Published online by Cambridge University Press: 30 July 2009
Frederick Douglass may or may not have been the greatest African American abolitionist and orator of the 19th Century, but he was certainly the most accomplished master of self-projection. His autobiographical writings demonstrate the genius with which he seized and manipulated mainstream American symbols and values. By appropriating the Euro-American myth of the self-made man, Douglass guaranteed that his struggle would be canonized, not only within an African American tradition, but within the traditions of the mainstream as well. He manipulated the rhetoric of Anglo-Saxon manhood as skillfully as did any of his white contemporaries, including such master manipulators as Abraham Lincoln, Ralph Waldo Emerson, and Phineas T. Barnum. I mention Douglass along with these wily exemplars of American showmanship, not because I want to drag out embarrassing cliches about making heroes more human, but in order to address the truly monumental nature of Douglass's accomplishments. Douglass, like Lincoln, Emerson, and Barnum, was abundantly endowed with the spiderish craft and foxlike cunning that are often marks of self-made men.
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3. Dickson J. Preston was the first scholar to address the contradictions in the autobiography of Douglass. See Preston, , Frederick Douglass: The Maryland Years (Baltimore: Johns Hopkins University Press, 1980)Google Scholar. Preston's work inspired the psychological analysis of Davis, Allison in Leadership, Love and Aggression (New York: Harcourt Brace Jovanovich, 1983)Google Scholar. Gates, Henry Louis in Figures in Black: Words, Signs, and the Racial Self (New York: Oxford University Press, 1987)Google Scholar, correctly observes that “Preston has given us in his major biography a more three dimensional, more human Frederick Douglass than has any other biographer” (p. 114).
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