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Published online by Cambridge University Press: 30 July 2009
Hawthorne's tale of the Reverend Mr. Hooper is, by all accounts, one of his most puzzling. And, almost as certainly, Hooper himself represents Hawthorne's most difficult “case” of Puritan conscience. The more famous problem of the motivation and moral intention of Goodman Brown appears, by comparison, easy—and even a little melodramatic.
1. In referring to Hooper as a “case of conscience,” I invoke the authority of Warren, Austin, The New England Conscience (Ann Arbor: Univ. of Michigan Press, 1966), pp. 132–42Google Scholar. For the more famous case of Goodman Brown, see the “casebook” of Connolly, Thomas E., Nathaniel Hawthorne: “Young Goodman Brown” (Columbus, Ohio: Charles E. Merrill, 1968).Google Scholar
2. The classic view of the unresolvable ambiguity of “The Minister's Black Veil” (hereafter MBV) is Fogle, Richard Harter, Hawthorne's Fiction: The Light and the Dark (Norman: Univ. of Oklahoma Press, 1952), pp. 33–40.Google Scholar
3. The most meaningful comment on the sermon before Belcher is the brief reference by Altschuler, Glenn C. in “The Puritan Dilemma in MBV,” American Transcendental Quarterly, 24 (1974), 25–27Google Scholar. The “fact” is also mentioned by Bell, Michael Davitt, Hawthorne and the Historical Romance of New England (Princeton, N.J.: Princeton Univ. Press, 1971), p. 68Google Scholar, and by Doubleday, Neal Frank, Hawthorne's Early Tales (Durham, N.C.: Duke Univ. Press, 1972), p. 171Google Scholar. For other generally “historical” interpretations, see Fossum, Robert H., Hawthorne's Inviolable Circle (Deland, Fla.: Everett/Edwards, 1972), pp. 56–59Google Scholar; Henderson, Harry B., Versions of the Past (New York: Oxford Univ. Press, 1974), pp. 101, 109Google Scholar; and Morsberger, Robert E., “MBV: Shrouded in Blackness, Ten Times Black,” New England Quarterly, 46 (1973), 454–62CrossRefGoogle Scholar. For explicit rejections of significant “historicity,” see Benoit, Raymond, “Hawthorne's Psychology of Death,” Studies in Short Fiction, 8 (1971), 553–60Google Scholar, and Baym, Nina, The Shape of Hawthorne's Career (Ithaca, N.Y.: Cornell Univ. Press, 1976), p. 58.Google Scholar
4. Behind Baym's preference for psychology over history or Christian morality stands Crews, Frederick, The Sins of the Fathers (New York: Oxford Univ. Press, 1966), esp. pp. 106–11.Google Scholar
5. The “knowing” view of Hooper as guilty of some explicit (probably) sexual crime was originated by Edgar Poe, in his famous and widely reprinted review of the Twice-Told Tales. For a carefully guarded comparison with Dimmesdale, see Doubleday, , Early Tales, pp. 177–78Google Scholar. And the classic case for Hooper—as against Goodman Brown—is Cochran, Robert W., “Hawthorne's Choice: The Veil or the Jaundiced Eye,” College English, 23 (1962), 342–46.CrossRefGoogle Scholar
6. The similarity between Digby and Hooper is well established in the criticism. For their relative status as images of “The Puritan,” see Bell, , Historical Romance, pp. 64–68Google Scholar. For their similarity as romantic “egoists,” see Bell, Millicent, Hawthorne's View of the Artist (New York: New York Univ. Press, 1962), pp. 23–24Google Scholar. And for Digby as the “grotesque” version of Hawthorne's sexual “escapists,” see Crews, , Sins, pp. 114–16Google Scholar. MBV was first published in the Token for 1836 and was almost certainly part of The Story Teller as it existed in 1834; “The Man of Adamant” appeared in the Token for 1837.
