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Published online by Cambridge University Press: 30 July 2009
An Emersonian notion of originality and autonomy has over the last century and a half evolved into an enduring part of our cultural heritage. In a nation fractured by racial or class barriers, this assertive individualism continues for many to hold forth the hope of a fundamental principle overlapping our cultural divisions. Of course, this self-reliance has not gone unquestioned in an age of postmodern skepticism. If once a defiance of history and society seemed the American Adam's heroic gesture, recent critics such as Frank Lentricchia and Donald Pease have pointed out the Emersonian self s inescapable ties to the overdeterminate world of discourse. Not only have recent critics dismissed the plausibility of Emerson's idealism, they have disavowed its ideology of solipsistic independence that repudiates collective life. What I would like to do is to pose the problem of Emersonian individualism differently, to frame the terms of the debate less according to false oppositions between authenticity and culture, self and society, or freedom or fate, than in terms of complex negotiations about social authority undertaken in response to the “age of reform's” blurring of traditional distinctions between the public and private. In the second quarter of the 19th Century, the push toward state-sponsored education, specifically, was refiguring power in terms of socialization. Within his essays, Emerson acknowledges that identity is, and could only be, a social construct. Rather than trying to elude the fate of circumstances, Emerson, it might better be argued, attempts to redefine the nature and limitations of freedom in a world where, as he says in his lecture on “Culture” (March, 1851), “education” has superseded politics.
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10. Emerson's notion of self-culture evolved as part of a larger cultural shift, as Raymond Williams notes, in the meaning of culture as a “process of ‘inner’ or ‘spiritual’ as distinct from ‘external’ development” (see Marxism and Literature [Oxford: Oxford University Press, 1977], p. 14).Google Scholar For a discussion of the Unitarian roots of Channing's theory of self-culture and its influence on Emerson, see Robinson, David, Apostles of Culture: Emerson as Preacher and Lecturer (Philadelphia: University of Pennsylvania Press, 1982), pp. 16–22.Google Scholar My purpose is not to argue that a self of becoming represented a distinctly Emersonian — or even American invention - but to look at the immediate cultural events that would have created Emerson's sympathy toward Romantic and Unitarian notions of self-cultivation.
11. Emerson, Ralph Waldo, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, ed. Gilman, William H. et al. (Cambridge: Belknap Press of Harvard University Press, 1969), vol. 7, p. 237Google Scholar; hereafter documented in the text as JMN.
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16. As a result of Mann's public denunciation of the Fugitive Slave Law, Emerson would in 1852 declare Mann, “one of the four powerful men in the virtuous class in this country” (JMN, XIII, p. 49).Google Scholar Abolition, if not school reform, would finally unite the great educational reformers as spiritual friends.
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28. Rieff, Philip (The Triumph of the Therapeutic [New York: Harper and Row, 1966], p. 56)Google Scholar contrasts the modern psychological quest for well-being to the rigid character ideals of the premodern period. Within Mann's discourse on education, a devotion to ideas and to self-fulfillment were, however, complementary goals.
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42. See Gilmore, Michael (American Romanticism and the Marketplace [Chicago: University of Chicago Press, 1985])CrossRefGoogle Scholar for an analysis of how the leading writers of the American Renaissance registered in their idealistic thinking the conceptual shifts brought about by the Marketplace Revolution.
43. See Porte, Joel, Representative Man: Ralph Waldo Emerson in His Time (New York: Oxford University Press, 1979), p. 153.Google Scholar
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45. Michael, John (Emerson and Skepticism: The Cipher of the World [Baltimore: John Hopkins University Press, 1988], pp. 77–80)Google Scholar argues that Emerson attempted to deny that “the self never absolutely exists, but is always found in the eye and voice of its relation.” While an excellent reading of Emerson's own personal crisis about the status of the self, Michael ignores how this notion of a relational self might have affected Emerson's response to his audience.
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48. For a provocative discussion of Emerson's essays as a response to the “want of social confidence” that foreign observers such as Harriet Martineau observed in an “other-regarding” antebellum society, see Packer, Barbara, Emerson's Fall: A New Interpretaton of the Major Essays (New York: Continuum, 1982), pp. 90–91.Google Scholar
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