Google Scholar
Baum, Matthew A. 2005. “Talking the Vote: Why Presidential Candidates Hit the Talk Show Circuit.” American Journal of Political Science 49 (2): 213–34.Google Scholar
Beck, Paul Allen. 1984. “Young vs. Old in 1984: Generations and Life Stages in Presidential Nomination Politics.” PS 17 (3): 515–24.Google Scholar
Boucher, Geoff. 2000. “Songs in the Key of Presidency.” Los Angeles Times. October 11.Google Scholar
Bronson, Fred. 2003 The Billboard Book of Number One Hits. New York: Billboard Books.Google Scholar
Copeland, David A. 2010. The Media’s Role in Defining the Nation: The Active Voice. New York: Peter Lang Publishing.Google Scholar
Cowie, Jefferson R. and Boehm, Lauren. 2006. “Dead Man’s Town: ‘Born in the U.S.A.,’ Social History, and Working-Class Identity.” American Quarterly 58 (2): 353–78.Google Scholar
Crawford, Richard. 2001. An Introduction to America’s Music. New York: Norton.Google Scholar
Currans-Sheehan, Rachel. 2009. “From Madonna to Lilith and Back Again: Women, Feminists, and Pop Music in the United States.” In You’ve Come a Long Way, Baby: Women, Politics, and Popular Culture, ed. Goren, Lilly J., 53–70. Lexington: University Press of Kentucky.Google Scholar
Davis, Stephen. 2011. “Do Rock Stars Dislike Democrats, Too?” Slate. Available at http://www.slate.com/blogs/browbeat/2011/06/30/has_a_rock_star_ever_sued_a_democrat_for_using_a_song_in_a_campa.html (accessed June 3, 2015).Google Scholar
Devenish, Colin. 2004. “Orleans Not Ones for Bush.” Rolling Stone. Available at http://www.rollingstone.com/music/news/orleans-not-ones-for-bush-20041029 (accessed June 1, 2015).Google Scholar
Diaz, Daniella. 2015. “Hillary Clinton Releases Spotify Playlist.” CNN. Available at http://www.cnn.com/2015/06/13/politics/election-2016-hillary-clinton-spotify-playlist/ (accessed July 15, 2015).Google Scholar
Edwards-Levy, Ariel. 2012. “Mitt Romney’s Spotify Playlist.” Huffington Post. Available at http://www.huffingtonpost.com/2012/03/09/mitt-romneys-spotify-play_n_1335839.html (accessed June 5, 2015).Google Scholar
Eilperin, Juliet. 2008. “Hank Williams Jr. Cleans Up His Act for McCain-Palin.” Washington Post. October 13.Google Scholar
Frank, Beryl. 1980. The Pictorial History of the Democratic Party. Secaucus, NJ: Castle Books.Google Scholar
Friedman, Roger. 2008. “Madonna Tries to Upstage Elton John.” Fox News. Available at http://www.foxnews.com/story/0, 2933, 332078,00.html (accessed June 3, 2015).Google Scholar
Gilbert, Jason. 2012. “Barack Obama’s Spotify Playlist Reveals Love For No Doubt, Wilco.” Huffington Post. Available at http://www.huffingtonpost.com/2012/02/09/barack-obama-spotify-playlist_n_1266372.html (accessed June 5, 2015).Google Scholar
Greene, Andy. 2008. “‘More Than a Feeling’ Writer Says Mike Huckabee Has Caused Him ‘Damage.’” Rolling Stone. Available at http://www.rollingstone.com/music/news/more-than-a-feeling-writer-says-mike-huckabee-has-caused-him-damage-20080214 (accessed June 1, 2015).Google Scholar
Gross, Donald A. and Goidel, Robert K.. 2003. The States of Campaign Finance Reform. Columbus: Ohio State University Press.Google Scholar
Holt, Michael F. 1992. Political Parties and American Political Development: From the Age of Jackson to the Age of Lincoln. Baton Rouge: Louisiana State University Press.Google Scholar
Hummel, Patrick. 2010. “Flip-Flopping from Primaries to General Elections.” Journal of Public Economics 94 (11-12): 1020–27.Google Scholar
Hurst, Craig W. 2008. “Twentieth-Century American Folk Music and the Popularization of Protest.” In Homer Simpson Goes to Washington: American Politics through Popular Culture, ed. Foy, Joseph J., 217–32. Lexington: University Press of Kentucky.Google Scholar
Izadi, Elahe. 2015. “A Band Told Scott Walker: ‘We Literally Hate You.’ This Is Not a New Trend,” Washington Post. Available at http://www.washingtonpost.com/blogs/the-fix/wp/2015/01/26/a-band-told-scott-walker-we-literally-hate-you-here-are-the-other-times-musicians-told-politicians-to-stop-using-their-songs/ (accessed June 5, 2015).Google Scholar