7. Baym, , Shape, p. 55.Google Scholar
8. Hooker, Thomas, The Application of Redemption, quoted in Miller, Perry and Johnson, Thomas H., eds., The Puritans (New York: Harper & Row, 1963), p. 292.Google Scholar
9. Cf. Goen, C. C., Revivalism and Separatism in New England, 1740–1800 (New Haven: Yale Univ. Press, 1962), esp. pp. 1–114Google Scholar, and, a bit less specifically, Gaustad, Edwin Scott, The Great Awakening in New England (New York: Harper & Row, 1957), pp. 102–25.Google Scholar
10. Fogle's premise of radical ambiguity has found relatively few supporters; it has seemed necessary to decide. Against Hooper, see Stein, W. B., “The Parable of Antichrist in MBV,” American Literature, 27 (1955), 386–92Google Scholar; Stibitz, E. E., “Ironic Unity in Hawthorne's MBV,” American Literature, 34 (1962), 182–90CrossRefGoogle Scholar; and Canaday, Nicholas Jr., “Hawthorne's Minister and the Veiling Deceptions of Self,” Studies in Short Fiction, 4 (1967), 135–42Google Scholar. In favor, see Benoit, , “Psychology of Death”Google Scholar; Cochran, , “Hawthorne's Choice”Google Scholar; Voight, G. P., “The Meaning of MBV,” College English, 13 (1952), 337–38Google Scholar; Strandberg, Victor, “The Artist's Black Veil” New England Quarterly. 41 (1968), 567–74CrossRefGoogle Scholar; and Santangelo, G. A., “The Absurdity of MBV,” Pacific Coast Philology, 5 (1970), 61–66.CrossRefGoogle Scholar
11. All citations from the text of MBV refer to the Centenary Edition of Twice-Told Tales (Columbus: Ohio State Univ. Press, 1974).Google Scholar
12. See Edwards, Jonathan, Faithful Narrative of Surprising Conversions, quoted in Goen, C. C., ed., The Great Awakening (New Haven: Yale Univ. Press, 1972), pp. 144–49Google Scholar. And for the more general relevance of Edwards (as well as of Bunyan and Shepard), see Morsberger, , “Shrouded in Blackness.”Google Scholar
13. Evidently something like a “Puritan” problem lies behind our own critical tendency—noted by David Levin—to disregard the literal in Hawthorne. See Levin, David, “Shadows of Doubt,” American Literature, 34 (1962), 344–52.CrossRefGoogle Scholar
14. The creator of the flamboyant awakening “style” was Whitefield rather than Edwards. Even the famous “imagistic” “Sinners in the Hands of an Angry God” was delivered by Edwards in monotone, with “his eyes fixed on the bellrope”; the upset came from the auditors. See Miller, Perry, Jonathan Edwards (New York: Sloane, 1949), pp. 145–46.Google Scholar
15. Clearly the protagonist of “Egotism; or, The Bosom Serpent” (1843) figures, at one level, as a sort of latter-day Puritan “awakener,” who is also (as such) a victim of his own consciousness.
16. The narrator may be confusing “secret sin” in his own mind with the related but secondary problem of other “sad mysteries”; but the theologically literate reader should not do so. The primary sense of “secret sin” should clearly be Calvin's sense of a sinfulness rooted in our nature that we (while unregenerate) are unaware of. For Puritans, this should all be an “open secret”; and confusion on this point marks the narrator's (or the critic's) loss of touch with the Calvinist idiom.
17. Cf. “Passages from a Relinquished Work,” published in the New England Magazine, 12 1834Google Scholar. The bibliographical argument for the inclusion of MBV within the projected “Story Teller” was first advanced by Gross, Seymour, “Four Possible Additions to Hawthorne's ‘Story Teller,’” Papers of the Bibliographical Society of America, 51 (1957), 90–95Google Scholar. The argument has been rejected by Doubleday (Early Tales, note 3 above, p. 170Google Scholar) and Baym (Shape, p. 40Google Scholar), but the tale's narrative peculiarities would seem to support inclusion. For the most complete discussions of “The Story Teller,” see Adkins, Nelson F., “The Early Projected Works of Nathaniel Hawthorne,” PBSA, 39 (1945), 119–55Google Scholar, and Weber, Alfred, Die Entwicklung der Rahmenerzählungen Nathaniel Hawthornes (Berlin: Erich Schmidt, 1973), pp. 142–307.Google Scholar
18. Hooker, , Application of RedemptionGoogle Scholar, quoted in Miller, and Johnson, , Puritans, p. 305.Google Scholar
19. Quoted from Miller, and Johnson, , Puritans, p. 312Google Scholar. At this point I am treating Hooker more as an analog or a locus classicus than as a “source.”
