Published online by Cambridge University Press: 30 July 2009
In older downtowns the casual observer's eye can still be arrested by spectral presences from the commercial past. Where space is available on brick or stone, ancient advertising murals preside over parking lots, littered playgrounds, construction projects. Often only faintly discernible amid banks and fast-food franchises, some announce products – Uneeda Biscuit, Wilson's Whiskey; some are populated by fading fantastic characters – the Gold Dust twins, the White Rock girl. Once-banal adjuncts of everyday life, they exert more fascination as they recede from view.
Author's note: An earlier draft of this essay was presented at the Woodrow Wilson Center, Smithsonian Institution, Washington, D.C.
For indispensable assistance, I wish to thank the Wilson Center staff, especially Margie DiNenna, Michael Lacey, and my research assistant Marguerite Jones. I am also indebted to the staff of the National Museum of American History, especially Spencer Crew, Pete Daniel, and Lorene Mayo. For criticism of some of the ideas in this paper, I am grateful to William Leach, David Nasaw, Lawrence Levine, Christopher Lasch, Jean-Christophe Agnew, and Warren Susman. I owe the most to Karen Parker Lears: for unfailingly astute criticism, extraordinary patience, and tenacious commitment.
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