Johnson, Ben. 2012. “Twisted Sister’s Dee Snider Requests Paul Ryan Stop Using ‘We’re Not Gonna Take It.’” Slate. Available at http://www.slate.com/blogs/trending/2012/08/23/twisted_sister_s_dee_snider_requests_paul_ryan_stop_using_we_re_not_gonna_take_it_.html (accessed June 4, 2015).Google Scholar
Johnson, Helen Kendrick. 1884. “The Meaning of Song.” In The North American Review, Vo. CXXXVIII, ed. Allen Throndike Rice. New York.Google Scholar
Johnson, Luke. 2012. “Obama Singing Mocked by Mitt Romney Campaign.” Huffington Post. Available at http://www.huffingtonpost.com/2012/07/16/obama-singing-mitt-romney-campaign_n_1675687.html (accessed June 4, 2015).Google Scholar
Jones, Ashby. 2009. “John McCain, Jackson Browne, Bury the Hatchet Over the Use of Song.” Wall Street Journal. Available at http://blogs.wsj.com/law/2009/07/21/john-mccain-jackson-browne-bury-the-hatchet-over-use-of-song/ (accessed June 1, 2015).Google Scholar
Keith, Tamara. 2015. “Trump’s Campaign Theme Song Headache? Blame Michael Jackson, Sort Of.” National Public Radio. Available at http://www.npr.org/sections/itsallpolitics/2015/07/04/420089776/trumps-campaign-theme-song-headache-blame-michael-jackson-sort-of (accessed July 7, 2015).Google Scholar
Kissel, Howard. 1993. David Merrick – The Abominable Showman: The Unauthorized Biography. New York: Applause Books.Google Scholar
Kulp, Kayleigh. 2007. “Are Young People Becoming More Conservative?: Young Adults Care About Money and Economy, but Affiliation Not So Black and White.” Southern Maryland Newspaper Online. Available at http://ww2.somdnews.com/stories/111407/recmor164912_32118.shtml (accessed June 3, 2015).Google Scholar
Mass, Isaac. 2008. “Raisin’ McCain: Music to My Ears.” Boston Globe. February 15.Google Scholar
Mayhew, David R. 1974. Congress: The Electoral Connection. New Haven: Yale University Press.Google Scholar
Michaels, Sean. 2008. “Foo Fighters Slam John McCain Over Use of Song.” The Guardian, October 9.Google Scholar
Mithen, Steven. 2006. The Singing Neanderthals: The Origins of Music, Language, Mind, and Body. Cambridge: Harvard University Press.Google Scholar
MTV News. 2000. “Petty to Bush: Don’t Play My Song No More.” Available at http://www.mtv.com/news/articles/1436934/tom-petty-no-bush.jhtml (accessed May 12, 2015).Google Scholar
Newman, Melinda. 1996a. “Hayes Vetoes Dole’s ‘Sole Man’” Billboard. September 21.Google Scholar
Newman, Melinda, 1996b. “Presidential Musical Race Heats Up.” Billboard. September 28.Google Scholar
Perlstein, Rick. 2008 Nixonland: The Rise of a President and the Fracturing of America. New York: Scribner.Google Scholar
Rolling Stone . 2008. “Inside Barack Obama’s iPod.” Available at http://www.rollingstone.com/music/news/inside-barack-obamas-ipod-20080625 (accessed June 5, 2015).Google Scholar
Safire, William. 2008. Safire’s Political Dictionary. New York: Oxford University Press.Google Scholar
Schoening, Benjamin S. and Kasper, Eric T.. 2012. Don’t Stop Thinking About the Music: The Politics of Songs and Musicians in Presidential Campaigns. Lanham, MD: Lexington Books.Google Scholar
Schreiber, Abby. 2015. “A History of Musicians Issuing Cease and Desists to (Mostly) GOP Politicians.” Paper. Available at http://www.papermag.com/2015/06/cease_and_desist_letters.php (accessed July 1, 2015).Google Scholar
Silver, Nate. 2014. “Fairness vs. Freedom: Is Politics Going Back to the 1970s?” FiveThirtyEight. Available at http://fivethirtyeight.com/datalab/fairness-vs-freedom-is-politics-going-back-to-the-1970s/ (accessed August 10, 2015).Google Scholar
Tapper, Jake. 2000. “Spinning Records.” Salon. Available at http://www.salon.com/2000/09/15/music_40/ (accessed June 1, 2015).Google Scholar
US Copyright Office. n.d. “A Brief History.” Available at http://www.copyright.gov/circs/circ1a.html (accessed May 16, 2015).Google Scholar
US Copyright Office. n.d. 2012. “Copyright Basics.” May. Washington, D.C.: Library of Congress.Google Scholar
Wilentz, Sean. 2005. The Rise of American Democracy: Jefferson to Lincoln. New York: Norton.Google Scholar
Willman, Chris. 2005. Rednecks & Bluenecks: The Politics of Country Music. New York: The New Press.Google Scholar
Witko, Christopher. 2005. “Measuring the Stringency of State Campaign Finance Regulation.” State Politics & Policy Quarterly 5 (3): 295–310.Google Scholar