20. For the innocent response to “efficient,” see Stibitz, , “Ironic Unity,” p. 189Google Scholar. The official status of the word may be inferred from Joseph Tracy's laudatory characterization of Edwards as “perhaps the most efficient preacher in New England.” See Tracy, Joseph, A History of the Revival of Religion (Boston: 1842), p. 214.Google Scholar
21. See Edwards, Jonathan, The Distinguishing MarksGoogle Scholar, quoted in Goen, , Great Awakening, pp. 266–67.Google Scholar
22. The critics most hostile to Hooper are Stein and Stibitz (note 10 above). Much of their case seems true but “partial.”
23. Accepting the Melvillean hint—which surely applies to MBV as cogently as to anything in Hawthorne's Mosses—we must yet stop short of the argument that would make Hawthorne himself a latter-day Puritan whose system emphasizes sin but omits grace; see, for example, Austin Warren's “Introduction” to the American Writers Series Nathaniel Hawthorne (Cincinnati: American Book, 1934), pp. xix–xxi.Google Scholar
24. Lying in wait for those who overvalue the commonplace in Hawthorne is (still) Frederick Crews. His arguments answer not only a simplistic theology like that of Edward Wagenknecht in Nathanlal Hawthorne (New York: Oxford, 1961), pp. 172–201Google Scholar, but also the sort of truistic moralism associated with Eisenger, Chester E.'s “Hawthorne as Champion of the Middle Way,” New England Quarterly, 27 (1954), 27–52.CrossRefGoogle Scholar
25. Hooper might conceivably pass the test of the Religious Affections: His consciousness is arguably “spiritual,” and his outwardly irreproachable life agrees well enough with Edwards's “neonomian” Twelfth Sign, which insists on “Christian practice.” But the relevant standard might be in the earlier Faithful Narrative: Hooper would not seem to possess the “holy repose of soul” that marks the last stage in Edwards's simplified morphology; and the unrelieved blackness (or monochromatic grayness) of his veiled vision might associate him with those unregenerate men who would discuss the precise hue of salvation knowing only the “names of colors.” See Goen, , Awakening, pp. 173–74.Google Scholar
26. It is as if Hooper had experienced Thomas Shepard's preparatory phases of “conviction,” “compunction,” and “humiliation” without going on to “Faith,” with its “privileges” of “justification,” “reconciliation,” and “adoption.” See Shepard, Thomas, The Sound Believer, in Albro, J. A., ed., The Works of Thomas Shepard (Boston: 1853), I, 115–284Google Scholar. For a full account of the orthodox limits of preparation, see Miller, Perry, “‘Preparation for Salvation’ in Seventeenth-Century New England,” in Nature's Nation (Cambridge, Mass.: Harvard Univ. Press, 1967), pp. 50–77CrossRefGoogle Scholar, and Pettit, Norman, The Heart Prepared (New Haven: Yale Univ. Press, 1966), esp. pp. 86–157.Google Scholar
27. Perry Miller himself seems always to be flirting with the temptation to regard Edwards as primarily “literary”; see not only his Edwards (note 14 above) but also “The Rhetoric of Sensation,” in Errand into the Wilderness (Cambridge: Harvard Univ. Press, 1956)Google Scholar, and the “Introduction” to Images or Shadows of Divine Things (New Haven: Yale Univ. Press, 1948)Google Scholar. For the problem of selfreflexive literariness in MBV, see Carnochan, W. B., “MBV: Symbol, Meaning, and the Context of Hawthorne's Art,” Nineteenth Century Fiction, 24 (1969), 182–92CrossRefGoogle Scholar. Against all more or less moral or psychological readings, Carnochan holds that the story is “concerned above all with the veil as a symbolic object, pointing toward questions that cluster about the notion of symbol itself” (p. 183).
28. Cf. Bercovitch, Sacvan, The Puritan Origins of the American Self (New Haven: Yale Univ. Press, 1975), esp. pp. 1–34.Google Scholar
29. Although some critics have, undeniably, worked too simply with the positive or affirmative values in Hawthorne, the problem itself remains valid and important, and a book like Fick, Leonard J.'s The Light Beyond (Westminster, Md.: Newman Press, 1955)Google Scholar does not entirely collapse under the attack of Frederick Crews.
30. The Melvillean recognition remains apt: “Try to get a living by the Truth—and go to the Soup Societies,” Davis, Merrell R. and Gilman, William H., eds., Letters of Herman Melville (New Haven: Yale Univ. Press, 1960), p. 127.Google Scholar
31. Edwards, Jonathan, “The Divine and Supernatural Light,” quoted in Faust, Clarence and Johnson, Thomas H., eds., Jonathan Edwards (New York: Hill & Wang, 1962), p. 104.Google Scholar
32. The Christian typology of marriage and the Church derives most explicitly from Paul's Epistle to the Ephesians, though it draws much of its richness from the “mystical” interpretation of the Song of Solomon. For the general Puritan acceptance of this system of privileged metaphors, see Wakefield, Gordon S., Puritan Devotion (London: Epworth, 1957), pp. 32–37.Google Scholar
33. Doubleday notes that we see Hooper at Sunday service, wedding, and funeral; he concludes (too simply) that these exhaust “the rituals for what is really important in human experience.” Doubleday, , Early Tales (note 3 above), pp. 171–72.Google Scholar
34. Thus Nina Baym dismisses the “Puritan” import of MBV and associates it with lesser pieces like “David Swan,” “Sylph Etherege,” and “Edward Fane's Rosebud.” Baym, , Shape (note 3 above), pp. 55 ff.Google Scholar
35. The most illuminating treatment of the Puritan problem of baptism—in relation to the psychological experience of conversion, which tended to overshadow it—is Pettit, , Heart Prepared, esp. pp. 74–93, 134–36.Google Scholar
36. The full case for the “Puritan” character of Poe's “horror” remains to be made; I make only the beginnings of such an argument, incidentally, in “The Example of Edwards: Idealist Imagination and the Metaphysics of Sovereignty,” in Elliott, Emory, ed., Puritanism and American Literature (Urbana: Univ. of Illinois Press, 1979)Google Scholar. Edwards's crucial reference to “horror” occurs in his early essay on “The Mind.” See The Works of President Edwards, Dwight, Sereno, ed. (New York: 1829), I, 701.Google Scholar
37. For example, Bercovitch persuades us of Cotton Mather's success in making John Winthrop figure as an American-Puritan Everyman; but many of the more autobiographical cases clearly fail in their representative attempts. And Mather himself surely fits more readily into the “pathological” schema of Austin Warren. See Puritan Origins, pp. 15–25Google Scholar, and New England Conscience, pp. 1–28, 76–87.Google Scholar
38. For the basic Puritan “ambivalence” toward the remaining Protestant sacraments, see Nuttall, Geoffrey, The Holy Spirit in Puritan Faith and Experience (London: Oxford Univ. Press, 1946), pp. 90–101Google Scholar, and New, John F. H., Anglican and Puritan (Stanford, Calif.: Stanford Univ. Press, 1964), pp. 59–76Google Scholar. A partially revisionist argument holds that Puritanism gradually outlived its antisacramental bias in favor of “experience” and that the New England of the early eighteenth century actually experienced a sort of “Sacramental Renaissance.” See Holifield, E. Brooks, The Covenant Sealed: The Development of Puritan Sacramental Theology in Old and New England, 1570–1720 (New Haven: Yale Univ. Press, 1974), esp. pp. 139–224Google Scholar. Assuming Hawthorne was himself aware of these developments—he borrowed Cotton Mather's epoch-making Companion for Communicants in 1828; see Kesselring, Marion, in Hawthorne's Reading (New York: New York Public Library, 1949), p. 56Google Scholar—his point would again concern Hooper's reversion to the original Puritan emphasis on experience as such.
39. Such is the “Transcendental” verdict of Rosina, at the end of the “Puritan” career of Roderick Ellison, in “Egotism; or, The Bosom Serpent.” But as Roderick goes on to show in “The Christmas Banquet” (1844)Google Scholar, the idealist cure may be worse than the moralist disease: Self for self, the nineteenth century beats the seventeenth all hollow; or, paraphrasing Crews, a “snaky” identity may be better than none.
40. For a sexual interpretation of Hooper's self-veiling, see Crews, , Sins (note 4 above), pp. 106–11Google Scholar, and, less drastically, Crie, R. D., “MBV: Mr. Hooper's Symbolic Fig Leaf,” Literature and Psychology, 17 (1967), 211–17Google Scholar. Certain details of Crews's reading are criticized by Quinn, James and Baldessarini, Ross in “Literary Technique and Psychological Effect in MBV,” L & P, 24 (1974), 115–23Google Scholar. Any very stern case against Hooper must come to terms with Elizabeth. For Stein she signifies, “by common biblical association,” a person “consecrated to God” (“Antichrist,” note 10 above, p. 389Google Scholar); but a more strenuous argument might point explicitly to that Elizabeth who was the cousin of Virgin Mary and the miraculous mother of John the Baptist. The effect would be ironic, of course, but the ironies would redound on Hooper primarily; no miraculous birth occurring, Hooper remains—literally, at least—outside the line of salvation, as partial a “Father in Faith” as is Digby in the role of Abraham. For a commonsense justification of Elizabeth as “the norm of human wholeness and love in the story,” see Canaday, , “Veiling Deceptions” (note 10 above), p. 141.Google Scholar
41. For an account of the tendency of liberals throughout the eighteenth century to retain a strict nominal loyalty to the orthodox language of sin, see Haroutunian, Joseph, Piety Versus Moralism (New York: Holt, 1932), pp. 3–71Google Scholar, and Wright, Conrad, The Beginnings of Unitarianism in America (Boston: Starr King Press, 1955), pp. 59–90, 115–134.Google Scholar
42. The famous sermon on “The Danger of an Unconverted Ministry” (1740) is by Gilbert Tennet. See Heimert, Alan and Miller, Perry, eds., The Great Awakening (Indianapolis: Bobbs-Merrill, 1967), pp. 71–99Google Scholar. As Heimert and Miller show, the theme is a dominant one among defenders of the revival.
43. My treatment of Hooper as “absolutist” follows Stibitz, who charges him with “harmfully exalting one idea” (“Ironic Unity,” note 10 above, p. 182Google Scholar). But critical discussion of the typical Hawthorne protagonist as too rigid an idealist has had a long and distinguished history, going all the way back to Randall Stewart's identification of “the scholar idealist” as “perhaps the most important single type of character in Hawthorne's works.” See the “Introduction” to Stewart, Randall, The American Notebooks (New Haven: Yale Univ. Press, 1932), p. xliv.Google Scholar
44. The reference is to Stoddard, Solomon, Doctrine of the Instituted Churches (Longon: Ralph Smith, 1700), p. 22Google Scholar. My point is simply that Hooper can treat the Supper neither (traditionally) as a sign nor (revolutionarily) as a means; his isolationism has rendered any sacrament of unity meaningless.
45. The phrase is that of Milton Stern. See Stern, Milton, The Fine Hammered Steel of Herman Melville (Urbana: Univ. of Illinois Press, 1957), p. 1Google Scholar. Stern treats Melville as a unique anti-Transcendentalist founder of American naturalism, but if such terminology is indeed applicable, it would clearly apply to Hawthorne first, from whom much of Melville's “Christian Naturalism” clearly derives.
46. Baym, Nina, “Hawthorne,” in Woodress, James, ed., American Literary Studies: An Annuall 1974 (Durham, N.C.: Duke Univ. Press, 1976), p. 25Google Scholar. Baym's formulation is in response to my own insistence on the full historicity of “Young Goodman Brown” in “Visible Sanctity and Specter Evidence,” Essex Institute Historical Collections, 110 (1974), 259–99.Google Scholar
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55. For the Universalist controversy provoked by John Clarke and Charles Chauncy, see Wright, , Beginnings of Unitarianism. pp. 187–93Google Scholar. And it is obviously Dwight's response to this controversy that mediates between Bunyan and Hawthorne, controlling the emphasis on hell and also providing the model for smooth-it-away in the “smooth Divine, unus'd to wound/The Sinner's heart, with hell's alarming sound.” See Dwight, Timothy, “The Triumph of Infidelity,” in McTaggart, W. J. and Bottorff, W. K., eds., The Major Poems of Timothy Dwight (Gainesville, Fla.: Scholars' Facsimiles, 1969), pp. 356–58.Google Scholar
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62. Wigglesworth, , Essay, pp. 1, 4, 5, 7, 18, 23, and esp. 31.Google Scholar
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66. Quoted from Miller, and Johnson, , The Puritans, p. 305Google Scholar. Miller also reproduces a brief portion of Hooker's remarks on “Repentant Sinners and their Ministers” (pp. 309–14). Hooker's point is that the converted eventually realize that their induced terrors were necessary and that (ironically, in Hooper's case) the minister himself eventually “feasts [with] them as guests.”
67. Mather, Cotton, Magnalia Christi Americana (Hartford, Conn.: 1853–1855), I, 343, 346.Google Scholar
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71. Such, it seems to me, is the just reading of Hawthorne's much-quoted remarks in “The Old Manse”: Hawthorne reads everything, with “reverence,” and always in search of some “Truth.” If “books of Religion” usually frustrate his search, it is because they “so seldom touch their ostensible subject”—and not, as is often assumed, because the subject itself was outside his concern. It is always with “sadness” that he turns away from such books. Nor is the rejection of “theological libraries” quite absolute: It is only “for the most part” that they amount to a “stupendous impertinence”; and even when they do not advance Hawthorne's own quest, they always reveal (as in a sort of “newspaper”) the history of the general search. See Mosses from an Old Manse (Columbus: Ohio State Univ. Press, 1974), pp. 19–21.Google Scholar
72. The Oxford English Dictionary makes it clear that “parson” is, etymologically, the same word as “person” but that, historically, it refers to the legal person in whom ownership of the local (English) parish church is invested. Thus it is both properly Anglican and inherently objectionable to Congregationalists.
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76. Parsons's sermon was a local and not an official performance, and so was not immediately published. But Parsons gives a full account of its text, doctrine, and impact in his “Account”; see The Christian History.… for the Year 1744 (Boston: 1745), pp. 133–43.Google Scholar
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78. Now a fairly rare book, to be read by most people in microtext (American Periodical Series, Film 639a, No. 18, Reel 10), The Christian History is an extremely important work in the intellectual and literary history of America. Suggested by Edwards and supervised by Thomas Prince, Jr., it began (on March 5, 1743) as an eight-page weekly periodical to which revivalist ministers, seized by a sense of an approaching millennium, submitted their own accounts of the revivalistic progress of salvation in their own congregations. Then, after the Awakening had run its great and general course, it was separately reprinted as The Christian History, Containing Accounts of the Revival and Propagation of Religion in Great-Britain and America For the Years 1743 and 1744, 2 vols. (Boston: 1744, 1745)Google Scholar. Parsons's “Account” appears as pp. 118…162 of Vol. II.
79. Miller, Perry, Jonathan Edwards (New York: Sloane, 1949), pp. 137–38.Google Scholar
80. In many ways Trumbull's Connecticut is the perfect complement to Hutchinson's Massachusetts, providing not only an overview of New England's “other” colony but also a perspective that took the religious affairs of revival and separation as seriously as secular matters like warfare and constitutional problems. Supplemented by The Christian History, it would have been sufficient.
81. As Goen makes clear, men touched by the New Light saw “no middle ground” with ordinary men, as these “separatical times” saw the formation of “nearly a hundred [new] churches.” Goen, , Revivalism and Separatism (note 9 above), pp. 66, 68.Google Scholar
82. The separations of Guilford and Milford both involve the withdrawal of an awakened congregation from an unawakened minister, but they seem necessary to complete the whole “world” that inspired MBV; especially suggestive is the former, in which a minister sows the seeds of separation by “hiding his real sentiments.” See Trumbull, , Complete History, II, 114–34, 177–79, 335–39.Google Scholar
83. Chauncy's attack on the discord and strife of the Awakening—frightening women and children, confusing many a “little flock,” and upsetting the ordinary arrangements of society—clearly has elements of domestic as well as of social, political, and theological conservatism. And it is his attack, made on the basis of his own survey, that later historians (like Trumbull and Tracy) were still answering. See Seasonable Thoughts on the State of Religion in New England (Boston: Rogers & Fowle, 1743; Evans, 5151); esp. Part I, pp. 103–19.Google Scholar
84. Baym, , ALS/74, p. 25Google Scholar. Baym's article on “The Head, the Heart, and the Unpardonable Sin,” New England Quarterly, 40 (1967), 31–47Google Scholar, arranges these traditional counters as well as anybody else's, without rescuing Hawthorne's moral psychology from the charge of banal simplicity; see Green, Martin, Revaluations (New York: Oxford Univ. Press, 1965), pp. 61–85.Google Scholar
85. For the intimate relation between sorrow (tristitia) and sloth (acedia), see Wenzel, Siegfried, The Sin of Sloth (Chapel Hill: Univ. of North Carolina Press, 1960), pp. 23–28, 51–55, 155–62, 171–74Google Scholar. Sorrow also figures crucially in Burton's climactic chapter on “Religious Melancholy.” See The Anatomy of Melancholy (London: 1854), esp. pp. 713Google Scholar ff. The Standard Puritan text is Baxter, Richard's Preservations Against Melancholy and over-much Sorrow (London, 1716)Google Scholar, but we should not forget the ironic fact that Hooker's early reputation rested on his cure of souls driven by sorrow to the brink of despair. See Mather, , Magnalia, I, 334.Google Scholar
86. The “anatomy” of Romantic “sorrow” remains to be written. Morse Peckham's theory of a “negative romanticism” might provide a primitive conceptual beginning; see “Towards a Theory of Romanticism,” Publications of the Modern Language Association, 66 (1951), 5–23Google Scholar. The “conclusion” might sound like Geoffrey Hartman's formulations concerning “Romanticism and ‘Anti-Self-Conscious,’” in Bloom, Harold, ed., Romanticism and Consciousness (New York: Norton, 1970), pp. 46–56Google Scholar. A preliminary table of contents would be offered by the later chapters of Anderson, G. K.'s The Legend of the Wandering Jew (Providence: Brown Univ. Press, 1965)Google Scholar. By themselves, however, Anderson's Anti-Christ-ian instances provide a morphology too Byronic and unsubtle. One needs to throw in a certain amount of Coleridgean “dejection” and Wordsworthian “despondency” to strike the uneven balance.
87. For hints of Hooper's Byronism, see Bell, , Artist, pp. 23–24, 68Google Scholar. For the implication of later, more advanced forms of subjectivity, see Santangelo, , “Absurdity”Google Scholar (note 10 above), and Benoit, , “Psychology of Death” (note 3 above).Google Scholar
88. The search for minimum psychological essence is epitomized by Baym's discussion of Hawthorne's “Twice-told Tales Period” in terms of a troubled minor romanticism. See Baym, , Shape (note 3 above), pp. 53–83.Google Scholar
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97. Ibid., p. 264. Cf. Chapter 96 (“The Try-Works”) in Moby Dick.
98. The realization that concepts like “Romantic” and “pre-Romantic” are largely the invention of later criticism should not obscure the facts of literary history itself, where the plot is fairly thick. For example, Melville's famous opposition of his literary men of sorrows to Rabelais recalls Hawthorne's use of Cowper and Rabelais at the end of “The Virtuoso's Collection” (Mosses, p. 493Google Scholar); and Hawthorne's Virtuoso is himself a version of the Wandering Jew, considered as a sort of ultimate Romantic (but anti-Christian) man of sorrows. Moreover, Melville's prior reference to “Virginia's Dismal Swamp” seems to embody his recognition of Hawthorne's allusion, in “Ethan Brand,” to the “Bartram” who named that landscape (and influenced Wordsworth, also alluded to in “Ethan Brand”).
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101. Quoted from Langdon, G. D. Jr., Pilgrim Colony (New Haven: Yale Univ. Press, 1966), pp. 101–2.Google Scholar
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